First, if you want to have a beautiful font. Be sure to pay attention to the posture of writing, so as to ensure that your font is not skewed and your handwriting is neat.
The premise of beauty is neatness. When practicing calligraphy, you can draw horizontal lines on the paper and write on the horizontal lines to ensure that every word is neat.
Write it on the copybook first. I think it's ok. Take out the calligraphy paper to describe the font. It doesn't have to be exactly the same. Write your own style.
It is very difficult to improve your writing speed, both fast and good. If you want to scribble, you have to keep the font smooth and beautiful in the state of quick writing, and the strokes should be organized. (The rules of scribbled fonts are specific to copybooks)
Methods of practicing calligraphy:
The first type: copying is not equal to painting a gourd ladle.
Many calligraphers think that learning calligraphy and copying a tablet or copybook are imitating the above fonts. They have a wish in their hearts that they can also write similar fonts by imitating the original fonts of the tablet. This wish is good. After a long period of experience, I can also write words that look like the original tablet.
But when writing a poem, the style of writing will not have the taste of calligraphy. Why? First, there is a lack of understanding of the connotation of calligraphy, just like a sniper practicing in a shooting range, but in a real combat environment, climate, wind damping, reference objects and so on should be considered.
The second type: the tacit understanding of wrist and finger strength when writing.
The terminal strength of writing is the wrist and fingers. Traditional calligraphy practice needs to learn to write on the wrist first, then lift the wrist to write, and finally lift the pen.
Whether it is pillow wrist, wrist lifting or wrist hanging, the pen tube is circuitous between the wrist and fingers. Wrist strength should not be too great when writing, and it should follow the trend according to the font size and thickness of handwriting. For example, when writing Chinese characters, the wrist is too hard, the palm is stiff, the fingers are not free to move, and the strokes of the written characters are stiff.