To quote Dimfragrance's old moonlight:
19 1 1 In winter, there was a snowy stone lake. After two months, I gave a simple sentence and a new voice, made these two songs, let Shi Hu play, and made the second prostitute Xi. The syllables were harmonious and beautiful, so I named them Dimfragrance and Thin Shadow.
How many times have you looked at me and played the flute in Bian Mei under the ancient moonlight? Arouse jade people and climb regardless of the cold. He Xun is old now, and he has forgotten the spring breeze. But the strange flowers are sparse outside the bamboo, and the fragrance is cold into the Yao mat. Jiangguo is silent, sighing and far away, and the snow begins to accumulate at night. Cui Zunyi cried, and the red calyx was silent and nostalgic. Chang Ji once joined hands to crush thousands of trees, making the West Lake cold and blue. When can you see it again?
When Jiang Kui wrote this poem, he was visiting Suzhou Fan Dacheng in the snow. When Fan Dacheng heard about his outstanding literary talent, he warmly invited him to give it to everyone as a poem. So Jiang Kui wanted to give it as a poem, and this Dimfragrance and another thin shadow came out. Peter said that Fan Dacheng got these two words, and he was even more praised. He not only asked two geisha to translate the word, but also gave him one named Xiaohong. So Jiang Kui lived here for more than a month and got along well with Xiaohong. One person plays, and one person writes lyrics for the confidante.
Dim fragrance and old moonlight describe the plum blossom snow scene in front of us, which is reminiscent of the beauty who accompanied the lyricist Jiang Kui to enjoy the snow and fold the flowers. "Climbing in spite of the cold" means that the time was very happy. As soon as the topic turns back to reality, "Getting Old" echoes the opening "Old Times" from a distance, with both nostalgia for the lost lovers and regret for the beautiful youth of the past.
Jiang kui yangzhou slow content appreciation introduction
? Yang Zhou Man, a poet of the Southern Song Dynasty, is one of his representative works. This poem was written when Jiang Kui was in his twenties. At that time, Yangzhou was attacked by the Jin army, and the Jianghuai army was defeated, but the once prosperous Yangzhou city was not as good as before. Jiang Kui has been looking forward to the prosperity of Yangzhou City, but only saw the declining Yangzhou City. He was very disappointed, so he felt that he had written this word.
Yangzhou Slow began with a preface written by the poet Jiang Kui. Jiang Kui often uses the preface to explain the reasons and background of his writing, so that readers can clearly understand the time, place and purpose of writing, and also better understand the emotions conveyed by the poet.
The full text compares the prosperity of Yangzhou City in the past with the ruin of Yangzhou City seen by Jiang Kui, highlighting the cruelty of war.
Jiang Kui first wrote it from what he saw and felt, from the excitement and prosperity he felt when he passed by Yangzhou City in his early years. At that time, the prosperity was represented by "green wheat", but now there are only "waste trees" and new depression. People are still worried about war, and the word "disgust" appropriately describes people's aversion to war and exploitation.
In the second part of the poem, Jiang Kui quoted the allusion of the poet Du Mu, further deepening the theme of "parting from sorrow". Because Du Mu left many immortal masterpieces about Yangzhou, Jiang Kui imagined how sad it would be if the poet Du Mu could return to Yangzhou, in order to express the poet Jiang Kui's heartache for Yangzhou's defeat and hatred for the war.
What's the name of the poet Jiang Kui?
Jiang Kui, a ci school in the Southern Song Dynasty, is unique and has made extraordinary achievements. He is a native of Jiangxi today, but he has been active in Anhui, Jiangsu and Zhejiang all his life. When he was a child, he went to Hanyang with his father. After his father died, he moved to Huzhou. Most of his works were created while traveling in Jiangsu and Zhejiang. He lived a free life, but never went to court, and finally died in Hangzhou.
He moved to Huzhou for more than ten years. Because he lived in a place called Baishidong at that time, the poet Jiang Kui was made a Taoist priest of Baishi. This number originated from a friend named Pan Dejiu who had a good relationship with him at that time. Baishi is naturally the residence of Jiang Kui, who is called a Taoist priest. Probably all his friends know that Jiang Kui is a natural and unrestrained person, who can live in this world and stay out of the world, just like a Taoist priest who is divorced from the secular world and only seeks his own peace. There are also two famous poets who are full of praise for Jiang Kui's talent and attitude towards life. They are Yang Wanli and Fan Chengda.
The name of the poet Jiang Kui is indeed a portrayal of his life mood. He was free and easy all his life. At that time, family and celebrities liked to communicate, negotiate and associate with him. It can be said that he is a Taoist priest on earth, and there are endless truths and masterpieces in life. Knowing music and calligraphy, Taoist Baishi is really different from ordinary people. As an outstanding poet in the Southern Song Dynasty, Jiang Kui wrote lyrics at his own pace. His lyrics can be free and easy, but also rigorous, mainly because their artistic conception is moving, and his works are labeled as ethereal and elegant.
The representative work of Jiang Kui, a writer in the Southern Song Dynasty.
