Qin: Li Siqin Stone Carving, Hu Wujing, Cheng Miao
Han: Yiying Monument, Liji Monument, Xixian Monument, Shimen Ode, Xiping Shijing.
Wei and Jin Dynasties: Wang Xizhi-Preface to Lanting (the best running script in the world), posted when it snows.
Auntie paste
Wang Xianzhi-Mid-Autumn Festival stickers
Wang Xun-Bo Yuan Tie
Tang and Song Dynasties: Chu Suiliang —— Preface Monument of Yanta Saint Education
Preface to Zhang Xu-Langguan Shizhu
Huai Su —— The Post of Self-narration
Yan Zhenqing-Yan Liqin Monument, Yan Jia Temple Monument and Nephew Sacrificial Manuscript (the second running script in the world)
Liu Gongquan-Mysterious Pagoda Monument, Shence Army Ji Gong Shengde Monument
Huang Tingjian —— Poems and Postscripts on Cold Food by Song Fengge and Su Shi
Su Shi-Huangzhou Cold Food Poetry Post and New Year Pictures Exhibition Post
Mifexosu iron, coral iron
Caixiang-Wan 'an Bridge, behind Chengxintang
Evonne-Chunhuating Inn
Yuan, Ming and Qing dynasties:
Zhao Mengfu —— A Record of Danba Monument and Miao Yan Temple in Huzhou
Wen Zhiming-Qianhouchibi Fu
Dong Qichang III's authorization
Liu Yong-a poem post near Mi Fei
Deng Shiru-Chinese extract.
One of the four famous regular script writers in Ou Yangxun's history, the representative regular script includes Jiuchenggong Liquan Ming, Huangfu Birthday Monument, Huadu Temple Monument and Lanting Collection, and the running script is Thousand Words. He has his own unique views on calligraphy, including the eight strokes of calligraphy. His calligraphy achievements are based on regular script, with bold brushwork and unique structure, which is called "European style" by later generations. Originally from Han Li, he was vigorous and rigorous in statutes. He sees risks in plain sight, with elegant composition, interspersed strokes and proper arrangement. Regular script is the Ming Dynasty of Liquan in Jiucheng Palace, and the most famous running scripts are Meng Diantie and Hans Zhang Tie. All other calligraphy styles are poor. Zhang Huaiguan said in the Book of Broken Tang Dynasty: "The eight forms of inquiry are perfect, and the brushwork is dangerous and energetic. The Indian style is particularly fine, flying white, as strict as the ancients. Like a dragon and snake fighting, the clouds are light and the wind is light. The wind whirls and thunders, and exercise is like a god. The decay of the true line comes from the big order, so don't become one. As dense as an armory spear and halberd, Shen Feng is stricter than wise water and less polished than Shinan. Its cursive script is circulated, which can be regarded as two kings. It can be used as a dynamic color, but it scares him to jump, does not avoid danger, and hurts elegance. " Yu Shinan said that he "can get what he wants without choosing a pen and paper". Besides, he can write a good official script. In the fifth year of Zhenguan, the tablet of Xuzhou Cishifang was his official script. His calligraphy is based on regular script. Examining its pen, it is both round and powerful. "Surprised in the grass, sending between clouds. Another example is King Kong glaring and Lux punching. " The inscription he wrote on the Buddhist stupa of Huadu Temple, the inscription on the grandfather Wen Yanbo and the inscription on Huangfu's birthday are called "the first regular script in the Tang Dynasty". Among them, strokes such as vertical hook are still official strokes. His regular script has a very serious procedure, both in pen and structure, which is most convenient for beginners. The Thirty-six Methods of Ouyang's Structure, which was circulated by later generations, is a structure writing method summarized from his regular script. His regular script "Zhang Hansi's Lu Tie" is long and vigorous. Ink handed down from generation to generation is especially precious. Ou Yangxun's son Ouyang Tong has a family of calligraphers. Both father and son are very famous in the book world and are called "Ouyang". Xiao Ouyang's "Taoist Monument" has a stronger sense of propriety, but it is too revealing and implicit.
