Poems about Baiheliang

1. Information about Baiheliang

Open classification of Baiheliang: tourism, landscape, cultural relics, calligraphy art, ancient hydrological station. Baiheliang inscription is located in the north of Fuling City in the upper reaches of the Three Gorges Reservoir Area of ??the Yangtze River. In the Yangtze River, it is the only national key cultural relic protection unit in the Three Gorges cultural relics landscape. UNESCO hails it as "the only well-preserved ancient hydrological station in the world."

It is a natural giant stone beam about 1,600 meters long and 16 meters wide. Shiliang is only exposed to the water during the dry season in winter and spring.

According to legend, Erzhen Zhenren practiced here in the Tang Dynasty, and later achieved Taoism and rode on a crane to go there, hence the name. The stone beam is engraved with 164 stone inscriptions from the first year of Guangde in the Tang Dynasty (763) to the present day, including 108 hydrological inscriptions; 14 stone fish pictures, 3 of which are hydrological symbols.

The inscriptions and images intermittently record the historical low water levels in 72 years over more than 1,200 years. They are of great historical value for the study of low water patterns, shipping and production in the middle and upper reaches of the Yangtze River. At the International Hydrological Conference held in Paris in 1974, the Chinese delegation submitted a report to the conference titled "Fuling Stonefish Inscriptions", and the scientific value of Baiheliang was recognized around the world.

There are also many poems and inscriptions on Baiheliang by Huang Tingjian, Zhu Xi, Pang Gongsun, Zhu Ang, Wang Shizhen and other poets of the past dynasties. They are all available in seal script, Li script, Xing script and Cao script, and include Yan, Liu, Huang and Su. It is presented together and has high artistic value, so it has the reputation of "underwater stone inscription". According to Mr. Huang Dejian, a descendant of Huang Tingjian and the director of cultural management of Fuling District, the state has accepted the suggestions of Chinese and foreign experts and will implement the Baiheliang Inscriptions Protection Project. Tianjin University will undertake the engineering design and plan to build an underwater museum. The national treasure Baiheliang Inscriptions will be protected. There will be a reliable, comforting home.

Currently, Fuling’s cultural department is preparing to copy the inscription in the People’s Square of Fuling District so that people can see his face all year round. The white crane's chirping creates a scenic spot, and the stone fish emerging from the water heralds a good harvest.

Baiheliang has been designated as a national key cultural relic protection unit. After the completion of the Three Gorges Project, Baiheliang will be submerged. The country has established a project in 1993 to build it into a large underwater museum.

The stone fish carvings on Baiheliang have important scientific research and historical value, as well as unique artistic value, and have always been valued by the world. It is not only a historical record of the low water level of the Yangtze River, but also means "the emergence of stone fish indicates a good year" and "there will be more than one (fish) every year".

Therefore, the ancients carved a stone inscription on Baiheliang: "In the dry season, if the stone fish emerges from the water, it will bring good fortune and good fortune for thousands of years." Baiheliang Inscription is located in the Yangtze River north of Fuling City in the upper reaches of the Three Gorges Reservoir Area. It is the only national key cultural relic protection unit in the Three Gorges cultural relics landscape. UNESCO hails it as "the only well-preserved ancient hydrological station in the world."

The Baiheliang inscriptions have important "historical, scientific and artistic" value. Many precious inscriptions can be regarded as national treasures, which astonished Chinese and foreign experts and tourists.

Baiheliang was naturally formed during the orogeny. It looks like a giant crocodile lying in the Yangtze River. It is about 1,600 meters long and 15 meters wide in the shape of a turtle's back. In ancient times, the surrounding environment was beautiful and lush.

Whenever autumn and winter come, hundreds of white cranes fly to this place to rest and dance gracefully. It is so beautiful that Baiheliang gets its name from this. There are 108 inscriptions related to hydrological science, so it is known as the "World Underwater Forest of Steles".