? Jiang Kui calls himself "Taoist Baishi". Jiang Kui lived in the Southern Song Dynasty and was often confronted and attacked by the Jin Dynasty. Class contradictions are very complicated. Therefore, Jiang Kui, a talented man, has a profound spirit of serving the country and political aspirations, and his literary talent is very strong. However, due to the complexity of class contradictions, Jiang Kui often cannot express his feelings and feelings in the form of poetry. Next, let him.
Jiang Kui's style of writing is known as "ethereal", and his poems and sentences are clever and wonderful. Later, he learned from the writing style of his predecessors and became a representative writer of the metrical school. At the beginning of studying poetry, he took Huang Tingjian as his mentor, and later he studied Lu Guimeng's creative techniques. Coupled with his intelligence and diligence, his words and expressions have been carefully and deliberately carved, but most of his poetic styles are beautiful and far-reaching. In Shi Shuo, he put forward high opinions on poetry creation, which later became the reference for his ci creation.
The representative works of Jiang Kui's ci are "Jiang Mei Yin", "Dianjiang Lip", "Partridge Sky" and "Treading on the Sand". Among them, plum blossom is a metaphor for expressing lovesickness to parting lovers. There are also words such as "Manjianghong", "Yangzhou Slow" and "Niannujiao", which are used to describe Jiang Kui's great ambition.
Jiang Kui's most outstanding work in the Southern Song Dynasty is poetry creation, among which the masterpiece is Poem of Taoist Baishi. In the poem, we can visit the poet Jiang Kui's tortuous life and frustrated years, and there is no lack of Jiang Kui's cry for the secular. Moreover, Jiang Kui is not only good at writing poems, but also proficient in temperament, which can be described as brilliant and brilliant. Among them, the representative of Jiang Kui in music is the poem of Taoist Baishi.
The above is an introduction to Jiang Kui's representative works, from which we can know that Jiang Kui's creative talent is amazing.
What is the word Jiang Kui, a Buyi poet?
? Jiang Kui is a famous Taoist priest in Baishi, a famous musician, writer and calligrapher in the Southern Song Dynasty. Many excellent works have been handed down from generation to generation and are admired and respected by future generations. Jiang Kui, whose literary works are highly regarded, not only has gorgeous and meaningful rhetoric, but also has unique skills, which makes his poems even more icing on the cake and even more popular.
When Jiang Kui was a child, he cherished the ideal of serving the country. However, he was bent on fame and fortune, but he hit a wall everywhere in his career. After Sun Shan was discredited many times, he decided to travel around the world with a cold heart and express his feelings in the vast rivers and lakes. Perhaps it is because he often travels in the vast rivers and lakes, and his heart is baptized by beautiful natural scenery, which makes his poems have a natural and ethereal and implicit style, which makes people unforgettable. The catchy rhyme is very musical, which is also the key factor for the widespread spread of these poems and songs among the general public.
As the saying goes, besides being sharp, a good sword needs a matching scabbard to show its highest value. Jiang Kui is a famous calligrapher with vigorous and delicate handwriting. Good words and good poems have the best of both worlds, adding to the icing on the cake and making Jiang Kui's poems more famous. Jiang Kui was determined to study since he was a child, and he was familiar with poetry books. He paid great attention to the practice of calligraphy and constantly honed it, forming his own school. On the basis of predecessors, Jiang Kui promoted the development of Chinese characters with his own characteristics by combining his own experience and understanding. His calligraphy is iconic, so it is sought after by many literati and can be called a model for everyone.
Appreciation of Fan Rhyme in Jiang Kui's "The Pot of Death"
Shi Hu Fan Rhyme is a poem by Jiang Kui. The first sentence describes the scenery of Shihu Lake, where the author lived in seclusion when he visited Fan Chengda. The second sentence is that the poet gradually walked into the stone lake; The third sentence is the poet talking with Fan Chengda there; In the last sentence, the author praised Fan Chengda's gentlemanly feelings. The city is simple, with few words, but it vividly depicts an elegant and beautiful picture of a stone lake, which is even better than painting.
The main idea of the poem is that there is a winding river leading to the village at the western end of the bridge, and there are some green traces on the shore where the lake meets the stream, which are duckweeds floating on the calm pond in the village. Master lives in seclusion in Shihu Lake, and no outsiders come here on weekdays. It turns out that there is another world in the depths of the lotus, where the master opened his own portal.
This poem was written in the summer of 1 187, and it was Fan Chengda's first birthday after he retired to Shihu. Jiang Kuite rushed there from Huzhou to congratulate him. After reading the poem Fan written by Fan Chengda, I was deeply touched, so I wrote this poem to express my inner feelings.
The whole poem depicts a beautiful picture with green water flowing around, clear and deep, in which there are various images such as small bridges and flowing water, village peace, bank pavilions, etc., which combine all units into a moving picture.
In fact, it seems to write about scenery, but in fact it is about people. This poem praises the beautiful scenery of Shihu Lake and Fan Chengda's unique and extraordinary style and affection. The third sentence mentions some snobs, but Fan Chengda doesn't think so at all, which is completely in line with the author's ideal of being indifferent to fame and fortune.