In the process of writing running script, sometimes, due to the joint needs and the merger, substitution and omission of individual strokes, many strokes are naturally written together, and the number of strokes will be reduced compared with regular script. So how to write a good calligraphy? The following are the classic calligraphy works of writing brush for you, I hope they are useful to you!
Appreciation of the classic calligraphy works with brush
Picture 1 of the classic calligraphy works with brush
Picture 2 of the classic calligraphy works with brush
Picture 3 of the classic calligraphy works with brush
Picture 4 of the classic calligraphy works with brush
The development of the regular calligraphy in the Tang Dynasty
Yang Ningshi stood out in the Five Dynasties. Su Shi said: Self-respect, willow, brushwork decline. In addition, at the end of the Tang dynasty, the characters fell, and the literary talent swept the floor. Yang Gong's style is unique, his handwriting is outstanding, and he has the style of two kings, Yan and Liu. This is really a hero of the book, not set by the times. ? "Shao Shi Jian Wen Lu" also says:? Coagulation from Yan, Liu into the two kings of the wonderful, excellent method of writing. ? This is an outstanding calligrapher who learned Liu Shu after the Tang Dynasty and was able to make a difference. Another example is the monk's response, whose common surname is Wang and Min. The Book of Southern Tang Dynasty called him Liu's brushwork, and he crowned Jiang Zuo with good books. This shows that although the Five Dynasties and Ten Kingdoms were troubled by wars and calligraphy turned into a low tide, the trend of the Tang Dynasty remained, and the pulse of learning Yan Xueliu was not broken.
Calligraphy was revived in the Song Dynasty, and it moved from attaching importance to law to a new realm of attaching importance to meaning in the Tang Dynasty, creating its own calligraphy style of the times. In the Song Dynasty, Yan Shu and Liu Shu were highly respected, and there were countless people who learned Liu Shu.
Shi Man Qing Xueyan also learned from the character of Liu, just as Fan Zhongyan wrote his obituary "Sacrifice to Shi Manqing". The pen of prolonging life, Yan Jin Liu Gu. Scattered in the world, treasures are sacred. ?
Song Sijia studied the Tang Dynasty, but they were close to each other, such as Cai Xiang studied Yan, Su Shi was close to Yan, Huang Tingjian was close to Liu, and Mi Fei was close to Chu. In fact, Song Sijia has experienced the calligraphy halls of Yan and Liu, and he is proud of since the enlightenment, and he can skillfully integrate himself into his calligraphy.
Cai Xiang (the word Jun Mo) is fragrant and elegant in calligraphy, but he is also good at calligraphy. Does he think that the preface to Yin Fu Jing? Good at hiding the pen? , is the best of Liu Shu. Dong Qichang once said: I once saw Liu Cheng hanging the book Du Ren Jing in small letters, which was vigorous and thoughtful. Cai Junmo's Tea Record is quite imitated. ? Dong Nai-shen knows the samadhi of Liu Shu, which is a glimpse of Cai Xueliu.
Su Shi is also a bosom friend of Liu Shu, who has studied deeply and commented on police strategies. Although he doesn't take Liu Shu as his face, he absorbs essence. "Valley Inscription" cloud:? Road flyover Dongpo learned Lanting in a few days, so his book looks as charming as Xu Jihai's, and when he is drunk, he forgets his work, and his words are as thin as Liu Cheng's. ?
Huang tingjian also learned from willow, and his tight knot actually originated from Xue Yao and Liu Gongquan. "Cold Food Poetry Postscript" from the cloud? Be honored where there is no Buddha? Dare to compete with its teachers. ? This postscript is a combination of the characteristics of Liu Shu's "He Heming", which is based on one's own intention, blending momentum and rhyme into one furnace, freely waving, and carefree will? Hou Jingchang's Essays on Calligraphy. Huang Tingjian's study of willow is profound, and Qian Yong's Calligraphy says:? The valley learns from Liu Cheng's suspension, but directly opens the method of painting blue bamboo. ?
although Mi Fei once denounced Liu Shu, he praised him? Liu Gongquan, like a Taoist priest in a deep mountain, has achieved self-cultivation, with a clean air and no worldly customs. ? Book Review seems to be contradictory, but it does exist in Liu Shu. Mi Fei's own learning process was from Yan Zhenqing to Liu Gongquan, from Liu to Europe and Chu, and then he studied calligraphy and entered the Wei and Jin Dynasties. Mi Fei said? I'm a beginner, and I'm seven or eight years old. The word is big, and it is impossible to write simply. Seeing the willow and longing for a tight knot is to learn the Diamond Sutra from the willow. ? "Bao Jin Ying Guang Ji" (Volume 8) Later, he extremely denounced Liu Shu? Ugly and ugly? , it can be said that several codes have forgotten their ancestors.
There were also many monks in the Song Dynasty who studied Liu Shu. Such as interpreting dreams and learning from books. Ming Yang Shiqi cloud:? The dream of English-style writing is hung by Liu Cheng, but the spirit is weak and can't be reached. ? His book "The Story of Confucius Temple Hall" (Stone Forest of Steles in Xi 'an) can be called the first pulse of Liu Shu. Explaining the truth, the book is honest and hanging "Graphite Engraving"; Interpretation of dreams, good willow book "The Court of Facts"; Shi Yinggong, Du Dumen wrote Hua Yan Jing, which is exquisite and simple, and comes from Yan and Liu's Shimen Word Zen. Interpretation of Si Qi, calligrapher Liu Gongquan, there is a book "Monument to the Free Life Pool" in Hangzhou "Book History Meeting", and so on, no longer cited. This may be related to the famous Diamond Sutra written by Liu Gongquan.
in the song dynasty, Liu Ti, like Yan ti, became a household name with the help of engraving and printing. In the Song Dynasty, the European brushwork was generally used in the Northern Song Dynasty. After the Southern Song Dynasty, Yan Ti and Liu Ti were both used. At that time, Fujian used the word Liu Ti. Some of the Jiangxi engravings also use Liu Ti, or use Yan style; Shu originally used more colors. At that time, Yan style was more fashionable, and the engraving of European and Liu calligraphy was the most beautiful. It can be seen that Liu calligraphy was well-known in the Tang and Song dynasties, and Liu Ti was widely infiltrated into the people.