These inscriptions are mainly concentrated on the north slope with an inclination of 14.5 degrees, starting from the first year of Guangde in Tang Dynasty (AD 763) and ending on February 15, 1963 when the last inscription was written in Fuling Cultural Center, exactly 1200 years ago. . Recording the history of drought in 72 years, there are more than 180 inscriptions in total, including 1 from the Tang Dynasty, 98 from the Song Dynasty, 5 from the Yuan Dynasty, 16 from the Ming Dynasty, 23 from the Qing Dynasty, and more than 40 from modern times.

The beams are engraved with the authentic works of famous people from past dynasties, such as Huang Tingjian, Chao Gongdao, Huang Shou, Zhu Ang, Wu Ge, Liu Jia, Pang Gongsun, Wang Shizhen, etc., and poems inscribed by more than 300 people, reaching up to More than 30,000 words.

The famous calligraphy styles of "Yan, Liu, Su, Huang, Zhen, Cao, Li and Zhuan" are gathered in Yiliang, which will shine brilliantly and be famous throughout the ages.

The inscription "Yuan Fu Geng Chen Fu Weng Lai" written by Huang Tingjian, a great calligrapher of the Northern Song Dynasty, is even more amazing. There are also 19 fishes, 2 Avalokitesvara statues and 1 white crane engraved on the white crane beam.

At the west end of Baiheliang, there are many eye-catching stone fish. There is a large stone fish about 3 meters long, 1.5 meters wide and 0.5 meters thick. It is lifelike and is called the "King of Carp".

According to records, it was engraved during the Jiaqing period, and there is a saying that "stone fish coming out of the water means a good year." The Gezhouba Hydropower Station and the magnificent Three Gorges Project both refer to some data on Baiheliang's hydrological inscriptions. For example, the 175-meter water level elevation is based on Baiheliang's flood records of more than 1,000 years.

Tang Yu’s eyes are the zero point water level in the middle and upper reaches of the Yangtze River, which is equivalent to an altitude of 137.91 meters above sea level. This hydrological record is 1,100 years earlier than the water gauge mark designed by the British in Wuhan Jianghan Pavilion.

Therefore, it enjoys the reputation of "the world's first ancient hydrological station". According to Mr. Huang Dejian, a descendant of Huang Tingjian and the director of cultural management of Fuling District, the state has accepted the suggestions of Chinese and foreign experts and will implement the Baiheliang Inscriptions Protection Project. Tianjin University will undertake the engineering design and plan to build an underwater museum. The national treasure Baiheliang Inscriptions will be protected. There will be a reliable, comforting home.

Currently, Fuling’s cultural department is preparing to copy the inscription in the People’s Square of Fuling District so that people can see his face all year round. The white crane's chirping creates a scenic spot, and the stone fish emerging from the water heralds a good harvest.

Located in the center of the Yangtze River in the north of Fuling District, it is a natural giant stone beam about 1,600 meters long and 16 meters wide. Shiliang is only exposed to the water during the dry season in winter and spring.

According to legend, Erzhen Zhenren practiced here in the Tang Dynasty, and later achieved Taoism and rode on a crane to go there, hence the name. The stone beam is engraved with 164 stone inscriptions from the first year of Guangde in the Tang Dynasty (763) to the present day, including 108 hydrological inscriptions; 14 stone fish pictures, 3 of which are hydrological symbols.

The inscriptions and images intermittently record the historical low water levels in 72 years over more than 1,200 years. They are of great historical value for the study of low water patterns, shipping and production in the middle and upper reaches of the Yangtze River. At the International Hydrological Conference held in Paris in 1974, the Chinese delegation submitted a report to the conference titled "Fuling Stonefish Inscriptions", and the scientific value of Baiheliang was recognized around the world.

On Baiheliang, there are also many poems and inscriptions by Huang Tingjian, Zhu Xi, Pang Gongsun, Zhu Ang, Wang Shizhen and other literati of the past dynasties. It is presented together and has high artistic value, so it has the reputation of "underwater stone inscription". Baiheliang has been designated as a national key cultural relic protection unit.

