Are all Qing emperors good at calligraphy?

The emperors of the Qing Dynasty in China attached great importance to the art of calligraphy. The emperors, queens and members of the royal family of the Qing Dynasty were almost all good at calligraphy and painting. At the beginning of the Qing Dynasty, the Ministry of Internal Affairs opened the "Ruyi Pavilion" to cultivate talents in painting and calligraphy. At the same time, the art of calligraphy and painting has also become a royal family heirloom. For hundreds of years, it has formed a unique elegant and elegant style. After the Revolution of 1911, there appeared a royal painter who specialized in painting for a living.

Aisingiorro family painters and calligraphers are mostly people with Pu surname, and many of them enjoy a high reputation at home and abroad. However, for a long time, people have noticed that there has been no painter or calligrapher in the "Heng" generation below Pu, which is regrettable to many people.

As a matter of fact, the painters of the Eisinggioro family are still alive, but they are hidden in the city and unknown. Mr. Aisingiorro Henderson is the only surviving immediate family member. Henderson's grandfather was the fifth son of Daoguang and the younger brother of Emperor Xianfeng. Mr Aisingiorro Henderson's name can be found in the jade molds edited during the Xuan Tong period.

Influenced by his family, Mr. Henderson studied calligraphy since childhood. 1950 entered the public security school and engaged in public security pre-trial work for decades. Before retiring, he was the political commissar of the pre-trial department of Beijing Public Security Bureau and the third-level police inspector. After retirement, Mr Henderson lived at home, splashed ink and devoted himself to the art of calligraphy.

Coming from the northeast land with fertile soil, dense forests and clear rivers, Aisingiorro's family has a simple feeling for nature. As a descendant of the royal Aisingiorro family, Mr. Henderson also has deep feelings for the beautiful nature. Beautiful landscapes not only nurtured Manchu people, but also inspired art, providing an inexhaustible source for calligraphy and painting creation.

Being in Beijing, Mr. Henderson deeply felt the changes in Beijing's environment, protected the ecological environment of the motherland and Beijing, provided protection for the survival and development of future generations, and provided a source for the artistic creation of calligraphy and painting that Mr. Henderson longed for for for many years. In recent years, the development of environmental protection in China, the gradual improvement of the ecological environment, and the requirements of ecological environment protection and construction put forward at the recent 16th National Congress have made Mr. Henderson see the determination of the CPC Central Committee and the State Council to protect and improve the environment and hope for the future.

To this end, Mr. Henderson, who is old, is willing to write down his wishes and aspirations. He is willing to use his calligraphy art to contribute to the environmental protection in China.