Cold cicada moans (1) The pavilion is late, and the shower begins to rest. Drinking in Doumen account (2) Ruthless, nostalgic, blue boat urging hair, palm print.
Seeing tears, I was speechless.
Missing thousands of miles of smoke and waves, the evening is heavy. Since ancient times, it has been awkward and cold to leave. today
Where does the night wine wake up? Fear is just the edge, facing the sad morning wind and the setting sun of the waning moon. It's been four years. It should be a good time and a good scene. There are thousands of customs (5),
Talk to who?
Brief introduction of the author
Liu Yong, formerly known as Sanbian, was born in Chong 'an, Fujian. His career was bumpy all his life, and he didn't get into Jinshi until his later years. in the north
Among the famous poets in Song Dynasty, his official position is the lowest, but he occupies an important position in the history of Ci. He was the first poet who devoted himself to the creation of Ci in the Northern Song Dynasty.
He was also the first poet to write many slow words. He can create new music by himself, with harmonious melody. His ci, narrative exhibition.
Yan, do not carve.
In the development of Song Ci, it has the merit of expanding territory. His writing is simple and simple, charming and touching, close to love. Deeply loved by people.
To annotate ...
1 sad: sad and urgent.
② Unique door: refers to Bianjing. Account drinking: set up an account to hold a banquet to see you off.
3 SOB: My throat is choked and I want to talk.
Four years: year after year.
5 amorous feelings: romantic feelings.
Comments and explanations
Liu Yong was frustrated in his career and drifted around. This word was written when he left Bianjing for Zhejiang.
With the sad autumn scenery as the foil, Ci expresses the feelings of parting with the one you love. The last movie wrote a farewell scene, which was profound and meticulous.
Farewell scenes. The next film is about the imaginary parting scene, which shows the deep feelings of both sides. The whole word is like running water,
When you write about all human sorrows, don't hate it. Poets write landscapes, objects, narratives and lyricism in a simple way. Sincere feelings and sad writing style.
Set comments
Li Panlong's "Caotang Poetry": "A thousand miles of smoke", the feeling of farewell has always been good; Thousand customs, the wish of the same period
Credit again. What a good communicator.
He Shang's Wrinkled Water: Liu Tuntian's "Where to wake up tonight?" Yang Liuan, Xiaofeng waning moon ",naturally beautiful in ancient and modern times.
Sentence.
Zhou Ji's Selected Poems of Song Sijia: Most Muslim poems are conceived in the Qing Dynasty, while those that are thought tend to be green. However, I am young and beautiful.
You Yan is out of reach.
Tang Guizhang's Brief Interpretation of Tang and Song Ci: This poem is dedicated to other feelings, fully developed, well prepared, rich and intensive, and both.
Song Yuting said that Liu Ci is mostly "pure gold and fine jade", which is almost enough. There is endless hate at the end of the word, which has endless aftertaste.
Yu Wenbao's "Blowing the Sword": Liu Langzhong's ci is only for 178 girls, holding red teeth and singing "Yang Liuan, the wind is gone"
Shallow comments:
This is a graceful word that says that parting doesn't hurt elegance, elegance doesn't avoid vulgarity, and elegance appeals to both tastes, which can be described as incisively and vividly. Emotion, scenery and meaning are beautifully written, with infinite pen and ink colors, mixed thoughts, strong and weak words and changeable musical rhythms. The whole word revolves around the idea of "parting from sorrow", which is particularly clear in level and concise in language. Before writing farewell, focus on outlining the environment; When writing farewell, we should focus on describing modality; Don't imagine after writing, focus on depicting psychology. Three levels, in-depth, writing all the parting feelings from different levels can be amazing.
Liu Yong was talented, but his life was bumpy. He spent more time with geisha and lived a life of singing on the red and singing on the low. He deeply understands the lives of these geisha and deeply sympathizes with their unfortunate experiences. Many of his works reflect the joys and sorrows of being with them. This poem is one of the poems handed down in the world. Described his touching parting scene with his lover when he left the capital Bianjing City. When he poured out his hard-to-give-up love and parting sadness and hatred, he also pinned his lifelong frustration.
You can imagine: one autumn evening, the shower just stopped, the air was particularly fresh, and cicadas were singing on the willows. Outside the city gate, next to the pavilion, in a makeshift tent, there are two wine glasses filled with wine and two plates of snacks that we should have, and chopsticks are hardly touched. The poet Liu Yong clasped his fingers with his lover, choking and unable to say a word, and his cheeks were covered with boiling tears. At this time, an old ferryman in a boat on the water was shouting to the couple: "Rowing-rowing-"It was getting darker and darker, and the vast water was foggy; After a night of wandering, the poet Liu Yong seems to have come to a foreign land. When the east wants to vomit, there is still a waning moon overhead, and the hazy willows on both sides are swaying in the autumn wind. He looked at the waning moon and felt the autumn wind, revealing a sad and thoughtful look. In this poem, Liu Yong describes his long-term anxiety, heavy depression and endless sadness with sparkling water waves on the boundless river, dense fog in the evening and the vast sky of Chu. And the melancholy after "sober up"-"Drinking away from others is an anesthetic to reduce anxiety, and sober up is tantamount to" sober up ". The sadness of waking up after anesthesia is becoming more and more unbearable. " Blend with the most touching scene-"the willows on the shore, the breeze blowing, the waning moon hazy." This scene is really bleak. Here, Liu Yong condensed many things that can touch the sadness of parting most, formed a bleak artistic conception, and expressed parting feelings incisively and vividly.