The full name of the multi-tower monument is the multi-tower induction inscription of Qianfu Temple in Xijing, Datang.
In the 11th year of Tianbao in Yan Zhenqing in the Tang Dynasty (AD 752).
The rubbings of the Palace Museum
Yan Zhenqing (AD 709-785), whose real name is Chen Qing, was born in Jingzhao, with another name Linyi. Xuanzong kaiyuan Jinshi, out of the plain satrap. Su Zong went to the Ministry of Industry, and the ministers changed? Anti-4 What's interesting about going to the seaside? Hey? すす? Q: Did you take a picture? Jealous? Do you want to comment on scars? Ape tip Huan scar? Fight? Thumb? Shake it and suck it? Why don't you press the button? Apricot rho? Roger that. Closed? Hey? Boys' school? Bite Xin Jia t? Why didn't you arrest me? Isn't it? What is your neck? Zheng? Grow a neck? Frame? Regular script, height 285cm, width 102cm. This monument was written by Cenxun, written by Yan Zhenqing and published by Shihua. In the 11th year of Tianbao (AD 752), it was carved in Qianfu Temple, xingping County, Shaanxi Province, and is now preserved in Xi 'an Stele Forest. These rubbings were originally collected in Calvin, and now they are collected in the Palace Museum. The "chisel" stroke in the tablet is intact, and Song Tuo. White paper mining, setting, cutting and installing books. This is Yan Zhenqing's work at the age of 44, which is earlier than other existing works. The structure is steady, meticulous, vigorous and beautiful, which is very different from his later calligraphy.
The Monument to the Duota is Yan Zhenqing's early masterpiece and an excellent model for future generations to learn calligraphy. But this monument did not form Yan Zhenqing's bold style. This monument hides the front with a pen and returns to the front with a pen. It has a well-balanced structure and a rigorous and solemn style. When studying this monument, we should pay attention to the turning point of the pen, the structure is tight inside and loose outside, and the top is tight and the bottom is loose.
The multi-tower monument, the full name of the multi-tower induction monument of Qianfu Temple in Xijing, Datang, was built in the eleventh year of Tang Tianbao (752). Originally known as Qianfu Temple in Andingfang, Chang 'an in Tang Dynasty, it was moved to Xi 'an Stele Forest in Song Dynasty (figure 1). It is 285 cm high and 102 cm wide, with 34 lines and 66 words. Cenxun wrote articles, Yan Zhenqing official books, Xu Hao official books, and Shihua published stones.
The inscription describes the process of the monk Jin Chu in Tang Dynasty wishing to build many pagodas and related Buddhist events. Emperor Xuanzong of the Tang Dynasty donated 500,000 taels of silver and thousands of silks to the tower. After the death of Zen master Jin Chu, Emperor Xuanzong of the Tang Dynasty sent messengers to mourn, watch the funeral, and personally wrote the Tate's forehead. The important influence of Buddhism in the social life of the Tang Dynasty can be seen.
Yan Zhenqing (709 ~ 785) was a imperial concubine in Jingzhao, and his ancestral home was Langxielinyi. Children learn from their families and try to motivate themselves. Kaiyuan Jinshi During the Anshi Rebellion, he was the prefect of the plain, and later moved to Shangshu of the Ministry of Punishment and Taishi of the Prince. He is honest, fair and polite, and the world is not known by his name. Later, it became a taboo for treacherous court official Qilu. During the rule of Dezong, Li Xilie rebelled. He put the country first, went to the enemy camp in person, understood the great righteousness, and was eventually harmed by the enemy.
Yan Zhenqing is one of the influential calligraphers in the history of China. Su, a great calligrapher in the Song Dynasty, said, "Poetry reaches Korea, painting reaches Wu Daozi, and books reach Yan, but changes in ancient and modern times can achieve everything in the world." Yan Zhenqing had many calligraphy monuments in his life. There are seven kinds of monuments in Xi 'an Historic Forest, including many pagodas, Zanghuaike Monument, Guojiamiao Monument, Zhanzuo Monument, Li Yanqin Monument, Ant Ruins Monument and Yanshijiamiao Monument. The Monument to Many Pagodas is the earliest of all its monuments, which was written by Yan Zhenqing at the age of 44. 〓 Sun Ming has a postscript: "This is the most balanced book of Lu Gong, and it is also full of charm and vulgarity. It is the originator of modern historians. "
In the Northern Song Dynasty, the word "Li" in 3 1 line "belongs to our geographical position" was not destroyed. The edge of the whole tablet is square, and the connection between calligraphy and painting is very clear.
