What are the good words and sentences that describe calligraphy works?

Good words:

1, full of ink? History of the three kingdoms

Pen and ink are used freely and incisively. It describes calligraphy and poetry.

2, the pen walks the dragon snake? Ban Zhuo Yong she

The dragon and snake pranced in the fence. Describe the vigorous and free brushwork of calligraphy.

3. Dragon and Phoenix Dance? Longfeifen w incarnation?

Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.

4, dragons and snakes fly? lóng shéfíI dòng?

Describe the vigorous and vivid strokes of calligraphy. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."

5. Is it floating in Phoenix Park? LUN piāo fèng bó?

Luan: the legendary phoenix. Originally, calligraphy was described as unrestrained and uninhibited, and it was also compared to the separation of husband and wife in high flyers.

6. Xiangxiang Fengqi? Luan Xiang Feng Chu

Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty and diversity of calligraphy or poetry style.

7, three points into the wood? rùmúsān fèn

Calligraphy used to be descriptive, but now its analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.

Good sentences:

1, take a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).

2. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.

3. Gu Mo lightly grinds a few perfumes, and the new bath in the inkstone pool is full of light, either strong or tactfully, or graceful and beautiful, or vigorous and brave, or like the spring breeze, or like the deep and cold when the north wind enters the customs.

4. Wang Xizhi has a deep understanding of real calligraphy, calligraphy and calligraphy. His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".

5, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.

6, publicity, not tied at all, even the whole line is put down, like a fairy to escape, come and go without a trace.

7. I borrowed a wisp of flying smoke from a meandering stream, polished an inkstone with my hand, and laid a blank sheet of paper for my mood.

8. In one stroke, if the field of vision is out of control, the horse will fly and leave; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.

9. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.

10, although paternal, is not a new coincidence. Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry.