First, "Flower Map on the River"
Flowers on the River is a paper ink painting created by Zhu Da (1697) in Qing Dynasty, which is now in Tianjin Museum. This painting depicts the flowers on the river. There are lotus flowers everywhere in the pond, either in full bloom or in bud. Lotus leaves are pitching, lotus stems are round and high, swaying in the wind, quiet and colorful. Pen and ink are vertical and horizontal, and the pen hovers like Youlong, which fully embodies its freehand brushwork.
Second, "Song and Bai Tongshou"
The Picture of Song and Bai Tongshou was painted by Zhu Da, a painter in the Qing Dynasty. Pine trees are intended to highlight the trunk, with light ink, lake stones are smudged with thick ink, and peony is boneless. The reality and reality set each other off, showing the texture of different scenery. The whole picture is novel in layout and elegant in style.
Brief introduction of painter Zhu Da and the characteristics of his works.
1, Introduction
Zhu Da (1626—— about 1705), whose real name is Zhu Tong and whose real name is Yan 'an, was named Badashanren, Xuege, Geshan, Renwu and Dao Lang. He was released when he became a monk, Han nationality, from Nanchang, Jiangxi. Painter in late Ming and early Qing Dynasty, master of Chinese painting.
Zhu Da is the ninth grandson of Zhu Quan, the seventeenth son of Zhu Yuanzhang, the founding emperor of the Ming Dynasty. After his death, he became a monk, converted to Taoism, and lived in Taoist Temple in Qingyunpu Scenic Resort Scenic Area. Good at calligraphy and painting, Huang Tingjian used calligraphy in his early years.
Flowers and birds are mainly freehand brushwork in ink and wash, with exaggerated and peculiar images, concise and heavy brushwork and magnificent and meaningful style; Dong Qichang, a landscape teacher, is concise in writing, quiet and interesting. Good at calligraphy, poetry and little ink.
2. The characteristics of the work
Painting is famous for its freehand brushwork, and it is good at splashing ink, especially flower-and-bird painting, which is beautiful in the world. In creation, the method is natural, the pen and ink are concise, magnificent and unique, creating a broad and vertical style.
Badashan people are good at painting landscapes and flowers and birds. His paintings are unrestrained, irregular, vigorous and beautiful, full of escape, and the composition is incomplete but complete. His "one flower, one bird" lies not in quantity and size, but in the position and momentum in the layout. And whether it is used in a timely, surprising and ingenious way.
This is his "win-win" method. If the layout of the painting is flawed, sometimes books and clouds are used to fill its meaning.