First, the brushwork is relatively hidden and calm.
Liu Ti's brushwork is full of calm breath.
Second, the font is tall and slender, and the brushwork is tall and vigorous.
The font is slender, similar to European style, but it is quite different from Zhao Ti font with fat face and wide flat face. The thickness between the horizontal and vertical is smaller than that of the face, thin, hard and straight, with a heroic spirit.
Third, the middle of the knot tightens, and the end of the line extends in full bloom.
The waist of the willow character is slender, showing a contraction in the middle palace; The end of the stroke is in full bloom, which is in sharp contrast with the middle palace.
representative works
Liu Gongquan has many works handed down from generation to generation. The inscriptions handed down from ancient times include the Diamond Sutra, the Mysterious Tower Monument and the Su Feng Monument. Among them, the engraved version of Diamond Sutra, the mysterious pagoda monument and the Shence Army monument can best represent its regular script style.
Liu Gongquan's cursive scripts include Shen Fu, Sixteenth and Insulting Xiang Tie. Their style still inherits the style of the Wangs, which is rigorous and natural.
In addition, the ink "Zhao Meng Tie", "Postscript of Wang Xianzhi's Pear Tie" and "Zhao Meng Tie" are all seven lines and 27 words on white linen paper, which are now in the Palace Museum. Their book was engraved in "Sanxi Hall Fa Tie", titled "Ecological Danger, Strength in the Right Army", with a slightly elegant posture and heavy strength.