Waves and rapids rushed into the island, immediately split in two, one suddenly turned sharply, and crashed into cliffs, snow waves and waves, more condensed and rushing down.
Along the way, sometimes by moonlight night, listen to the sad apes, wet dew, and enjoy the fragrant grass; Sometimes in the early morning, it's near spring and wild, green and vast, far and high, and white clouds gather.
I want to rely on the quiet scene at night to participate in this meditation.
But day and night, Chao Si thought about it and was still puzzled.
Because he couldn't stand meditation, he climbed the cliff and climbed to Shijingshan. The radish in the garden has grown to the top.
Visiting UFOs, overlooking, but three rivers and nine streams, the record of ancient sages, has become a difficult story to follow; The vicissitudes of nature and the truth of nature are even more difficult to study.
Now strange people cherish their treasures and the spirit of their treasures; The warm and moist golden paste has destroyed its brightness and brightness and lost its stream temperature.
I played "Qian" for this earth-shaking and not ignorant thing.
Suddenly, a voice came, and all was silent, only the endless melancholy echoed in Jiangtian. Navigation, life, landscape writing, landscape sadness and annotation translation
I'm tired of staying on the water day after day, because the trend is changeable, unpredictable and dangerous. Li Peng's waves are turbulent, and sometimes when he meets an island, he immediately splits into two strands, plummets, slams together, and collides with the cliff on the shore, making the snowy waves collapse, more cohesive and rushing down. Along the way, I sometimes go for a night trip for a month, listen to the plaintive ape, walk in the wet dew and enjoy the fragrance of the grass; Sometimes in the morning, from a distance, the fields in late spring nearby are beautiful and endless in green. In the distance, pale rocks are towering and white clouds are gathering. I want to understand this mystery by talking to the quiet scene in the early morning at night. However, day and night, I am dizzy and puzzled, and I still don't understand it. Unable to stand meditation, I climbed the cliff and climbed Shijingshan. Pull Laura to pull the leaves and enter the top of the pine door. Visiting different places to explore the secret, climbing high and looking far, but the records of Sanjiang Nine Schools and sages have become hard to find; Things have changed, and this ever-changing natural principle is even more difficult to study. Nowadays, different people have cherished their wealth and kept their spiritual secrets; The golden frost fairy medicine, moist as jade, has already extinguished its bright light and stopped its flowing temperature. For all this upside down, I played the song "Farewell to a Crane in a Thousand Miles". Suddenly, there was a broken string, and all was silent, only the endless sorrow echoed in Jiangtian.
Appreciation of creative background: "Tourists are tired of water, and the trend is difficult to talk about." The two sentences suddenly rose, and the general outline of the poem was established. The words "tired" and "difficult" are the most chewy, laying the main vein throughout. The poet is tired of day-to-day water travel and accommodation. Why are they tired? Because the trend is difficult to explain one by one; In other words, it is unpredictable, unpredictable and dangerous. It seems that this is the impression of this trip, and by extension, it is the summary of many years of travel; In-depth study, but also vaguely feel that being an official, right and wrong, the official sea storm cast a shadow in the poet's heart. "The island suddenly rounded up and the shore collapsed again and again." The water potential written in Cheng's "Difficult Theory": the waves are rough, sometimes they meet the island, then they split in two, and suddenly they meet and collide with the shore cliffs, making the heavy snow waves collapse and pour down. This dangerous water potential is a footnote of "difficulty", and it also conveys the poet's uneven voice that plagues ups and downs.
In five or six sentences, the pen suddenly opened a clear scene, saying that along the way, sometimes walking in the wet dew, listening to the plaintive ape, enjoying the fragrance of grass; Sometimes when I get up in the morning, I can see the wild scenery in late spring nearby, and the green is endless. In the distance, pale rocks are towering and white clouds are blossoming, which seems to converge at the summit. A vaguely like two quiet and beautiful scenery; But is this really the case? Seven or eight sentences have removed the connotation. "Thousands of thoughts gather day and night, and all feelings are full of ambiguity." It turned out that Jingjing did not show the poet's peace of mind. He just wants to understand the mystery of this "difficult theory" through the dialogue with Jingjing in the early hours of the evening. However, day and night, it is still just a puzzling "difficult theory". So he is full of emotions, and he no longer resists meditation. He climbed the cliff and climbed the Shijingshan Mountain in the east of Lushan Mountain next to Xunyang City. Pulling Luo to pull the leaves, she passed through the pine trees sandwiched in forty miles and entered the top of Songmen Mountain in the 330-mile lake. Visiting different places to explore secrets, climbing high and looking far, I hope that the traces of spirit can illuminate the problems in his heart, and going east to the river can enlighten his chaotic reason. However, the records of the nine schools in Sanjiang and the sages have become hard to trace; It is even more difficult to seriously study why there are such ever-changing natural principles. Guo Jingchun's "Fu Jiang" once said that the Yangtze River is "hidden and true, which is very different from the human spirit", and Jiang Shen's residence is "happy ever after, with Yao Zhu and strange stones showing its appearance". However, now, different people have cherished their wealth and kept their spiritual secrets; The golden frost fairy medicine, which moistens water and jade, has already extinguished its bright light and stopped its flowing temperature. "Heaven and earth are one, sages hide but don't show", and the poet is no longer "tired" of all these upside-down searches, so he plays the guqin music of "a thousand miles away". "Although the Yellow Crane is far away, it's time to make a permanent decision, but a little affection in my heart really won't disappear." The surge of emotion urged him to play quickly, hoping that the sound of the piano would wash away his troubles. Suddenly, there was a broken string, and all was silent, only the endless sorrow echoed in Jiangtian.
