What are the representative figures of modern Shanghai painters in Shanghai?

Representative painters are: Lu, Xie, Fei, Xu Gu, Pu Hua, Ren Yi, Wu Changshuo,,, Ren Bonian, Wu Changshuo, He Tian Jian, Liu Haisu, Feng Zikai, Cheng Shifa and so on.

Feng Zikai: (1898— 1975) cartoonist, writer, translator and art educator. Literary creation is dominated by prose. There are mainly Yuan Yuantang's essays, Yuan Yuantang's continuation and Yuan Yuantang's continuation. Comics include all works of Kai Zi's paintings.

Lu (1909- 1993) is a modern painter. Also known as Di, whose word is Ru, is from nanxiang town, Jiading County, Shanghai. 1926 was admitted to Wuxi Academy of Fine Arts, and 1927 was admitted to Wuxi Academy of Fine Arts to study. In the same year, he studied poetry and calligraphy from Wang Tongyu. In the second year, I studied painting from Feng Chaoran, got to know Wu Hufan and traveled all over the north and south resorts. 1956 Painter of Shanghai China Painting Academy. 1962 Part-time job in Zhejiang Academy of Fine Arts, officially teaching and serving as the president of Zhejiang Painting Academy.

Cheng Shifa, one of the "Three Masters of Shanghai". (1921April 200710-July 18), a native of Fengjing Town, Jinshan District, Shanghai. Zhai's real name, formerly known as "Walking the Whale Building" and "Not Teaching for a Day", was later called "Sanfu Bookstore" and "Xiuzhu Yuanshan Building". He was exposed to China's paintings and calligraphy since he was a child, but he was deeply impressed by folk art.

Extended data:

Shanghai painting and calligraphy is a very important school of painting in modern China. 1At the end of the 9th century and the beginning of the 20th century, during the social transition period of Shanghai's opening to the outside world, various civilizations and arts met here, and the complementary cultures and the fusion of values made art have the tolerance and posture of "all rivers run into the sea".

The formation of "Shanghai painting and calligraphy" also has the characteristics of extensive composition, inclusive style, diversified pen and ink expression, multidimensional creative thinking and affinity of themes, and a large number of outstanding works with distinctive styles have emerged. Among them, Zhao, Ren Bonian, Xugu and Pu Hua are the most outstanding. This first generation of Shanghai-style calligraphy and painting representatives is a successful example of Chinese painting's transition from tradition to modernity.

With the continuous practice of Wu Changshuo, Wang Yiting, Shen and other second-generation painters and the third-generation Shanghai painters (including Liu Haisu, Lu, Xie, Lin Fengmian, etc.), Shanghai calligraphy and painting entered a prosperous period. These active painters have made great contributions to the development and exploration of Chinese painting.