In the Southern Song Dynasty rubbings, the word "chisel" in line 15 is intact, the word "right" in line 3 1 belongs to our geographical position (Figure 2), and the word "trust" in line 33 is slightly damaged.
In the rubbings in the middle of Ming Dynasty, the characters of "Astronomical Gua" 14 are intact, and the characters of "Square Inch Thousand" are intact in 24 lines.
In the rubbings in the late Ming and early Qing dynasties, the word "Gui" in the line "Belong to my geographical position" in 3 1 is intact, and the word "I" is in the left half (music, texture formed by weathering of stones). In line 32, "Buddha knows that there is no Dharma", in line 32, "An empty king can trust the original and return to his hometown", and in the last line, "The doctor waits on Zhao Si" all exist.
The word "gold" in the ninth line of Gan Jiatuo's book "Golden Hammer Yin" is blank. The vertical pen of the word "thousand" in line 33 of "Thousand Questions" is intact.
Early original expansion should pay attention to whether the lines 3 1 "force" and 15 "chisel" have been inked. As can be seen from the figure 1, the middle of the last four lines of the monument was damaged during the period from Kangxi to Qing Dynasty, and the words of lines 3 1 ~ 34 in the rubbings in the late Ming and early Qing Dynasties were later lost. If you see that the words on it are not damaged, you should check them carefully. If the original stone is used for rubbings, the date of rubbings is not later than the early Qing Dynasty, but most of them are reprinted. From the late Qing Dynasty to the Republic of China, there were many stone tablets around Xi 'an Forest of Steles, and many families carved "multi-tower induction tablets" with stones. Its framed version has been handed down for a hundred years, and its appearance is quite old. A friend once had two books in his possession, and he was glad to tell him that the strength and chiseling of the "mine location" were in good condition, and it should be Song Tuo's. Send it to my office in Beilin Museum for display. One is thinner, the other is a little fatter, and they all have shapes, but they are not written in detail. For example, in the first line (Figure 3) of "Multi-tower Induction Monument" in Feiben, the upper right point is separated from the horizontal painting (connected with the original engraving), and the last two strokes of "See" in line 15 are not connected with the right vertical painting (connected with the original engraving), so the stippling is not in place. There is no secret to the identification of the inscriptions of Song Tuo (specially collected in the Palace Museum) in the late Qing Dynasty and the Republic of China, that is, it is compared with rubbings, paintings and stone flowers in different periods, and it must not be regarded as rubbings or even ancient rubbings in the Song and Ming Dynasties. Mr. Zhan of Jiangxi, a member of the Collection Club, submitted a manuscript, saying that "the author has spent nearly two years consulting a large number of inscriptions and visiting many inscriptions experts and famous calligraphers and collectors, and thinks that the rubbings of Duobaota tablets in my hand (Figures 5 and 6) are Song rubbings." In fact, Mr. Zhan's collection is also an imitation of the late Qing Dynasty and the Republic of China. Compared with the original tablet Songtuo, it is thinner, shriveled and lifeless, without the magnificent charm of the original tablet. Like the reprint mentioned above (Figure 3), this stippling is not in place, such as the upper right corner of the first line of "Sense Monument". The author carefully examines the original rubbings and the original tablets in different times, all of which are related to the horizontal painting, but this reprint is out of touch (Figure 5). In addition, the extension "power" of My Location in the Southern Song Dynasty has been damaged (Figure 2). This copy of the word "Li" (Figure 6) has been chiseled several times with a knife, imitating stone flowers, but it is extremely unnatural, and the traces of artificial axe chisel are very obvious. At present, the famous Han and Tang monuments sold to tourists in Xi 'an Beilin Museum and its surrounding areas include "Multi-tower Induction Monument". Most of them were carved by farmers in Chang 'an County. Sometimes you can buy one 10 for 5 yuan.
Song Tuo's "Tang Yan Zhen Qing Shu Duo Pagoda Monument" and "Peking University Library Collection of Ancient Stone rubbings" photocopied by Cultural Relics Publishing House were collected in the middle of Ming Dynasty, and "Xi 'an Stele Forest Monument" was collected in the late Ming and early Qing Dynasties, which can be used as a reference for collating monuments.
1996, auction one more volume of "Multi-Pagoda Induction Monument", the old one is expanded and folded, and the appraisal is 1200 ~ 2000 yuan. Xi rubbings catalogue of Anbeilin Museum The new rubbings of this monument are priced at 4500 yuan. (Excerpted from Collection magazine)
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