Since the 1970s, he has participated in the Army and National Calligraphy, Painting and Photography Exhibitions and won many awards. Zhang Aiping, the Minister of National Defense, personally presented the award to him at the National Art Museum of China. Li Desheng, Vice Chairman of the Party, Zhang Zhen, Vice Chairman of the Military Commission, and General Yu Yongbo, Director of the General Political Department, wrote personal inscriptions of encouragement for him. He became an influential artist in the army and the country.
In 2007, he was rated as a calligrapher and painter with "both virtue and art" in the national cultural and art circles;
It was rated as "2007 Influential Artist" by 7 units including the Ministry of Culture and Influential Magazine. "Character"; In 2008, he was specially invited by the Beijing Olympic Organizing Committee to participate in the Olympic Art Conference. His eight-foot Chinese painting "The Green Mountains Are Still Here, the Mountains Are High and the Waters Are Long" won the special prize. His self-written poem and calligraphy masterpiece "The Holy Fire Ignites the World's Love" (Eight-foot-wide eight-stripe screen) won the special prize in the Olympic Journey "Chinese Ink Painting" calligraphy competition. In 2010, a book entitled "Three People: The Most Concerned Calligraphers in the Collecting World" was published by the China Federation of Literary and Art Circles Publishing House. It included the three most influential calligraphers in the Chinese calligraphy world: Li Duo, Shen Peng, and Zhang Shansan. Collection of people.
Compiled in the "Top Ten Outstanding Calligraphy Masters in the Country" edited and published by Hebei Art Publishing House, including: Wang Xuerin, Li Duo, Shen Peng, Zhou Huijun, Zhang Shan, Chu Yun, Yan Gong Da, Liu Yiwen, Lun Jiexian and Zhang Xuguang are ten famous artists.
At the invitation of China Overseas Chinese Publishing House, together with Mr. Wang Dongling and Mr. Yan Gongda, he published the collection of calligraphy works "The Covenant of Three People".
2011 Beijing Rongbaozhai Publishing House "Contemporary Chinese Painting and Calligraphy Master Zhang Shan's Poetry and Calligraphy Collection".
In 2012, the "Twelfth Five-Year Plan" national key art category was jointly published by People's Fine Arts Publishing House, People's Education Publishing House, China Federation of Literary and Art Circles Publishing House and Lingnan Fine Arts Publishing House. Books·21st Century-----"Chinese Calligraphy Classics" was grandly published and released, including ten calligraphers with different age structures and different calligraphy styles across the country who have high social visibility and calligraphy influence: Tong Wei, Shen Peng, Zhou Junjie Ten calligraphers including Zhu Guantian, Li Gangtian, He Yinghui, Shen Wansheng, Wu Shanzhang, Su Shishu, and Zhang Shan each produced more than ten masterpieces of calligraphy.
Sponsored by Shanghai Duoyunxuan and published by Shanghai Painting and Calligraphy Publishing House, the traditional ink art "Chinese Contemporary Famous Calligrapher and Painter--Zhang Shan"·Duoyunxuan 2012 Recommended Artist·is officially published. People's Daily Publishing House published "Zhang Shan's Poetry Collection", which contains more than 300 poems composed and published. Xi'an Chinese Calligraphy Art Museum, Old Xi'an Museum, Beijing Rongbaozhai and other venues held Zhang Shan's calligraphy, painting and photography art exhibitions. CCTV, Beijing TV, Shaanxi Satellite TV, Xi'an TV, Xi'an Education TV, Baoji, Tianshui TV, etc. have successively filmed and broadcast "Zhang Shan's Artists", "Zhang Shan's Calligraphy Art", "Zhang Shan's Calligraphy Art" and "Zhang Shan's Art", which reflect Zhang Shan's artistic life. "Zhang Shan's Painting Works", "Zhang Shan's Painting and Calligraphy Art Appreciation", "Zhang Shan's Artistic Life", as well as those reflecting Zhang Shan's calligraphy, painting, photography, collection and other artistic achievements: "Qin Feng and Tang Dynasty Yun Yun Yun, calligraphy and ink splashing to paint the Spring and Autumn Period", "Mountain High" The true love grows stronger as time goes by, and the legacy of Chang'an writes about the vastness", "The lover who captures all the charm is still young, and the everlasting good intentions reflect the rainbow", "There have always been wonderful antiques, and the study room is full of elegance and fun" · (four episodes and eight parts) feature films, etc. "Zhangshan Painting and Calligraphy World" on Sina, Tudou, NetEase and other websites has opened special exhibitions of Zhangshan's poetry, prose, calligraphy, painting and photography, with a total of more than 100,000 views. Zhangshan's NetEase blog was rated as a "NetEase Famous Blog" and the official website of "Zhangshan Art" was included in the "Chinese Contemporary Painting and Calligraphy Masters" 100 Masters Exhibition.