After the completion of the Three Gorges Project, Baiheliang will be submerged. The country has established a project in 1993 to build it into a large underwater museum. 2. The location, time, scenery on the beam, poems, and related legends (stories) are all

The Baiheliang inscription is located in the Yangtze River north of Fuling City in the upper reaches of the Three Gorges reservoir area. It is a Three Gorges cultural relic. The only national key cultural relic protection unit in the landscape, UNESCO hails it as "the only well-preserved ancient hydrological station in the world". It is a natural giant stone beam about 1,600 meters long and 15 meters wide. It only emerges from the water when the Yangtze River dries up every year from December to March of the following year. According to legend, Zhu Zhenren practiced here during the Tang Dynasty. Later, he attained Taoism and rode on a crane to go there, hence the name "White Crane Liang".

The stone beam is engraved with 164 stone inscriptions from 763 AD (the first year of Guangde in Tang Dynasty) to the present day, including 108 hydrological inscriptions; 14 stone fish pictures, including 3 with hydrological marks. Thirty thousand words. The inscriptions and images intermittently record the historical low water levels in 72 years over more than 1,200 years. They are of great historical value for studying low water patterns, shipping and production in the middle and upper reaches of the Yangtze River. At the International Hydrological Conference held in Paris in 1974, the Chinese delegation submitted a report to the conference titled "Fuling Stonefish Inscriptions", and the scientific value of Baiheliang was recognized around the world.

Artistic value

On Baiheliang there are many poems and inscriptions by Huang Tingjian, Zhu Xi, Pang Gongsun, Zhu Ang, Wang Shizhen and other poets of the past dynasties, in seal script, Li script, Xing script and Cao script. Bei, Yan, Liu, Huang and Su are presented together, which has high artistic value, so it has the reputation of "underwater stone inscription". According to Mr. Huang Dejian, a descendant of Huang Tingjian and the director of cultural management of Fuling District, the state has accepted the suggestions of Chinese and foreign experts and will implement the Baiheliang Inscriptions Protection Project. Tianjin University will undertake the engineering design and plan to build an underwater museum. The national treasure Baiheliang Inscriptions will be protected. There will be a reliable, comforting home. At present, the cultural department of Fuling has copied the inscription in the People's Square of Fuling District so that people can see his face all year round. White cranes circle the beams to create a scenic spot, and stone fish emerge from the water to herald a good year.

Scenery of Baiheliang (20 photos) The stone fish carvings on Baiheliang have important scientific research and historical value, as well as unique artistic value, and have always been valued by the world. It is not only a historical record of the low water level of the Yangtze River, but also means "the emergence of stone fish indicates a good year" and "there will be more than one (fish) every year". Therefore, the ancients carved a stone inscription on Baiheliang: "In the dry season, if the stone fish emerges from the water, it will bring good fortune and good fortune for thousands of years."

