Wen/Wang Xiangfu
Huai Yi's article was good, so he used his article to nurse his paintings, and his paintings were very different from others. Some people use money to nurse their paintings, some people use wine to nurse their paintings, some people use fame to nurse their paintings, and Huai Yi nursed their paintings with good articles. Most of Huaiyi's articles are short, not learned articles, not articles with strict barriers, but good articles with good spirit. A good article is like good water in the mountains, but it is destined to flow out when it is stored underground, flowing alive among the mountains and rivers, and under the bushes and flowers. When I was pregnant, it became a painting by him. What do you say about literati painting? Can it be said that a painting with "humanistic feelings" is a literati painting? New literati paintings how to solve? Where is the new one? There is no distinction between the old and the new in the world, especially in art. Then this new one is hard to understand, but there is no need to solve it. Many things in the world cannot be solved. Why is the red color red instead of green? If you think about many problems in the world in this way, maybe you will realize it. New literati paintings is just like someone has given himself a name, calling him a pig or a dog. It has no special meaning. If there is any meaning, then New literati paintings can be said to refer to a painting like Wu Huaiyi.
Wu Huaiyi's paintings combine all kinds of valuable heritages of China's traditional paintings, so as to resist the situation that contemporary life has caused the traditional culture to fall apart. In fact, Wu Huaiyi's artistic behavior is also causing the traditional culture to fall apart. What do we learn from this?
The daydreams of the new literati painters are beautiful, and they are really "better able to eliminate several storms and make a piece of paper".
Huai Yi's paintings can be neither secular nor commercial because of the nourishment of the article. Secular paintings are too considerate to the world, for fear of being a little inappropriate to the world, just like a housewife with a red face who cooks in the kitchen, sweating all over her face, busy in the east and busy in the west, thinking of everything for her guests, but the guests don't buy it. New literati paintings, however, often cooks whatever he likes. Of course, if you want to eat, you might as well have a bite. That dish is by no means "cooked as usual" in a big restaurant, but it is a "stir fry" that only depends on personal preferences. Commercial painting means selling money. If you want to sell money, you have to look good. It's like a woman's face, which is full of joy for important people, so you smear it here and there. Sometimes it looks good, but people can't see the real face behind cosmetics. New literati paintings is a bit plain in it. Whether you like it or not, maybe you come together early in the morning and wash your hair with clean water. As for your hair, you just comb it and come out to meet people, but it often makes people like it very much. However, if you like more people, you are not happy. New literati paintings and the old literati paintings add up to such a strange spirit, with a stubborn spirit in his bones.
Huaiyi's paintings remind people of the past Chinese medicine doctors who treated darling daughter in the boudoir. The curtain hung tightly, which only allowed the doctor to feel a slim jade arm protruding from the curtain, a good jade arm, which only made people see such a small jade arm, and other parts were completely ignored, but it attracted more imagination. Huai Yi's paintings are more than a few, and he is only willing to show people one or half of his jade arms, and he is extremely stingy with his pen. Other people's painting of mountains is a pen plus a pen. The more land reclamation samples, the better. The more land paintings are added, the more ink is applied, the better it is applied. However, the mountain with Huaiyi is only one or two lines, plus a little bit of ochre or blue flowers. The pine trees are so thin that the branches are so unwilling to grow in his paintings. There are two trees under the mountain, and only two or three pinks of pine leaves grow on each tree. Bamboo, too, seems to have been plagued by insects, leaving only two or three leaves, but they are sparse and bright, and all the excess has been removed from the pen and ink.
Some people often consult with life and the painter when painting, but Wu Huaiyi never discusses with anyone, as if he wanted to paint. A small pavilion, three people, stands in mid-air. I don't know what to say there. There should be mountains around the dangerous pavilion, but there are no mountains. People who read paintings always want mountains, but there are no mountains in the painting. The reader will understand that nothing is covered by fog. With such a thought, the small pavilion and the blank space of the two trees are really foggy, and it is a white fog. This is the interest, the interest of "making something out of nothing".
A good painting is supposed to make people "make something out of nothing", just like a painting makes people "make something out of nothing". What about that? Read a picture and remember it. Text/Zhu Xinjian
These days, everyone is busy, and it is not easy to grab a handful of friends and talk nonsense calmly. Huaiyi is a leisurely and calm friend.
When I first met him, I met him, and he talked about literature and painting with Kan Kan. He doesn't pay much attention to his clothes, and he is not busy answering his mobile phone. He thinks he is a "gifted scholar" who is "incompetent", so he is called "pregnant one".
It took him a long time to realize that he was actually doing a lot of things and was very busy. Writing novels, doing text editing in writers publishing house; He also painted, and set up the "February Bookstore", and successively compiled several pictorial magazines such as Painting Style, Chatting, and Tibetan Painting Guide, and compiled many wonderful literary and artistic collections and monographs. Today, when books and newspapers stand side by side, they stand out and become eye-catching stars in the circle. I thought his "leisure" and "calmness" were just his style of "lifting weights easily".
When we play together, of course, we still talk about painting mostly. He likes Jin Nong and Qi Baishi, and he likes the pen and ink with simple artistic conception and simple style. We are very congenial.
