I have always thought that calligraphy criticism should have a keen eye and unique artistic intuition in the discovery and excavation of meaning, so that calligraphy criticism can have special critical power. The keen and unique critical quality lies in the fact that critics pay attention to and pursue the internal fluctuations from the calligrapher's works and gain insight into how they enter the creative heart. This persistent pursuit, over time, will find a secret channel in his critical personality, way and even understanding of calligraphers and works. Calligraphy criticism should not only be an indifferent technical anatomy, but also become an ideological movement related to the subject of criticism. Criticism is criticism. It should not follow the trend of creation, but should go hand in hand with creation and even have the ability of ideological guidance. Real critics have a clear and dynamic grasp of the development of calligraphy. Calligraphy critics explain their views on calligraphy, art and culture through in-depth analysis in creative practice, and then carry out effective critical writing. This is the requirement for the critical quality of critics.