The Originality and Translation of Book Score

The original text and translation of Shupu are as follows:

First, the original spectrum

1, evil, improper, regular and odd; Thick ink is stagnant, light ink is light; On the one hand, it is pretentious, on the other hand, it is normal. Faith can be described by wisdom, soup, literature, martial arts, Zhong Ni and nationality. It is more like loving Qiushan, and my heart is high and thin. If it is wonderful, it can be said that this book is wonderful. Husband's heart is harmonious, qi and heart; Being one hand of God, there are many differences in wisdom.

2. In Taihe, wisdom is awkward and uneven; Critics are different. They are all celebrities. If you can't reach your feelings, it seems that you have to, and you may not get along with the author. The husband is general in advance, and the other parts are abandoned. It's hard to prepare for someone with a great figure. It is not only different from today's ancient times, but also difficult to know the old and the new.

Second, the translation of the book spectrum

1, if the pen is crooked, it is not straight, and it is nothing strange to be straight; Thick ink will stagnate and light ink will blur; Deviation is melodramatic, and right is reasonable. This is really as wise as Yu, Tang, Wen, Wu, Ji; There are mountains and feelings, lofty aspirations, and ups and downs are more metaphors. This mystery can be said to be the perfect realm of calligraphy art.

2. Heart corresponds to Qi, Qi is in harmony with heart, God concentrates on one hand, and wisdom is finally reflected. By observing the harmony in calligraphy, we can see that if wisdom is equal, Yu Hechu's calligraphy will be different. Commentators have their own opinions and opinions. If you express your unspeakable feelings, express your seemingly necessary ways, and seek the author, there may be no intersection.

It is difficult to describe the calligraphy that only pays attention to the overall performance and abandons the details. The speed and grasp of reality are not only different from ancient times, but also difficult to distinguish the old from the new.

Knowledge of book spectrum

1, the book spectrum emphasizes the basic skills and essentials of calligraphy, including the use of pens, structure and layout. Sun believes that calligraphers must have a solid foundation and skillful skills to create excellent works. He put forward some important calligraphy essentials, such as "taking points as eyebrows, horizontal shoulders and vertical joints", which have a good guiding role for beginners.

2. Shupu emphasizes the relationship between calligraphy and culture, and holds that calligraphy is an important part of culture and an important means of cultural inheritance. In his book, Sun repeatedly mentioned the influence of ancient classics on calligraphy and the importance of calligraphy to cultural inheritance. In his view, an excellent calligrapher must have profound cultural attainments in order to truly understand and inherit the essence of China culture.

3. Shupu discusses the aesthetic principles of calligraphy from an aesthetic point of view. Sun put forward some important aesthetic principles, such as "naturalness, comprehensibility, neutrality and implication", and thought that excellent calligraphy works should have these characteristics. He criticized the phenomenon that some calligraphers at that time pursued form too much and ignored connotation, and emphasized that calligraphy works should have profound connotation and implication.