"Into the Lake Mouth" shows the new entrance of Daxie's poetry. Looking at Xie Ji again, probably before he was thirty-eight years old in 422 AD (Yongjia three years), his poems were rarely preserved, and his style was more based on the thoughts of An (such as Shu Zude's poems) and Taikang (such as Song Gong's riding platform on the ninth day), and had not yet formed an obvious unique style. In the nearly ten years from Yongjia's relegation to his second seclusion, he established the lofty position of the originator of landscape poetry with the feelings of resentment and harmony. He is good at vaguely conveying the change of feelings in the alternation of objects and images in the Qing Dynasty, which means that the meaning is connected and the face is distorted, while the hammer is precise, profound and delicate. However, the needle technique is too fine, the object is too precise, the code is too straight, there are too many languages, and it feels sluggish to read, lacking the verve of Du Fu and Han Yu. This weakness was broken in some chapters of the second seclusion, but it was not big. At this point, poetry can already be regarded as the forerunner of Du Fu's and Han's poetry, which has three forms of expression:
One is that the gap tends to widen. Xie Lingyun wrote this poem first, and the journey is very narrow. Although he has already broken through the barriers of the Han people, he always uses the scenery of one place to express his anguish and explore the mystery, but after all, the margin is narrow and the atmosphere is insufficient. This poem, with twenty sentences, covers more than 300 miles of scenery in the lake, with less and more, and its breadth is unprecedented, so it is more spacious and noble than the previous work.
Secondly, the pen is easy to jump; This is not only because of the big landscape; And because the stitching in the previous poem was cancelled. The abrupt and vivid connection between "Spring Festival Evening" and "Baiyun" fully shows this progress. It not only breaks the pattern of one scene and one emotion, but also has several emotional levels in a scene writing, and achieves the effect of alternating dynamic and static, alternating shades and relaxation. This leap is combined with its inherent rigor. The whole poem is tired and difficult, then it begins with "difficulty" and finally returns to a deeper level of "fatigue", showing the anger in fatigue. In this main line, the combination of "thousand thoughts and feelings" and "Three Rivers and Nine Schools", a reverse connection and a smooth turning point, made two bundles, and then combined the leaping and rigorous organization perfectly, which is the most important move in the poetry structure of Du Fu and Han Han.
Third, the more formal integration of scenery language, emotional language and rational language: the rational language in Xie Shi is by no means the "Hyunri tail" that people often say. His theories are born with feelings in the landscape, which has been mentioned many times in previous appreciation. Under the historical conditions at that time, there is nothing wrong, but it is also a. The reason of this poem is more harmonious. In fact, the whole poem is about the "difficult theory" of reasoning, but it was not until "Nine Schools of Reasoning Empty" that this point was made clear. Then, I wrote Jiang Jing's next sentence. Every sentence in the scene is full of emotion and reason, but what you see is what you get, with no trace. The last sentence "I miss Milton on the string" is far-sighted and tastes sour and salty. If we say that most of the previous thank-you poems are attributed to rationality, then this poem is reversed, and rationality becomes the foil of situational expression, showing a process of further escaping from the influence of metaphysical words in landscape poems.
Xie Lingyun (385-433), a native of Taikang, Henan Province, and a native of Shining, Huiji (Shangyu, Zhejiang Province), was originally Chen Jun's Xie family. Posthumous title "Ke", the grandson of Xie Xuan, a famous soldier in the Eastern Jin Dynasty, was called "". He also attacked Gong to thank Kang Gong and Xie. A famous landscape poet in Liu and Song Dynasties was the pioneer of the landscape poetry school in the history of China literature. Lingyun, landscape poetry has become a major school in the history of China literature, the most famous of which is "Mountain Residence Fu", which is also the first great traveler in history. Xie Lingyun also studied history, engaged in calligraphy, translated Buddhist scriptures, and wrote the Book of Jin. There are 14 kinds of Xie Lingyun's books in Gyeonggi, Sui Shu and Jin Shu. Xie lingyun
The head of the pole is flat, and the wind is long. Soft sculling is an uninterrupted boating trip. There are many flashes in my eyes, just like coming to see a mountain. Look at the mountain carefully. This is a boat trip. -Five Dynasties, anonymous, "Huanxisha, Infinite Dry, Smooth Wind", Huanxisha, Infinite Dry, Smooth Wind.
The head of the pole is flat, and the wind is long. Soft sculling is an uninterrupted boating trip.
There are many flashes in my eyes, just like coming to see a mountain. Look at the mountain carefully. This is a boat trip. There are 300 Song Ci poems, graceful and restrained, describing scenery, boating, rain, sudden wind, sailing and dancing, and a boat gently wading into the bay. People are by the water. Finless porpoises blow waves, and sand birds get fish. Only peerless people are happy, so I will give him a hand and answer the phone. Today's ci has no possibility of revival. When Madang Mountain goes down the road, there are wild clouds in the air. —— In the Qing Dynasty, Xue's "Linjiang Fairy Storm Over Madang Mountain" Linjiang Fairy Storm Over Madang Mountain
The rain suddenly flies like a sail, and a flat boat streams. People are by the water. Finless porpoises blow waves, and sand birds get fish.
Only peerless people are happy, so I will give him a hand and answer the phone. Today's ci has no possibility of revival. When Madang Mountain goes down the road, there are wild clouds in the air. Graceful and graceful, boating to write the scenery of Nanhu Lake, the autumn water is smokeless at night, and riding straight into the sky. Let Dongting Lake enjoy some moonlight on credit and enjoy the moon and drink happily. -Tang Li Bai's Five Poems of Dongting Lake II Five Poems of Dongting Lake II
In the autumn night, the south lake is clear of water and smoke. How can you ride the sky?
Let Dongting Lake enjoy some moonlight on credit and enjoy the moon and drink happily. Moonlight night, boating, scenery writing, lyrical.