Su Shi (137-111), known as Zi Zhan, Taoist Tieguan and Buddhist Dongpo, was a famous writer, calligrapher and painter in the Northern Song Dynasty, and was one of the "Eight Great Masters" in Tang and Song Dynasties.
1. I don't hate nine deaths in the south, so I'll travel wonderfully for the rest of my life.
It's from Su Shi's poem Crossing the Sea on June 2th in the Song Dynasty. Liz: here, here. Even if I die many times in this desolate land, I have nothing to hate. In the course of this trip, the wonderful scenery is something I have never seen in my life.
2. people have joys and sorrows, and the moon is full of ups and downs, which is difficult to complete in ancient times.
It comes from Su Shi's poem "Shuidiao Getou" in the Song Dynasty. Life is alive, with joys and sorrows, and the moon will have a round and round moon. From ancient times to the present, there is no perfect thing in the world.
3. There are three or two peach blossoms outside the bamboo, which is the prophet of duck warming in Chunjiang.
is selected from Song Su Shi's The Night Scene of the Spring River in Hui Chong. These two poems describe the scenery full of spring.
4. There are few willows blowing on the branches, and there are plenty of fragrant grass in the world.
is selected from Song Su Shi's "Die Lian Hua". Although the catkins on the branches are blown away by the wind, the grass is everywhere in the world. It is often used to describe that although the old love has been lost, it is not necessary to be too pessimistic, and friendship can still be found everywhere in the world.
5. A spring night is worth a thousand dollars, flowers are fragrant and the moon is cloudy.
is selected from spring night by Song Su Shi. On the night of spring, the flowers give off bursts of fragrance, and the moon emerges from the clouds. What a wonderful time, it is really worth a thousand dollars at a time.
6. Poetry and painting are uniform, ingenious and fresh.
selected from Song Su Shi's Two Branches Drawn by Master Book of King Yanling. Tiangong: The metaphor is superb. Writing poetry and painting have the same rules, and both need natural ingenuity and fresh style.
7. There are three or two peach blossoms outside the bamboo, and the Prophet of Plumbing Duck on the Spring River
is selected from Song Su Shi's "The Night Scene of the Spring River in Hui Chong". There are some peach blossoms just outside the bamboo forest. Ducks play in the water, and they will be the first to know that the river is warming up in early spring.
8. At the fork of the ancient road by the stream, pedestrians are counted independently in the setting sun.
is selected from Song Su Shi's Three Poems of Vertical Writing (Part II). Ancient road, ancient road. The poet's lonely and boring life when he was demoted to Danzhou in his later years. Danzhou is a lonely place in the ends of the earth, and the ancient road by the stream and the fork road with few pedestrians are naturally even more lonely and difficult to see pedestrians. However, when the sun sets, the poet counts the passers-by at the independent intersection, and his loneliness in his heart can be seen. This is a brushwork of writing feelings with scenes, which is more touching than expressing feelings directly.
9. When viewed from the side of the ridge, the mountain peaks, with different heights. I can not recognize the true face of Lushan, because I am in Lushan.
is selected from Song Su Shi's "Topic Xilin Wall". Being in Lushan Mountain, you can't see the whole picture of Lushan Mountain clearly. Only by staying away from Lushan Mountain can we see the whole face of Lushan Mountain clearly. It is intended to show that to understand things correctly, we must stand in an objective position.
1. it is hard to go on earth, set foot on the ground to rent.
from Man Zi of Fish by Song Su Shi. Rent: that is, rent tax. Walking in this world is so difficult, as long as you step on the land, you need to pay rent. These two poems illustrate the complexity of taxation in feudal society at that time.