Selected calligraphy works in regular Liu script are given to you who are learning calligraphy in regular script in Liu script. Below are the selected regular script calligraphy works in Liu style that I have compiled for you. I hope it will be useful to you!
Appreciation of the selected regular script calligraphy works in Liu style
Liu Pictures of selected regular script calligraphy works in Liu style 1
Pictures of selected calligraphy works in Liu style in regular script 2
Selected regular script in Liu style Pictures of calligraphy works 3
Pictures of selected regular script calligraphy works in Liu style 4
Personal profile of Liu Gongquan
Liu Gongquan (778-865) Years), courtesy name Chengxuan, Han nationality, native of Jingzhao Huayuan (now Yaoxian County, Shaanxi Province) in the Tang Dynasty, and a famous calligrapher. Liu Gongquan was eager to learn when he was young, good at poetry, and understood rhythm. From the official position to Prince Shaoshi, he was known as "Liu Shaoshi" in the world. Later Liu Gongquan was granted the title of Duke of Hedong County, also known as "Liu Hedong". Gongquan was the successor of Yan Zhenqing, but his calligraphy style was unique. Later he was known as "Yan Liu" and became a model for calligraphy in all dynasties. He first learned calligraphy from Wang Xizhi. Later, he looked at the calligraphy of famous calligraphers of the Tang Dynasty and thought that the calligraphy of Yan Zhenqing and Ouyang Xun was the best, so he absorbed the strengths of Yan and Ou, and formed his own style between the Jin people's charm and Yan's calligraphy. Willow body is famous for its strong bones, and later generations have the reputation of "Yan Jin Liu Gu". He created many works in his life, mainly including "Inscription on the Bell Tower of the Huiyuan Temple of the Tang Dynasty", "Stone Carvings of the Diamond Sutra", "Mysterious Pagoda Stele", "Feng Su Stele" and "Shence Army Stele". There are also ink inscriptions "Mengzhao Tie" and "Wang Xianzhi's postscript to send pears".
Regular script formed from the method of ink
The vividness of the charm is based on the method of writing and is derived from the method of ink. The weight and speed of the strokes can not only produce changes in rhythm, but also It can produce changes in the thickness of the ink, but this change is minimal for regular script, especially small regular script. It is not as strong and shocking as running cursive.
Generally speaking, the ink used in small regular script should be thicker, not too light, as too light will hurt the look. If you look at the ancients who used small regular script, they all did not use thick ink. Especially when people in the Tang Dynasty wrote scriptures, the ink color was like lacquer. , full of energy, and even after hundreds of years, it is still as good as when it was first taken out of hand.
When using the method of thick ink, it is not suitable to use ink. You should take the best oil smoke and fine ink, press it hard and gently on the inkstone, do not slow or hurry, grind it clockwise, and pour clean water into the inkstone pool. It is not advisable to pour too much at once and grind while writing. The shade of Mo Gong is measured by being thick but not stagnant. Grinding ink should be greedy, so the inkstone pond should be deep to store ink. The ink color should be fine, so the surface of the inkstone should be fine. , can make ink. After the ink is ground, you don’t have to dip it in the ink immediately to write. Wait for a moment to let the ink sink, and then use it with a layer of crystal clear and delicate ink floating on it. The so-called grinding of ink requires luxury. , be frugal in using ink. The natural essence is intertwined, the ink is overflowing with light, and the ink is as bright and clear as a child's eyes. Even though it has been preserved for hundreds of years, the color of the ink remains unchanged. This method of using ink is not commonly seen in the original work of the ancients, and it is difficult to appreciate it. Yes, after writing, the inkstone should be washed for use tomorrow. It is best not to use permanent ink.
The pen used for writing small regular script is preferably a hard pen, such as the langhao small regular script available on the market, such as Hongmao, Hongdou, or Qizi Sanyang, Xiaobaiyun, etc. with moderate softness and hardness. Always use The four virtues of a strong, straight, pointed and round pen are better.
