Miao Yu is twenty-one years old. In autumn, Jia Fu inspected the Grand View Garden. On the night of Mid-Autumn Festival, Xiangyun and Daiyu wrote poems in the concave crystal pavilion. When they wrote down the epigram of "crossing the crane shadow in the cold pond and burying the flower soul in Leng Yue", Miaoyu appeared and invited them to the Jade Hall to write the whole poem by themselves. His poems, such as Temple, Jiming Daoxiang Village, reveal the images of morning light and vigor, and deliberately turn the sad sentences of Xiang and Dai upside down.
Extended data:
Miaoyu's personality has a strong cultural color of Zhuang studies. The ancient poem "Even if there is a thousand-year-old iron threshold, there must be a tile steamed bread" means that life is impermanent and there is no doubt that you will die. Miao Yu, who calls herself an outsider, encourages herself to transcend the iron threshold, life and death, and vanity fair, which is as famous as the thoughts of "life and death are one" and "forgetting life and being poor" in Zhuangzi.
Miaoyu praised "Zhuangzi's good writing style", so she named herself "freak". Its essence is that she is maverick, naive and frank, accessible to the sky and far from the secular. Zhuangzi tells the story of deformed people such as Shen Tujia, Shu Di and Ai Qianta. They are ugly and disgusting in appearance, but they have a high spiritual level. Miaoyu yearns for their carefree state outside the tangible material world, so she is cited as a fellow traveler.