The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Jin Feng, the metaphor font structure is solid and full, and the brushwork is more than enough.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Penetrate the back of the paper to describe the strength of calligraphy, and the nib can simply penetrate the back of the paper.
The ingenious description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and round.
2. Four-word idioms about calligraphy describe that calligraphy is vivid and magnificent.
The source of Li Bai's cursive music in Tang Dynasty: "Always seeing dragons and snakes, the left side is shocked." Wang Bin Jr., a scholar of use cases, has a brilliant mind.
(Ming Ling Mengchu's "Surprised at the First Moment" (Volume 20) Dragon and phoenix dance is free and unrestrained. At first, it described the grandeur of mountains, and later it also described the grandeur and agility of calligraphy. The source is the stone "Observing the Monument of Loyalty and Righteousness": "The mountain of Mother Tianmu, flowers in the water, dragon and phoenix dances, collected from Lin 'an. "
The use case looked up and saw four big screens hanging on the north wall, cursive script, amazing. (Qing Liu E's Travel Notes of Lao Can, the ninth time) Use meaning freely, with ease, and the heart and hand correspond to antonyms and stretch out. Interpretation: swing; Wine: Sprinkle ink.
Describe painting, writing, composition, and using a pen. The source of Tang's "Gift to Zhang Xu" is: "Xing Lai Wall, pen like a meteor."
A pen full of ink was sent from home. Juezhai picked up a pen and wrote more than 100 words on the paper.
(Zeng Qingpu's "Evil Sea Flower" is back to the 25th) The back of the paper is close to the meaning, the brushwork is as big as a rafter, and the antonym is understated. The commentary describes that calligraphy is vigorous and powerful, and the pen almost penetrates the back of the paper. It also describes poetry as profound in conception and concise in words.
The source is Tang Yan Zhenqing's Notes on the Twelve Meanings of Zhang Changshi: "When using the front, I often want to make it pass through the back of the paper, which is very successful." Use cases are intended to be written first.
(Yi "Ou Bei Shi Hua" Volume 6).
3. The four-character idiom in calligraphy works is a total annihilation, a long snake in the pen, a swallowtail silkworm head, full of strength, iron-painted silver hook, fairy pearl, quiet and far-reaching, vivid charm, bold and unrestrained, rough and simple, unique, hearty and chic, natural and interesting, in the middle, close to the heart, beautiful and natural. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style. China's calligraphy is an ancient art, which develops with the development of Chinese civilization.
In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history. Calligraphy, as an artistic creation, is deeply mysterious.
From Oracle Bone Inscriptions, Bronze inscriptions to Dazhuan, Xiaozhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script, running script and other forms were basically finalized. Calligraphy always exudes the charm of ancient art, and it is often referred to as soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy. The sweeping army described poetry, calligraphy and other magnificent and verve brushstrokes, while the dragon and snake described calligraphy as vivid and magnificent. Silkworm-headed swallowtail describes dignified calligraphy and light steps. Use abundant strength to describe the solid and full font structure and powerful brushwork. It is often used to describe the vigorous brushwork of calligraphy, or to describe the vigorous brushwork and graceful dancing, which penetrates the back of paper. The brush strokes can almost penetrate the back of the paper. The incisive description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound. Tie Hua Yin Gou describes the softness of calligraphy. Fairy dewdrops describe the elegance and roundness of calligraphy. The vigorous description of calligraphy is vigorous and powerful.
4. Calligraphy four-character idioms complete strokes of dragon and snake, Yan Liu Jingu, iron painting silver hook, penetrating the back of paper, writing dragon and snake with a brush. Bǐ zǒu lóng shé Interpretation: Describing calligraphy is very beautiful and skilled. Yan Gu Yá n JΡ n Interpretation: Yan: Tang Dynasty calligrapher; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.
Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
5. How can there be a good four-character to describe calligraphy? Calligraphy: full of pen power: pen and ink are used very freely and fully. It describes calligraphy and poetry. \x0d's pen is full of dragons and snakes. Describe the vigorous and free brushwork of calligraphy. It also writes for the conductor. \x0d first wrote Huang Ting: Huang Ting, a Taoist classic. Jin people have the idiom "just right" in Huang Ting Jing, which was later used to describe doing things just right. \x0d Spring insects and autumn snakes: It refers to the trajectory of spring insects and autumn snakes with poor calligraphy. \x0d: The sword is drawn and the bow is opened. It describes a tense situation and is explosive. Later, it also refers to the vigorous and magnificent calligraphy. \x0d, for example: give a general explanation. Later, it was called "Give an example to illustrate the style of a book". See "Examples". \x0d penetrates the back of the paper: The original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vivid, profound and powerful poetry. \x0d flies like a dragon and flies like a phoenix. At first, it was described as bold and magnificent. Now describe it as lively and powerful. The word "Ping Shan Tang" says: "I haven't seen an old fairy for ten years, and the dragon and snake fly to the wall." \x0d Luan Piao Feng Bo: Luan: a legendary phoenix-like bird. Originally, calligraphy was described as chic and unrestrained, and it was compared with the separation of high flyers and his wife. \x0d Luan Xiang Feng Pin: Spread your wings and fly high. It is compared with the posture of Feitian calligraphy. \ Wang Xizhi wrote on the board, and the ink penetrated into the board three points deep), which is now described as profound and powerful in analysis, description and discussion. Hook: hook. Describe the vigorous and beautiful calligraphy.