Participated in many major exhibitions at home and abroad and won awards. He won the highest prize in the first national flower and bird exhibition, the excellent prize in the ninth national art exhibition, and Autumn Fun was selected into the centennial China art exhibition. Many works have been exhibited and collected in Japan, South Korea, Singapore, Thailand, Hongkong, Taiwan Province and other countries and regions.
People's Daily, Guangming Daily, fine arts, China painters and other newspapers published many works and their commentaries. Known as "the young master of flower-and-bird painting today" and "the innovator of flower-and-bird painting".
A number of Gao Huimin paintings have been published. The high autumn paintings were included in The Complete Works of Modern Fine Arts in China, and the autumn songs were included in The Hundred Years of Painting in China. Painters recommended by Shandong Hanmoyuan Gallery.
When I was studying in the Academy of Fine Arts
In the early 1980s, I watched Li Kuchan draw in the Academy of Fine Arts. The reason why he believes, is free and easy, out of intention, out of affection, out of Tao, out of skill, is because he is bold in meaning, high in art and strong in popularity.
Teachers Tian Shiguang and Jin Hongjun taught staff to draw flowers and birds, and drew many students, which developed a tendency to emphasize color style. The theory of emphasizing structural expression has a far-reaching influence on freehand brushwork.
Mr Cui Zifan taught us a lesson. In his studio, we saw some fine works collected by Mr. Qi Baishi and fine works of grass insects in Wang Xuetao. From teacher Cui's childish painting style, we have learned the charm of pen and ink spirit, the concentration of culture and the essence of self-cultivation.
After listening to teacher Sun Qifeng's class for two weeks, I taught many demonstrations. His paintings pay attention to pen and ink, emphasize interest, and are simple and enjoyable. The artistic charm of lowercase, careless, meticulous, rough and broad painting.
When Liu Boshu was the director of China Department, he walked into the classroom one day and was a little drunk. When he saw me drawing, I grabbed the brush, drew a few strokes and drew a duck. Then I threw my pen on the paper, said "just draw" and left. This autumn, I broke the enough paper of the pen for freehand brushwork, and the pen was so passionate that I forgot everything.
Often go to nature, see mountains, rivers, forests and grasslands, find it refreshing and open-minded; See masters and famous artists waving their hands, calm and knowledgeable; Listen to the teachings of the university, read big books, understand Dali, cultivate one's mind, follow the great laws of art, take the road, suffer great hardships, make great progress, and achieve great things.
The formation of style is natural. When a person's cultural accomplishment is gradually enriched and his ideological theory is gradually matured, his professional skills (pen and ink skills, image-building, form composition and artistic expression) gradually form his own habitual language features, individual symbolic procedures, unique pen and ink structure, emotional and personalized expressions, and unconscious habits of pursuit, all of which are consciously casting his own life style.