Liu Gongquan (778-865), a famous calligrapher in Tang Dynasty, Han nationality, was born in Jingzhao Garden (now Yaozhou District, Tongchuan City, Shaanxi Province). Official to the prince, known as "Liu". Liu Gongquan's calligraphy is famous for regular script, which is as famous as Yan Zhenqing, and is called Yan Liu. Wang Xizhi, a beginner in calligraphy, later visited famous calligraphers in the Tang Dynasty and thought that Yan Zhenqing and his calligraphy were the best, so he absorbed the strengths of Yan and Ou, and formed his own Liu style between the charm of Jin people and the graceful and unconstrained style of Yan's calligraphy, which was famous for its strength and strength, and later generations had the reputation of "Yan Gu". He wrote many works in his life, mainly including Hui Yuan's View of the Bell Tower in the Tang Dynasty, Diamond Sutra Engraving, Xuanta Monument, Su Feng Monument, Shence Army Monument and so on. In addition, there are ink marks such as "Zhao Meng Post" and "Pear Post and Postscript from Wang Xianzhi".
Liu Gongquan's calligraphy was very famous at that time in the Tang Dynasty, and there was a saying among the people that "Liu Zi is a thousand dollars". His calligraphy is vigorous and vigorous, and his words are rigorous and meticulous. From the characteristics of Chinese characters, Wang Xizhi, a beginner, and Yan Zhenqing, a later teacher, are both famous for their thinness and strength. The regular script they wrote is attractive, and the running script and regular script are the most exquisite. Liu Gongquan's calligraphy is called "Liu Style" because of its unique works. Tang Muzong asked Liu Gongquan how to use a pen, and Gong Quan replied: "With a pen in your heart, your heart is always there." Mu Zong was moved by it. Mo Chi, edited by Zhu in Song Dynasty, said: "The running script is the best, but the grass is not. Its law is based on beauty, but it is rich and famous in the world. " "Old Tang Book" says: "Gong Li studied Wang Shu first, read all the modern books, and became a family of his own. At that time, ministers' memorial tablets were not allowed to write calligraphy, which was considered unfilial. Foreigners pay tribute and buy willow books here without signing money. "
Yan Zhenqing (709-784, Yi Shuo 709-785), born in Wannian, Tang Jingzhao (now Xi, Shaanxi), was a calligrapher in the Tang Dynasty in China. An outstanding calligrapher in the middle Tang Dynasty. His "Yan Ti" regular script, together with Zhao Mengfu, Liu Gongquan and Ou Yangxun, is also called "the four masters of regular script". Also known as "strict care" with Liu Gongquan. His regular script is contrary to the calligraphy style of the early Tang Dynasty, featuring brushwork. It is a typical example of perfect combination of calligraphy beauty and personality beauty. His calligraphy style is called "Yan Ti", which is also called "Yan Liu" with Liu Gongquan, and has the reputation of "Yan Liu Jin Gu". Ouyang Xiu once said: "Yan Gongshu is like a loyal martyr and a moral gentleman. His aim is strictness and respect. People are scared at first sight, but the longer he is, the cuter he is. " There are many people who see treasure in the world, but they are not tired. "Zhu praised his book:" Point like a falling stone, painting like a cloud, hook like a bow, bow like a crossbow, depressed and ambitious. It has never been made public since it was dedicated. Yan Ti Shu has a far-reaching influence on the development of calligraphy art in later generations. After the Tang Dynasty, many famous artists learned from the success of Yan Zhenqing's political reform. Especially cursive script, after the Tang Dynasty, some famous artists learned from Yan Zhenqing and established their own style on the basis of learning from the two kings. Su Shi Ceng Yun: "As for poetry, as for writing, as for Han's retreat, as for painting, as for Wu Daozi, as for books, as for Yan, the changes of ancient and modern times can do everything in the world." ("Dongpo Ming")