Archaeological value

The Baiheliang Inscription is located in the Yangtze River north of Fuling City in the upper reaches of the Three Gorges Reservoir Area. It is the only national key cultural relic protection unit in the Three Gorges cultural relics landscape. UNESCO will It is known as "the only well-preserved ancient hydrological station in the world". Baiheliang inscriptions have important "historical, scientific and artistic" value. Many precious inscriptions can be regarded as national treasures, which astonished Chinese and foreign experts and tourists. There are 108 inscriptions related to hydrological science, so it is known as the "World Underwater Forest of Steles". These inscriptions are mainly concentrated on the north slope with an inclination of 14.5 degrees. They started in the first year of Guangde in Tang Dynasty (AD 763) and ended on February 15, 1963, when the last inscription of Fuling Cultural Center was written, exactly 1200 years ago. Recording the history of drought in 72 years, there are more than 180 inscriptions in total, including 1 from the Tang Dynasty, 98 from the Song Dynasty, 5 from the Yuan Dynasty, 16 from the Ming Dynasty, 23 from the Qing Dynasty, and more than 40 from modern times. The beams are engraved with the original works of celebrities from past dynasties, such as Huang Tingjian, Chao Gongdao, Huang Shou, Zhu Ang, Wu Ge, Liu Jia, Pang Gongsun, Wang Shizhen, etc. There are also more than 300 poems inscribed by more than 300 people, totaling more than 30,000 words. The famous calligraphy styles of "Yan, Liu, Su, Huang, Zhen, Cao, Li and Zhuan" are gathered in Yiliang, which will shine brilliantly and be famous throughout the ages. The inscription "Yuan Fu Geng Chen Fu Weng Lai" written by Huang Tingjian, a great calligrapher of the Northern Song Dynasty, is even more amazing. The Gezhouba Hydropower Station and the magnificent Three Gorges Project both refer to some data on Baiheliang's hydrological inscriptions. For example, the 175-meter water level elevation is based on Baiheliang's flood records of more than 1,000 years. Tangyu's eyes are the zero-point water level in the middle and upper reaches of the Yangtze River, which is equivalent to an altitude of 137.91 meters above sea level. This hydrological record is 1,100 years earlier than the water gauge mark designed by the British in Wuhan Jianghan Pavilion. Therefore, it enjoys the reputation of "the world's first ancient hydrological station". Finally, on February 13, 2003, thanks to the efforts of Ge Xiurun and other cultural relics workers, it was announced that the Baiheliang Underwater Protection Project was under construction. After receiving this news, those Fuling people and those who have watched this precious underwater forest of steles for generations love it as much as they love their own lives. Cultural relic workers who love Baiheliang are pleased. Since the Tang Dynasty, people have carved 19 stone fish on Baiheliang, which are unclear because of their age. Xiao Xing, the magistrate of Fuzhou in the Qing Dynasty, ordered a mason to copy the old traces and re-carve two carp on the stone, and also chiseled the inscription. Stonefish usually hide below the water surface, and only emerge from the water when encountering dry water. The stone fish is surrounded by more than 70 minimum dry year lines from AD 763 to the beginning of the 20th century. According to many years of measured hydrological records on the main stream of the Yangtze River, the lowest water level in the Yangtze River occurs every 10 years, which is consistent with the record for stonefish. Therefore, the stone fish inscriptions are of great historical value for the study of low water patterns, shipping and production settings in the middle and upper reaches of the Yangtze River. The ancients said that "the appearance of stone fish indicates a good harvest". In 1953, 1963, and 1973, the stone fish on Baiheliang emerged from the water three times. In these years, the local area also had a bumper harvest, so stone fish were Think of it as a forecast of good times and bad times.

3. Baiheliang is described in idioms

Standing tall among the chickens

hè lì jī qūn

[Explanation] Like a crane standing among the chickens. Metaphor of outstanding talent or appearance.

[Quote] Liu Yiqing of the Southern Dynasties and Song Dynasty, "Shishuo Xinyu·Rong Zhi": "Someone said to Wang Rong: 'Ji Yanzu (Ji Shao) is as outstanding as a wild crane in a flock of chickens.'"

[Authentic pronunciation] Crane; cannot be pronounced as "háo".

[Distinguish form] Li; cannot write "force".

[Synonym] Outstanding, outstanding

[Antonym] Overshadowed, insignificant

[Usage] Contains praise. Used to express extraordinary people. Generally used as object, attributive, and adverbial.

[Structure] Subject-predicate formula.

[Analysis] See "Outstanding" (page 167).

[Example] 4. Poems about Yelang Kingdom

Nanliu Yelang's Letter

Tang Li Bai

Yelang The world is full of resentment and separation, and the news and messages in Mingyue Tower are sparse. .

The wild geese from the north return in spring and are fascinated by it, but they cannot read the Yuzhang Book when they come from the south.

This poem is listed in Volume 184, No. 54 of "The Complete Poems of the Tang Dynasty". The meaning in modern Chinese is: I am resentful and depressed because of my separation in Yelang, and the news from Mingyue Tower is sparse. The wild geese flying north are about to die, and I still haven’t received your letter. 5. Poems about stones

1. Thousands of hammers carved out the mountains, and the fire burned them as if nothing happened. ——Yu Qian's "Song of Lime"

It means: It can only be mined from the mountains after tens of millions of hammerings. It regards the burning of blazing fire as a very common thing.

2. Love this punch stone, exquisite and natural. ——Cao Xueqin's "Inscription on Self-Painted Stone"

It means: If you like this punch of stone, you will be born with natural agility and exquisite seven orifices.

3. The stone in the river will not turn, and the hatred will be swallowed up by Wu. ——Du Fu's "Eight Formations"

Meaning: Despite the impact of the river, the stone remains the same. The thousand-year hatred is due to Liu Bei's mistake in trying to annex Wu.