I always thought that making a piece of paper look good or not is not an important thing at all for painting.
my brother's pen and ink are "ugly". Bitter and light, it reveals the literary spirit of a scholar in his bones and the generosity of a northern man.
I like my brother's paintings. Han Yu/Wen
In p>2, after the draft of Painting Style was printed, when I saw the name of the editor-in-chief-Huaiyi, two words came out subconsciously: monk.
The first time I met him, he came to Shishi on business and invited me to have dinner with a local painter. Go to buy CDs after dinner. The owner of this shop is a woman. The female boss suddenly mumbled and then scolded. I asked the painter next to me, "Who is she cursing?" The painter whispered, "I don't know what Huai Yi said that annoyed her." I chose the CD in the bristle and walked out of the shop in the bristle. Huaiyi is chatting outside the door, turning a deaf ear to the scolding in the door, practicing kung fu well and being invulnerable.
Beijing painters came to Shishi to hold an art exhibition, and there was a painting: only a flower (like a peony) with a few leaves, so simple but simple and atmospheric, with great tension, which made me look at it again. Turn out waves in a glass of water, and there will be valleys in your chest. I asked who painted it. The curator said, "Huaiyi."
I've come to the stone once or twice, and I'm familiar with it for the first time. Let's go to Taihang Mountain Village to play. Gossip on the way, I mentioned that chickens raised in mountain villages are more delicious than chickens sold in cities. And jujube wine. After arriving at the village, Huai Yi eagerly shouted to the landlord: "Buy five chickens and stew them!" It's almost like Fan Kuai fighting for wine. We are Zheng, and so is the landlord.
He once invited us to visit his hometown of Datong. Although it was late summer, it was extremely cold on the day of visiting the grottoes, and they all shrank like frozen flies. Holding a pair of hands and shoulders is like Mo Ji in Hongluan Jubilee. We teased him: "Why didn't you wear one more when you came out of the house?" He said, "I wanted to wear one more, but my wife said that it was so warm that I didn't wear anything else." But he added, "When my wife said this, she was still under the covers."
I remember the scene of burning porcelain in Pengcheng again, and I have a special liking for a pair of porcelain. It seems that people can't love anything too much. Once they love too much, they will become fools. Let's just say that this painting is porcelain-fired. What is painted on the blank is the same, and what is burned is the same. In order to see the other one, I woke up one day and Cui Hai was left alone. I asked, "What about pregnant one?" Cui Hai said, "They all went to the kiln." I said, "Isn't the furnace on at nine o'clock? It's just seven o'clock. " Cui Hai said, "They left at six o'clock and went to sit at the gate of the kiln and wait. Hey! "
Huai Yi made a copy of Tibetan Painting Guide and sent it to me. After reading it, I was happy. Look at the title: "All the painters with great masters were destroyed in the hands of the small boss in Shandong". Look at the note: "This boss dares to say that other painters may not be able to stand it. What about Zhu Xinjian?" ; "Zhu Xinjian plays Zen, yes, no, no, it's fun"; ""foreigners are actually not worse than us "; "It is said that the government has begun to take care of this matter, and we will leave it alone if we can manage it well"; "Can you improve the quality if you open the store? Think about why state-owned enterprises have disintegrated "; "There are too many fake academics, and those who run the rivers and lakes are also talking about academics very seriously. Who do you believe?" ; "People who mix jobs by hook or by crook actually come to cheat money, and people don't even think about painting well."
The interview was like a plate of shredded chicken mixed with vermicelli, and the notes were like mustard, which suddenly made it taste good. Especially the tone, when everything happens, the voice comes out, which makes people appetizing and spleen-invigorating, but it is right.
He called twice to say that he would come to Shijiazhuang, but he failed to make it. I'm a little angry: I don't keep my word! I realized that I really wanted to see him after I was angry. Wu Yueshi/Wen
pregnant with a layman, teenagers learn books, from books to paintings. I like to paint arhats, but I don't admire the profound state of the ages, and I don't have the strange and strange sacred shape of the west. Although I am in the forest by the rock, I am self-adaptive, shapeless and natural. For example, the common people in the alley can look up and see, raise their hands and touch them, and realize that for the light smoke and sparse willows, painting is as good as possible, and it is intended to be outside the dust, and it should be clear. His paintings are light and unpretentious, simple and natural, true and not empty, ordinary realm, and its taste is long.
With a painting in my heart, I am a pure center, so that when I turn around, it will be round and smooth, not stuck in my hands, not hindered by my heart, and my pen will be sparse and not carved. When writing, it is thick and weak, and it is dull and moist, and it is just and peaceful. Although the meaning is the same as that of the ancient society, it can be informal, and the beauty of modern forms is born, and the new ideas of the ancient law open a new face.
