The role of literary and artistic works in social development

When aspiring young people like Lu Xun are considering how to save the country and the people, his choice is literature; At the same time, a large number of artists, such as Yu Dafu, are estimated to have similar feelings with Lu Xun when they start writing literature. In the modern revolutionary history of China, most aspiring young people seem to have made contributions to literature, and some writers have also become models of aspiring young people. The most prominent thing is that Chen Tianhua jumped into the sea and died romantically, claiming to awaken the people with his own death. I don't know if this kind of suicide is similar to the imaginary life of the fallen hero in Yu Dafu's pen, because the status of China people in the world is too low, or something. However, as the contemporary youth in China, we want to thank these predecessors. It is precisely because of their efforts, especially the young Mao Zedong, that we can confidently wander around the world today.

the creation of literature and art is somewhat mysterious, and the influence of literature and art is also mysterious. Because every detail and every line of the author is sometimes integrated into the author's painstaking efforts and painstaking thinking, which readers may not be aware of, just like if Mr. Jia Dao's scrutiny story is not told, others will think that this typing or pushing word has any knowledge, just like a teenager who dresses himself up on his birthday, and no one notices that he is different today from yesterday. On the other hand, the author's careless painting may make a radical move in the hearts of the audience or readers. This is the reason why there are a thousand Hamlets in the hearts of a thousand readers. Sometimes you say that this is the result of casting pearls before swine, and sometimes this result is unexpected, sometimes it makes people laugh and cry, and sometimes it makes people sigh and feel miserable.

anyway, literature and art have an amazing influence. The most typical examples in the west are the Renaissance and the bourgeois revolution, as well as Russian critical realism literature. In China, there are the New Culture Movement and pop music after the reform and opening up. When the western society was ruled by the preaching and preaching of the church and the suppression of human nature, people's daily life and sexual desire were greatly suppressed, when the development of the whole society was resisted by the declining aristocrats so that the progressive forces could not grow vigorously, literary works such as Giant Biography, decameron and Don Quixote came into being, and spread rapidly because of their compatibility with social needs, and eventually became world-famous works. This is the time to create heroes, because if we change to this era, if such works appear, it is very likely that they will be buried in the world, because their literary techniques are still quite simple. However, these works have given people the power to reflect on the present situation and look forward to the future, and become an important force in the revolution of the western asset stage. Rousseau's several works arouse people to think about their own lives and pursue beauty, which is called one of the important supporting forces of the French bourgeois revolution. Russia's critical realism literature now seems to present the irrationality, ugliness and filth in real life in a naked way, which directly aroused the anger of the lower-level people and made them go forward bravely. Objectively speaking, these works should have no small power in the October Revolution in Russia. This way of writing critical realism spread to China, and in the works of left-wing writers, it became an analysis of China society. As Lu Xun said, the ugly things in life were torn apart for people to see, which was inspiring. China's New Culture Movement can be regarded as an important turning point of China's modern revolution. Before that, although there were some famous masterpieces of writers, such as works by Liang Qiqi's Xinmin, Chen Tianhua and Zou Rong, these works also inspired a group of aspiring young people, which played a certain role in the success of the uprising in 1911. However, as analyzed by the * * * production party and presented by Lu Xun's medicine, the 1911 Revolution seems to be just an activity in which petty-bourgeois intellectuals and young students participated. The reason for its success is that its opponents are too vulnerable. However, the work done by young people is so divorced from the public that the revolutionary's blood has become a medicine for treating diseases but not diseases. The New Culture Movement, Lu Xun and Hu Shi's criticism of China's traditional culture from its roots and daily life revealed the cannibalistic nature of China's traditional culture. Such in-depth brushwork drove young people to a dead end and made them see the shameful face of life, so they had to rise up, if they didn't want to be eaten. Moreover, the failure of the Kuomintang also made the * * * production party aware of the power of literature and art, the power of ideological propaganda, and the importance of occupying ideological positions. Up to now, this kind of consciousness is also one of the leading consciousness of China. In the working mechanism of the * * * Party, propaganda, ideological mobilization and continuous publicity are very important work arrangements. The leading cadres and backbone members of the Party have strong mobilization ability, which also determines that they have various connections with literature and art. After the May 4th Movement, a large number of literary artists have also had various contacts with the * * * Party. Put down your whip and go back to your hometown to make a monument. I think it must be true for young people with soft blood. After the founding of New China, the * * * production party continued to attach importance to ideological propaganda and unity with a group of writers. As a result, the climax of ode appeared in literary creation, and such works greatly boosted morale. When the Cultural Revolution and various political movements before it burned the heads of intellectuals, China society slowly lost its voice, or lost its normal and calm voice, and there was only a roar and a scream. If you tried screaming on the court, you would know that no one could appreciate this scream for a long time, and no one could make a clear scream for a long time. When the screaming lasts too long, China society is filled with a kind of noise, which is terrible and hateful.