When writing small regular script, the pen should be opened fully. To create a new pen, first soak the pen in warm water and let it melt naturally, wash away the glue contained in it, and then lick the tip on waste rice paper. Then hang it up to dry in the shade and use it every other day. When using it, first soak the pen in clean water and soak it thoroughly, then turn the pen barrel on the waste paper, wipe it on all sides, and then dip it in ink to write a book.
When writing in small regular script, the ink should be dry and should not be too rich, especially when writing on the announcement of life. If the ink is rich, it will be easily wiped away. If the ink is rich, it can be wiped slightly on the announcement of waste life. , self-mixing ink and ink, flesh and blood, if it is fully opened, the pen will be soft and difficult to control due to the long tip. There is a way to make up for it, that is, first soak the pen in ink, let it dry naturally, and use the tip when writing Part, (one-third) of the pen melts in clear water, while the pen body and base of the pen on the waist are stuck to the ink and hardened together. When writing, it will be naturally strong and strong, or if you use a new pen, it will not be fully opened. The elasticity of the sharp tip is used, but this method has a shortcoming, that is, it only opens partially, and there is less ink in the millimeter. You have to dip in ink once every time you write, which will inevitably affect the smoothness of the strokes and the speed of writing.
When the pen is fully opened and dipped in ink for small regular script, the ink must not be immersed deeply in the ink. When the pen tip is touched into the inkstone, the ink will be immersed in the millimeter, and then the pen is quickly lifted out of the pool, like water on a pole. , it will appear as soon as it sticks. The so-called stain pen must be deep, while some pens must be shallow, and the ink is no more than three-thirds. If it penetrates deeply, the ink will easily bleed, the words will be blurred, and the pen power will not be easy to control. Light application means the brushwork is vigorous and vigorous, the stipples are clear and translucent, and the ink color is easy to change.
When writing small regular script, it is better to moisturize the ink even if it is ink. It should not be too boring. If it is boring, the words will be lifeless. The so-called moisturizing means that in terms of writing power, roundness means moistness. In terms of ink technique, plumpness means moistness. , use ink in small regular script, although there is no vivid and smooth ink color change like cursive writing, but you should drink ink as if you are greedy, (that is, open enough to soak it thoroughly) and spit out black as stingy. It is better to write small characters in large strokes, rather than using too small pen to write small regular script. . Chen Jieqi said in "Zi Xue Jue": "Writing big words with a small pen, but not small words with a large pen. It is important to be able to use a large pen, and to be powerful if you can use thick ink. Small characters can be developed into abbots, and abbots must be written like small characters." ?Yao Mengqi's "Zi Xue Yi Shen" also said: ?Using a large pen to write in regular script will develop the momentum. ?Of course, you are not required to use a large regular script pen to write small regular script and a large pen to write small characters. Then the pen is for my use, the ink color will be naturally moisturized, and the strokes will naturally develop.
When writing small regular script, the ink used should also have changes in density, dryness, and dryness. This change is mainly manifested naturally through the change of the rhythm of the pen. The ink can be light and light, and the ink can be dark and dark. And thick, if the ink is slow and dry, the ink will be rich and moist. If you squat, the ink will be underwater, if you stand, the water will gather, if you get it, the water will collect, if you pause, the water will be full. These changes, when writing small regular script, are only There is presence in the feeling, but the artistic effect is not obvious, the rhythm is full of changes, and the inking is natural and flexible.
There is also a very advanced realm in the use of ink in small regular script, that is, the ink method is thick in dryness and moist in dryness. It is said that Yan Zhenqing and Dong Qichang are the best at this method. This kind of brushwork should be used as a center. It is a comprehensive effect produced by writing power as the basis, momentum as the backing, when the pen is full of ink, speed, the friction between the brush and the paper, as well as the performance of the paper and the calm and frustrated writing style. , this kind of thirsty writing is like a cracked autumn wind, moistened with spring rain, and the green and moist air is ready to be vomited. It has the beauty of nature, especially in regular script.
In short, the method of using ink should be based on the use of the pen. The ink should not come out sideways and penetrate the back of the paper, which is the best for calligraphers.