Shoujin Style is a calligraphy font created by Song Huizong (Evonne,1082-135), also known as Shoujin Style or Shoujin Style, which is a kind of regular script.
In his early years, Song Huizong studied under Xue Qi and Huang Tingjian, and joined various schools of Chu Suiliang. He is quite thin, beautiful and all-round. He changed his second Xue (Xue Ji,) and became his own style, named "Thin Golden Body".
It is characterized by being thin and straight, with a horizontal pen with a hook, a vertical pen with a point, throwing it like a dagger, holding it like a knife, and a slender vertical hook; Some couplets are like hairspring, close to calligraphy. His pen originated from Chu and Xue, and it was written in detail. The closing gesture was written in Huang Tingjian's big script, which was very imposing. "Imitating Song Style" in modern art fonts is created by imitating the charm of Shoujin style.
Extended data
Evonne's Bo Jin Shu is an original creation in the history of calligraphy, as Tao's Book History Society in Ming Dynasty praised: "The brushwork pursues strength, which means nature, so it must be sought."
With this achievement alone, Evonne can be listed among the calligraphers in history. Song Zhou Mi's "Miscellaneous Collection of Returned Hearts and Miscellanies of Bianliang" records: "Dingding Monument, thin gold edition. In the old imperial city, when people were building walls and digging, they suddenly saw a huge stone tablet with a double dragon on it and a turtle's head held high, which was very beautiful, just a thin gold tablet. "
Yuan Liuguan's comment on fan poetry: "Fan shadow has gone with Luan shadow, leaving a thin book." Liang Qing painted "The Picture of General Xiao Li": "Pucheng Zhou was transported to the same place, and his family kept old paintings. At the beginning of the scroll, there is a nine-character announcement and a thin gold book' Li Zhaodao Haitian Rising Sun', and there is an imperial decree. " Zhao Meng _ Comment on Song Huizong's thin golden body: "The so-called thin golden body is beautiful and interesting."
The "thin gold book" comes down in one continuous line with its meticulous flower-and-bird painting. The slender strokes, as thin as ribs, aggravate the ups and downs at the beginning and end, and then take the structure of stretching around the tight knot of Huang Tingjian's middle palace, which is quite wonderful.
This thin character is just suitable for his meticulous painting, which echoes the brush. As an artist with both calligraphy and painting, he made a very important integration of painting and calligraphy, which created a new situation of literati painting and calligraphy, influenced later generations and continued to this day.
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