Shock absorption, sending a message, coming home late, two stories about 80' s, a trip to the lake and Qiu Guang, two closed doors, writing a page for Li Guoguang, Chun Xue, recalling the past, claiming debts, and then returning to my hometown, two past events and three sighing poems.
Slight rain, stagnant back, urging back, tea affairs, writing a book, two karma poems, on paintings, two paintings by Zhu Nizhan, two paintings by Ma Yi, fifteen miscellaneous poems in the courtyard and seven quatrains.
The most famous ones are: recalling the past, collecting debts, returning home, and feeling old.
Extended data:
Wang Gang, a collector of cursive scripts in Lin Sanzhi and a connoisseur of cursive scripts in Lin Sanzhi, said that Lin Sanzhi's works in the 1960s were mainly rigid and soft, supplemented by softness. Strong and thin, open and close well. The works of the 1970s are characterized by the combination of rigidity and softness, the appropriateness of movement and static, the inclination and the cohesion of words. The works in the 1980s are mainly soft, supplemented by rigidity. It's grass, too. The ink is still wet.
Zhao Puchu, president of the Chinese Buddhist Association, praised Wan Li's trip to thousands of books, which was thoughtful and insightful. Simi is a good metaphor. Years and achievements have deepened the beginning of territory. ?
Writer and calligrapher Guo Moruo: Lin Sanzhi's calligraphy represents China.
The famous Japanese calligrapher and modern stele giant Sugiyama Castle Peak: This is the legacy of Cao Sheng.
Shen Peng, Chairman of China Calligraphy Association: Lin Sanzhi entered the highest hall of calligraphy without any other factors.
Yaming, Master of Chinese Painting: Lin Sanzhi belongs to the world. Because of the existence of Lin Sanzhi, China maintained the central position of traditional calligraphy in the world.
Ma Hongzeng, an art critic in China: Zhang Zhi in the Eastern Han Dynasty, Wang Xizhi in the Eastern Jin Dynasty, Huai Su in the Tang Dynasty, Wang Duo in the Ming Dynasty and Lin Sanzhi in the present age are all great calligraphers who can be called milestones in the development history of cursive script.
Fu Lei, translator and literary critic: Mr. Lin's pen style is dull and moist, and he has won the charm of Song and Yuan Dynasties, and he is really unique among high-footed guests.
Calligrapher Qi Gong: The poem of the old man, with a history of Luo Zi in his chest and a mountain in his eyes, was written by a man who read thousands of books and took the road of Wan Li. It is bold and unconstrained. There is no heart to carve chapters and sentences, but there is handy joy.
Baidu Encyclopedia: Lin Sanzhi