4. A beautiful woman becomes an ancient stone, and the moss is covered with yellow flowers. ——Liu Fangping's "Looking at the Husband's Stone"

Meaning: Couples and loved ones have become ancient stones. The moss has been removed and grown again, and the flowers have bloomed and faded.

5. One or two pieces of bluestone and three or four branches of white lotus. ——Bai Juyi's "Lotus Stone"

Meaning: There are two green stones in the water, and three or four white lotuses are blooming.

6. Poems about Xinghan

1. Seven or eight stars are outside the sky, and two or three points of rain are in front of the mountain.

(Xin Qiji's "Xijiang Moon·Night Walk on the Yellow Sand Road")

2. The sky is as cold as water at night, lying down to watch Altair and Vega.

(Du Mu: "Autumn Eve")

3. The dangerous building is a hundred feet high, and you can pick the stars with your hands .

(Li Bai: "Sleeping in the Mountain Temple at Night")

4. The gentle wind blew the waves, scattering stars all over the river.

(Zha Shenxing, "Zhou" "What I Saw in the Night Book")

5. After all the hardships, the stars are scattered all around.

(Wen Tianxiang's "Crossing the Lingding Ocean")

6. Sun As the moon travels, it seems as if it is out of it. The stars are brilliant as if they are out of it.

(Cao Cao's "Viewing the Sea")

7. The thin clouds are clever, the flying stars convey hatred, and the silver stars are like stars. The darkness of the distance. (Qin Guan's "Magpie Bridge Immortal")

8. The Altair of the distance, the Han girl on the bright river.

(Nineteen Ancient Poems)

9. Yuheng refers to Meng Dong, how can all the stars be calibrated.

(Nineteen Ancient Poems)

10. The Silkworm Lady fills the starry sky with her chants, and the nine mountains are filled with green tears. Red.

(Li He's "Hunan Concubine")

11. Calling on the stars and ghosts on the cup and plate, the people are cold when the mountain ghosts eat.

(Li He He "Shenxian")

12. The remaining stars are dotted by the wild geese, and the flute sounds and people are leaning on the building.

(Zhao Gu's "Autumn View of Chang'an")

13. The stars are cold in the blue pool water, and the swan geese cry sadly in the red polygonum wind.

(Dai Fufu's "Moonlight Night in the Boat")

14. The east wind blows thousands of flowers and trees at night. Falling, the stars are like rain.

(Xin Qiji's "The Sapphire Case")

15. The waves will leave the moon, and the tide will bring the stars.

(Sui Yang One of the emperor's "Spring River Flower Moonlight Night") 7. What are the poems about the Spring Festival

About the Spring Festival:

Yuanri

Wang Anshi

The sound of firecrackers marks the end of the year,

The spring breeze brings warmth to Tusu,

Thousands of households always exchange new peaches for the twilight day.

Old Talisman.

About Qingming:

Qingming

(Tang Dynasty) Du Mu

During the Qingming Festival, it rains heavily, and pedestrians on the road want to die. .

Where is the restaurant? The shepherd boy points to Xinghua Village in the distance.

About the Dragon Boat Festival:

"Dragon Boat Festival"

Tang Wenxiu

Who said the origin of the Dragon Boat Festival? It is rumored to be Qu Yuan throughout the ages.

It is laughable that the Chu River is empty, and it cannot wash away the injustice of the direct ministers.

About the Mid-Autumn Festival:

"The Moon on the Fifteenth Night of August"

Du Fu of the Tang Dynasty

The full moon flies into the mirror, and returns to the heart to fold the sword.

Turn around and travel far away, climb the laurel tree and look up to the sky.

There is suspicion of frost and snow on the waterway, and feathers can be seen on the forest habitat.

Looking at the white rabbit at this time, I want to count the hair.

About the Double Ninth Festival:

Wang Wei of the Tang Dynasty: "Reminiscing about Shandong Brothers on September 9th"

Being a stranger in a foreign land, every festive occasion Missing relatives.

I know from afar that when my brothers climb to a high place, there is one less person planting dogwood trees everywhere.