Zhang Shan has attended CCTV's "Art of Life", "New Audio and Video", "Short Stories", "News Guests", Beijing TV's "Glorious Bloom" and other columns as a guest many times. Interacted and communicated with colleagues such as Fan Zeng, Liu Yong, Yu Dan, Li Guangxi, Ma Weidu and others. He was hired as an art director by CCTV. Li Desheng (former Vice Chairman of the Central Committee of the Communist Party of China): "The ancient strings have a deep charm, and the calligraphy and ink have a strong feeling" (Inscription for Zhang Shan's calligraphy and painting exhibition in Huangling on 9th 1995.)
Admiral Zhang Zhen (formerly General Zhang Zhen) Vice Chairman of the Central Military Commission): "Aim high" (On September 12, 1997, Yulin wrote the inscription for Zhang Shan's calligraphy, painting and photography exhibition.)
General Yu Yongbo (former director of the General Political Department of the Central Military Commission): "Infinite scenery in the limited peak" (Inscription for Zhang Shan's photography exhibition in Xi'an on September 20, 1997.) Wei Junxiu (former professor of Shaanxi Normal University and famous calligrapher): "The military camp is full of beauty, and the calligraphy and ink are floating in the ocean" (1998 In August of that year, he wrote the inscription for the opening of Zhang Shan's calligraphy and painting exhibition.
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Li Ruobing (Chairman of the Provincial Federation of Literary and Art Circles, writer): "Zhang Shan's calligraphy and painting are elegant and thought-provoking."
Liu Wenxi (consultant of the China Artists Association): "Golden Arms and Iron Horse" (1998 Inscription for Zhang Shan's calligraphy exhibition in June 2008.)
Liu Zicheng (former chairman of the Shaanxi Provincial Calligraphy Association): "Waving back to the shadow of the sun, writing to be outstanding" (Inscription for Zhang Shan in October 1998.)< /p>
Japan·Ninomiya Suho (President of Japan Hakuho Calligraphy Association): "Thanks to the cooperation, the book fair has ended. I have asked a famous framer to frame your masterpiece into a hanging scroll for permanent collection. As a As a bridge of friendship between China and Japan, as well as colleagues who cherish the cultural heritage of the East, I hope our friendship will last forever." (Letter to Zhang Shan in Chinese.)
Wang Chongren (Professor of Xi'an Academy of Fine Arts, former Executive Vice President of the Provincial Calligraphy Association. Chairman): "Standing out, full of emotion" (Inscription for Zhangshan Painting and Calligraphy Exhibition in 2002.)
Sun Ping (former Vice Chairman of the Provincial Calligraphy Association): "It is difficult to make water without crossing the sea. "Climbing the green mountains to another peak" (the inscription for Zhang Shan's 2002 exhibition of calligraphy and painting works.)
Wu Sanda (former vice chairman of the Provincial Calligraphy Association): "Calligraphy and painting are images of the mind, and when emotions are moved, the spirit will follow." ( Inscription for Zhang Shan's calligraphy and painting exhibition in 2002)
Zhang Biao (Vice Chairman of the Chinese Calligraphy Association): "Success is imminent" (Inscription for Zhang Shan's calligraphy and painting exhibition.)
Tian Shuqiang (Shanxi). Vice Chairman of the Provincial Calligraphy Association): "Go to the class with an ax and play chess to find a master" (Inscription for Zhang Shan's calligraphy and painting exhibition.)
Zhong Mingshan (former Vice Chairman of the Chinese Calligraphy Association): "Use the virtual to lead." Xiao Yunru (vice chairman of the Provincial Federation of Literary and Art Circles and a famous cultural critic): "Harmony, tranquility can make speech" (inscription for Zhangshan's calligraphy and painting exhibition.)
Xiao Yunru (vice chairman of the Provincial Federation of Literary and Art Circles, a famous cultural critic): "It is only when you learn to be clumsy that you become as clever as a fool." " (Inscription for Zhang Shan's calligraphy and painting exhibition.)
Xue Zhu (director of the Chinese Calligraphy Association and former vice chairman of the Provincial Calligraphy Association): "Work hard for the association and strive to climb the peak of calligraphy." (Inscription for Zhang Shan. )
Hu Shuqun (member of the Party Committee of the Provincial Federation of Literary and Art Circles): "Look up to the mountains and know the mountains" (Inscription for Zhangshan Book Exhibition.)
Southern Vision: "The light of the husband has seven colors, the sky has nine layers, nine layers The sky appears blue because of its depth; things have eight sides, human nature is multi-dimensional, and the multi-dimensional people are complementary and integrated to determine their position. Chang'an Zhang Shan is good at calligraphy, good at painting, proficient in photography, obsessed with collecting, and enjoys playing the flute and flute. I like Bangu folk songs. What is the way? What is the position? The answer is: Three-dimensional art life is colorful! ..." (Commentary on Zhang Shan's calligraphy and painting collection in 2000.)
