1. Four-character idioms suitable for calligraphy learning
The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous.
The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. ; Also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing"; later used to describe doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was at war: the sword was drawn from its sheath, and the bow was opened. Describes a tense situation, ; on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
To give an example: Zuo Qiuming wrote the biography of "Spring and Autumn" and wrote "Spring and Autumn" .
Strongly penetrating the back of the paper: Originally referring to the powerfulness of calligraphy, it is now also used to describe vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic. ; also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Moon over Xijiang 2. What are the four-character words about "quiet mind"
Calm and calm
[Pinyin]
xīn píng qì hé
[Definition]
Calm mood and gentle attitude. It means not impatient or angry.
[Source]
Song Dynasty Su Shi's "Poetry on Cai Geng": "Sir, his heart is calm and peaceful, so although he is old, he is fat."
[Example sentence ]
Don’t be impatient when things happen. Let’s sit down and talk calmly.
shén sè zì ruò
[Definition]
Ziruo: as usual, as before. There was nothing unusual about his expression. Describes a calm attitude.
[Source]
Liu Yiqing of the Southern Song Dynasty, "Shi Shuo Xin Yu Ren Dan": "King Wen said: 'The emperor has been destroyed like this, and you cannot worry about it. What does it mean to drink and eat meat when you are sick? 'Ji keeps drinking and looks calm. 3. Four-character idioms suitable for calligraphy learning
The pen is full of ink: the pen and ink are used very freely. Very full.
It is often used to describe calligraphy and poetry as vigorous and vigorous as the pen moves like a dragon and a snake.
It also describes the vigorous and free writing style.
p>First written about Huang Ting: Huang Ting: The Taoist classic "Huang Ting Jing" was used by Jin people to describe doing things just right. Spring earthworm and autumn snake: a metaphor for poor calligraphy, like the movements of earthworms in spring and snakes in autumn. Bent like that.
The sword is drawn out of the sheath and the bow is opened. It describes the situation as being tense and about to explode.
The latter is also used as an example of vigorous calligraphy. Fafan: Zuo Qiuming wrote a biography of "Spring and Autumn" and wrote "Spring and Autumn".
Literally refers to the power of calligraphy, but now it is also used to describe the vividness, depth and power of poetry: like a flying dragon. , like a flying phoenix.
Originally described as vigorous and majestic, it also describes the lifelike dragon and phoenix flying: describing the vigorous and vivid calligraphy style of Su Shi's "Xijiang Moon". . 4. What are the four-character idioms in calligraphy?
The clouds startle the dragon, the three-pointer penetrates the wood, the facial muscles and willow bones are as straight as a startled dragon, the luan flutters and the phoenix floats, the dragon and the snake fly, the force penetrates the back of the paper, the iron painting is silver hook, the flowing water , the pen walks like a dragon and the snake flies and the phoenix dances
1. The pen walks like a dragon and snake [bǐ zǒu lóng shé]
Basic explanation: describes calligraphy as vivid and powerful
2. , silkworm head swallow tail [ cán tóu yàn wěi ]
Basic explanation: describes calligraphy that starts with a solemn stroke and finishes with a light stroke.
3. Fēng jīn duō lì [ fēng jīn duō lì ]
Basic explanation: Feng: plump, substantial; Jin: tendon or ligament on bone; Duo: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
4. Jiaoruo Jīng lóng [jiǎo ruò jīng lóng]
Basic explanation: Jiao: vigorous. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.
5. Lipen paper back [ lì tòu zhǐ bèi ]
Basic explanation: penetrating: passing through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper. It also describes poems with profound ideas and concise words.
6. Three-thirds of the wood [ rù mù sān fēn ]
Basic explanation: It is said that Wang Xizhi was writing on a wooden board, and when he was carving, he found that the writing penetrated three-thirds of the wood. The calligraphy is described as extremely powerful. The problem of multi-metaphor analysis is very profound.
7. Iron painting silver hook [ tiě huà yín gōu ]
Basic explanation: painting: strokes; hook: hook. Describe calligraphy as strong and soft. 5. Four-character idioms about calligraphy
The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote about Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was at war: the sword was drawn from its sheath, and the bow was opened. Describes a situation that is tense and about to explode. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Example: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying examples to explain a book was called "examples to enlighten". See "Fanfan Jiexi". Powerful and penetrating the back of the paper: It originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for the separation of husband and wife among advanced students.
Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying gesture of calligraphy strokes.
Beauty Hairpin: Describes the beauty and beauty in calligraphy or poetry style.
Penetrating three-thirds of the wood: It originally described the power of calligraphy (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated three-thirds of the wood into the wood), now it mostly describes the profound and powerful force of analysis, description and discussion.
Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
6. A collection of 4-character calligraphy idioms
Falling from the peak, changing the style, embodying the meaning in the middle, powerful and vigorous, well-proportioned, elegant and charming, thunderous, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a startling dragon, majestic , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and frank, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and clear, combining hard and soft, and created by foreign teachers. 7. The four-character idiom is suitable for calligraphy works
yuán yuǎn liú cháng
Explain that the source is far away and the water flow is long. Metaphor has a long history.
Source from "The Epitaph of Li's Wife, Mrs. Pei Jun, the Governor of Haizhou" by Bai Juyi of the Tang Dynasty: "The one with far-reaching origins has a long history, and the one with deep roots has luxuriant branches."
Structural joint type.
Usage has a positive connotation. It is mostly used for the origin and origin of historical things. Generally used as predicates and attributives.
The correct sound is long; it cannot be pronounced as "zhǎnɡ".
Identify the source of form; cannot write "original".
Synonyms: endless, steady, steady stream
Antonyms: tree without roots, water without source
Example: China has a history of five thousand years ;Chinese culture can be described as~.