What achievements has Mi Fei made in literature and art?

As a famous painter in the Northern Song Dynasty, Mi Fei is in the mature era of literati painting, with a wide range of painting themes, including figures, landscapes, turquoise, plum, orchid, bamboo and chrysanthemum. Mi Fei has made the greatest achievement in landscape painting, but he doesn't like the towering and mountainous northern landscape. What he appreciates is the ever-changing water towns in the south of the Yangtze River, which are "beautiful scenery", "naive and simple" and "smart and interesting without affectation". So Miffy pursues nature in artistic style. His "Mi's Yunshan" is all written in letters, and the clouds cover the fog.

Dong Qichang's Essay on Painting Zen Rooms in Ming Dynasty said: "I tasted the word rice and thought that the Song Dynasty was the first. After all, it was based on Dongpo. In other words, Mi Dian's books are more self-sufficient. When he changed in his later years, it was strange that ice was colder than water. " When the emperor asked about calligraphy, Mi Fei claimed to be a "brush character". He was modest and down-to-earth, and "brush character" showed that he was quick and energetic with his pen and tried his best. His calligraphy works, from poems to bamboo slips and inscriptions, are full of vitality and freshness. Judging from the existing nearly 60 Mi Fei's handwriting, the word "brush" vividly shows the spirit of the word "rice". No wonder Su Dongpo said, "Mi Fei gets carried away." He also said: "Haiyue wrote seal script, official script, original script, running script and cursive script all his life.

Mifei's calligraphy works

Horses. Calm and happy, when parallel to Zhong Wang. Not only is it worth it. Mi Fei's calligraphy had a far-reaching influence, especially in the late Ming Dynasty. Many scholars, such as Wen Zhiming, Zhu Yunming, Chen Chun, Xu Wei, Wang Juesi, Fu Shan, etc., all took a copy of the Heart Sutra from Mi Zi, and this influence has continued to this day.

Mi Fei's calligraphy has reached a high level, and his calligraphy theory is quite a lot. He is the author of History of Books, Famous sayings of Hai Yue, Visiting Bao Lu, Copyright Review and so on. It shows his outstanding courage and refined taste, and often scoffs at his predecessors. However, he never followed the old saying and was valued by calligraphers of all ages. However, he also talked too much, belittled Ada and Xu Su, and was harsh and critical.

Mi Fei's ink handed down from generation to generation mainly includes Tiaoxi Poetry Collection, Shu Sutie, Fiona Fang Anji and Ma Tiancai, among which there are many Korean essays.

Mi Fei is good at ink and wash landscapes, and is called "the Yunshan of Mi Fei", but Mi Fei's paintings do not exist in the world. But the only thing that can be seen now is almost not the real "rice painting"-"Coral Pen Container Map", in which there is a coral pen container inlaid with the word "golden sitting" by Zuo Shu. Then add rice dots and inscriptions, and Mi Jiashan water will pop up. It's quite interesting for Miffy to use painting as a ghostwriter.