Mr. Geng Xiang: "This is a piece of cursive calligraphy that has just been hung on the wall. Its power, its agility, its charm, and what is hidden behind the ink, which goes beyond the calligraphy itself, make me very eager to write it. On a moonlit night, I once again saw the person who wrote it. But at this moment, the ink I was staring at suddenly heard the sound of a flute that attracted the phoenix..." (Written for Zhang Shan Calligraphy. The article "Moxiao" is in Chinese. )
Mr. Wen Yue: "Chinese people live too tiredly. This is an opinion drawn by some intellectuals nowadays through comparison of Eastern and Western life. Based on this basic view, they believe that all persistent pursuers in career must generally seek relief or detachment in real life. I think that's the reason. The growth path of my friend Zhang Shan can be used as evidence..." (Written in Chinese for Zhang Shan's "Pursuing Ideals and Seeking Liberation".)
Mr. Yun Bu: "Reading Zhang Shan's calligraphy and paintings is like listening to them. The long and lingering music is like a poem praising the beauty of Danyuan, like returning to ancient times with clear wind and bright moon. Watching Zhang Shan calligraphy and painting is like pushing palms in Tai Chi in martial arts or moving in ballet in the art world. It is a pleasure. " (Written in Chinese for Zhang Shan's article "Ling Yun Jian Bi Zong Heng".)
"Zhonghua Collection" magazine published a comment on the article: "Zhang Shan advocates the pursuit of Fu Shan in the Qing Dynasty, preferring clumsiness to skill and ugliness. According to the artistic principle of “no eyebrows, rather detachment than slippery, rather sincerity than arrangement”, his small regular script shows the atmosphere of simplicity, simplicity and simplicity from its small size, beauty, square shape and regularity. However, the simplicity is still smooth, vigorous and graceful. , his regular script is "decent and rigorous, vivid, varied, elegant and clear; his cursive script, list of books, etc. are ups and downs, free and easy, intertwined with dry and moist, and majestic, forming a simple, bold, and grand inner temperament . "
"Your works such as "Rhyme of Plum Blossoms", "Traveling in the Misty Rain", "National Beauty" and other works have been reviewed and evaluated by comrades of the committee: the calligraphy is based on the actual situation, flexible and free-spirited, and has its own style. Several of the paintings are fresh and bright in style, simple yet profound, and Zhang has made great contributions to the details.
Today we recommend a total of ten of your works to be included in the "Works of Famous Contemporary Chinese Painting and Calligraphy Masters" series of postcards" (Reply letter from the Art Committee of China-Science Culture and Art Exchange Center in Beijing on July 6, 2003 in Chinese.)
“During the Spring Festival of 2002, the Shaanxi calligraphy circle, which had been dormant for a long time, became active again. Zhang Shan held a personal calligraphy exhibition in the Chinese Calligraphy Art Museum on the south wall of Xi’an. It was an unprecedented event and received rave reviews. People exclaimed that another 'dark horse' has emerged from the Shaanxi calligraphy world." ("From 'Brother Bing' to a Master of Calligraphy" by Wei Zhuan, a reporter from the Art Star Edition of "Consumer Herald", written in Chinese.)
"Calligraphy and painting are connected, and this artistic law is well reflected in Zhang Shan. While he was creating calligraphy, he also created a series of fine paintings. He likes the ancient landscape paintings of the Song and Yuan Dynasties, and also has a deep study of flowers and birds. His works such as "Green Pines", "Ancient Cypresses", "Residence in the Deep Mountains", "Autumn Streaming on a Smokey Stream" and other works have aroused strong repercussions in the world of calligraphy and painting, and some works have been praised as "treasures in the painting world" by art masters. '" (Li Zhijie's "Mountains and Stones Look More Majestic" was published in the "Enterprise Weekly" of Xinbao on April 14, 2001.)
"Mountains show Chang'an, life is colorful, and the Spring Festival of the Year of the Horse in Renwu , the art of Mr. Zhang Shan, a famous contemporary Shaanxi calligraphy and painting artist, was exhibited at the Chinese Calligraphy Art Museum in Xi'an, the ancient capital. The exhibition lasted for more than a month and attracted an endless stream of visitors. There are books and methods, and the same is true for paintings; books are like people, paintings are like people, an eternal principle, a topic that is both old and new. A few years later, when I talked about Zhang Shan again, I felt this emotion and admiration again. Entering Zhangshan's world of calligraphy and painting art, you will see that the author becomes more angular as he lives, and his sharp edge is revealed. He lives a very upright life, and he lives a world-class life based on his true talents and hard work. He has clear edges and corners, and is square on the inside but not round on the outside. His works are authentic, his thoughts are authentic, and his paintings and calligraphy contain and make people feel the righteousness, heroism and arrogance of the nation; self-esteem and self-improvement, national integrity and Chinese sentiments are reflected in his works He Min said that this constitutes the unique style of Zhang Shan's calligraphy and painting works. ” (Zhao Jianwen’s “A True Artist”—Remarks on Rereading Zhang Shan’s Calligraphy and Painting Works, March 22, 2002, Calligraphy Edition of Culture and Art News.)