Appreciation of Dingxi Calligrapher Song Qingshan's Calligraphy
Dingxi calligrapher Song Qingshan's calligraphy picture 1
Dingxi calligrapher Song Qingshan calligraphy picture 2
Dingxi calligrapher Song Qingshan calligraphy picture 3
Dingxi calligrapher Song Qingshan calligraphy picture 4
Brief introduction of Song Qingshan's art
Song Qingshan, Han nationality, 1968, from Dingxi, Gansu. He is now a member of China Calligraphers Association, China Hairstyle Art Association and Gansu Poetry and Calligraphy Association, and a special calligrapher of Northwest Calligraphy and Painting Institute, Gansu Calligraphers Association and Dingxi Calligraphers Association.
Qingshan loved calligraphy since childhood and studied under Mr. Tian Yinglong and Mr. Fan Yingming. Constantly learn ancient calligraphy posts, tablets and contemporary calligraphy masters such as Erwang and Huai Su, learn from others, and constantly improve their calligraphy creation level.
In recent years, his works have participated in many painting and calligraphy exhibitions held in the whole country, provinces, cities and counties, won prizes and were incorporated into the exhibition, which was well received and collected by painting and calligraphy lovers.
Back to face in calligraphy: painting without moving.
It is the requirement of stippling with a pen and the image metaphor of artistic effect. It was said by Yan Zhenqing in the Tang Dynasty. Shihuaisu and Yan Zhenqing on Lu Yu's cursive script in Tang Dynasty:? Su Yue:? I think there are many strange peaks in Xia Yun, and we need to learn from them frequently. Its happiness is like a bird in the forest and a snake in the grass. It is natural to run into a wall again. ? The truth says: Why does it look like it's missing? Su Qi shook his hand and said? Understand? . ?
About what? Leak marks? Ancient and modern times have different understandings. In Song Dynasty, Jiang Kui continued his book spectrum? Pen cloud:? Leak marks should be straight and even, but cover the front. ? Zhu Luzhen's Introduction to Calligraphy in Qing Dynasty:? The person leaking from the roof, where the skylight is exposed, looks up as a square, round, oblique and straight image of Jiao Ran, indicating that the painting is bright and clean without continuous pulling. ? "samadhi calligraphy" cloud:? There is no trace of the whole story. ? Modern calligrapher Shen said:? Yan compared the center to a leak? . ? Rain seeps into the wall and condenses into water drops before it can flow down slowly. Instead of falling straight, it will be slightly turbulent, vertical and popular, leaving a mark on the wall, round and picturesque, more indulgence and less convergence, so calligraphers take it. ?
Mr. Shen's explanation is relatively clear. ? Leak marks? It should be natural and vivid, but also convergent and powerful. This effect is reflected in the brushwork: firstly, the pen can not be straight and lacks natural and vivid charm, so as to make the pen and paper have greater friction as much as possible and make the lines dignified and full of charm. Secondly, we should hide the front, such as? Leak marks? Deep and subtle.