Huai Yi's painting, just like its name "Dazhen Zen Room", is good for the true, beautiful for the good, and great for the perfect. It is not easy to do something big, but it can be done if you have a lifelong ambition. If you are consistent, it will be big, so its name is true. There are four sayings in the Diamond Sutra: "Everything has a way, such as a dream bubble, such as dew and electricity, so we should look at it this way." Although the world is changeable, this ambition should remain unchanged. "Zen" and "Zen" mean to think quietly, but also to think white and flawless. Dare to say so to the world, pregnant with a gentleman, the ideological realm is impressive.
read a picture with Huai, have a tour with Huai, give a song with emotion, and give Huai a bosom friend. "It's no exaggeration to ride an ox to find an ox, but a woman can burn an nunnery for a long time. The common thing in Dazhen Zen Room is that it is full of enthusiasm. " Beiyu ∕ Wen
Huaiyi's paintings are literary and interesting, which is worth remembering. His paintings may not be perfect, and there may be shortcomings, because he is still young in painting. However, because he is unwilling to be mediocre and dares to pursue the high taste of art, he often has excellent works.
The art of painting needs skill, skill and chance. Painting can be perfect if it has only skill and skill, but it may not be interesting. The sense of interest in Chinese painting is a very modern aesthetic concept. It was not until modern art that western painting began to emphasize meaning. As early as Song and Yuan Dynasties, Chinese painting began to pay attention to interest and ponder from literati painting.
Interest needs a game mentality, and the game mentality needs to abandon skill and purpose, which is the inaction pursued by China's traditional philosophy. True art should be the creation of divinity. However, only when there are no delusions and distractions can the wisdom of divinity be brought into full play.
technology, skill, chance and game are the characteristics of high-grade art. Just like playing football, it can't be without skill and skill, but it also needs the mentality of the game and accidental opportunities. If accidental factors are lost, all games will be dull.
Huaiyi's works, such as Between the Wild and the Literati, The Seven Monks of Zen, and The Portrait of Yingzhu, can be said to be ingenious and exquisite. Such a work can be described as a miracle, not as a technical force. I appreciate such works very much. The painter and the reader can meet each other in mystery and mystery, like taking a bath in the breeze, like drinking a cup of tea, and the taste is only self-knowledge. The so-called divine products and yi pin are like natural things and the merits of nature. This kind of painting is not for people, but without trace, with a wonderful heart and a perfect machine. Liu Ergang ∕ Wen
In p>1997, when I first saw Huai Yi's paintings, I was different. I felt that he would create a world. He was creating his clean world, and his handwriting was quite skillful. I once joked that he painted a "monk's painting". I do associate his paintings with being a monk.
Compared with three or four years ago, Huaiyi's paintings have changed, become old and spicy, and have thicker connotations. He likes to paint faint mountains, faint water, strange trees, steamed bread-shaped peaks, or an isolated pavilion, a small boat, a non-immortal, non-vulgar person. What is his painting telling people? There are few inscriptions on the painting, so it is empty and makes people think.
Huai Yi said, "Painting is my serious business after dinner." "It takes four people to play cards, two people to play chess, and one person is enough to draw pictures. There is no right and wrong in doing things alone." "I only enjoy the pleasure of Shan Ye nymphs in the painting, and I want to be emotionally close to those ancestors in this way." His article is true and frank, and he doesn't make such a high-profile mystifying.
Huai Yi and I have both been editors, and have both attended the "Seminar for Famous Chinese Paintings" of China Academy of Art. Speaking of which, he should be my younger brother. I said that he painted well, mainly because I saw the interest in his paintings. Many painters became more skilled and more disciplined in painting until they lost their feelings. Although they looked like paintings, they were actually dead chess. I always tell myself: I'd rather be unfamiliar with life than clever with Ning Zhuo, so I get excited when I see his paintings.
Huai Yi and I have a fate. I like painting monks, and he also likes painting monks. It doesn't matter. He is a "monk" in the north and I am a "monk" in the south. It's just that the "monk" who was pregnant soon became a Buddha, even higher than the bodhisattva. My "monk" gradually became a mortal and even drank wine. Although it is of no great use to draw a picture like ours, it is a kind of pleasure to yourself and others after release, and even the painting monk will probably envy it when he sees it.
In my impression, Huaiyi is not the kind of person who works hard at painting. He thinks more than he does. Half of his paintings are based on his calligraphy. If he can stand with a pen, his paintings will look good. I don't know how many paintings he has painted. In the past, he used to write more, from writing to painting, especially painting literati paintings, which was much closer.
When we look at art as a cultural phenomenon, one is inherited from the society and the other is inherited from nature. People who are eager for quick success and instant benefit are mostly busy for the former, while those who are pregnant probably belong to the latter, and he pursues the unity of nature and mind. It seems that there is no anger in his paintings, and even a little bitterness. I showed his picture book to my friend, and my friend said, "It's so simple, how old is this man?". I said I was in my thirties. Don't like it. How old is it like? They probably see the indifference in Huai Yi's painting, which is exactly what distinguishes him from most young people.
In July p>22, Huaiyi and I visited Wutai Mountain. Although it is a dog's day, Wutai Mountain is cool and refreshing, and it is unpredictable when it comes to sex and rain, and thunder sometimes happens. We climbed the top of the snail's head together, just as it was raining and foggy in the mountains, and we didn't retreat. I casually made a couplet: "Clouds are foggy and lazy; The rain is busy living in the mountain spring. " Huai Yi said, "I plan to change it.