Author: Du Fu
Original text:
The prince and the squirrel took the stage in other provinces, and Mr. Wenguang was very cold.
The first-class people are tired of eating Liang's meat, but Mr. Wang can't eat enough.
Mr. Wang has a way out for the emperor, and Mr. Wang has talents in the Song Dynasty.
Dezun's generation is often bumpy and fame will last forever.
Du guests are even more contemptuous, short and narrow, with silky sideburns.
On the fifth day, I went to Taicang for five liters of rice, which was the same as Zheng Lao.
If you have money, look for it, and there is no doubt about selling wine.
Get carried away and drink like a real teacher.
In the clear night, spring action is heavy, and the drizzle falls in front of the lamp.
But I feel that singing has ghosts and gods. How do you know that I starved to death to fill the ravine?
When you are at ease, you can kiss the cleaner, and Ziyun can study and finally vote for the cabinet.
Mr. Fu came back early, and Shi Tian's hut was deserted.
Confucianism has nothing to do with me. Kong Qiu stole his foot.
You don't need to hear this, but you met before you died and won a trophy!
Precautions:
1, Drunk Song: Original Note: Dedicated to Dr. Zheng Qian of Wenguang Museum.
2. hey: a lot. Taiwan Province Province: Taiwan Province is the censorate, and the provinces are Zhongshu Province, Shangshu Province and Menxia Province. At that time, they were all central hub institutions.
3. Mr. Wenguang: Zheng Qian. Because Zheng Qian is a doctor in Wenguang Museum. Cold: cold, cold.
4. the first place: the first and second places where the dignitaries lived in the Han dynasty, so it was called the first place. Tired: full.
5. Out: beyond. Huang Xi: Fu, an idealized saint in ancient legends of China.
6. Qu Song: Qu Yuan and Song Yu.
7. Ling Du: Du Fu claimed to be. Du Fu's ancestral home is Ling Du, Chang 'an. When he was in Chang 'an, he lived near Shaoling in the southeast of Ling Du, so he called himself Ling Du Hag, also called Shaoling Hag. Sniff: Laugh.
8. Brown: coarse clothes, clothes worn by the poor in ancient times.
9. Sunflower: I buy vegetables every day, so there is no overnight food. Taicang: the royal granary established in Shi Jing. At that time, because of the long-term rain, rice was very expensive, so Taicang rice was sent to help the poor, and Du Fu also made a living.
10, time to go: often. Zheng Lao: Zheng Qian is ten or twenty years older than Du Fu, so he is called Zheng Lao. At the same time: it means that they have the same mind and the same temperament.
1 1. Find each other.
12, there is no doubt: buy wine if you have money, regardless of other life problems.
13, get carried away: I am drunk and excited, regardless of size, calling me a name and a surname, without ceremony.
14, cornice flowers: The rain falling in front of the eaves flashes like flowers under the light mapping.
15, there are ghosts and gods: it seems that there are ghosts and gods to help, that is, if there is God in the poem, the poem should have God's help.
16. Filling the ditch: it means that the poor die and abandon the body.
17, like Sima Xiangru, a famous poet in the Western Han Dynasty. Cai Yi: Outstanding talent. Pro-washers: Sima Xiangru and his wife Zhuo Wenjun opened a small hotel in Chengdu, with Zhuo Wenjun as the stove and Sima Xiangru washing the dishes herself.
18, Ziyun: Yang Xiong's word. Boss: When Wang Mang was alive, Yang Xiong committed suicide by jumping off a building, but fortunately he didn't fall to his death, because others took part in offending him, and when the emissary came to arrest him.
19, Returning to the Native: When Tao Yuanming wrote Peng's Yan in the Eastern Jin Dynasty, he wrote "Returning to the Native".
20. Kong Qiu: Confucius. Stealing feet: In the Spring and Autumn Period, there was a man named Liu who stole things for a living, so he was called stealing feet. This sentence is a joke for the poet to comfort himself, saying that no matter whether he is a saint or an unworthy person, he will inevitably turn to dust in the end.
Translation:
Idle people are in high places, but Mr. Wenguang's office is very cold. Rich families are tired of eating rice and meat, but Mr. Wenguang doesn't have enough food. Mr. Wang's character is beyond his reach, and his talent is beyond Mr. Qu's reach. A respected generation is often frustrated, but what's the use of being immortalized?
I was even laughed at by Ling Du people, wearing coarse clothes and having silky sideburns. I am so poor that I buy five liters of rice in the official warehouse every day. I often visit Zheng Lao, and we have a tacit understanding. When we get the money, we will meet and buy some good wine without hesitation. I am ecstatic and call on you and me. The passion of drinking is really my teacher!
In the dark night, we advised to drink spring wine, and the drizzle on the eaves flashing in front of the lights fell like flowers. Carnival and singing are like ghosts and gods helping each other. I didn't know that people had to fill the gap when they were starving. Sima Xiangru can wash dishes by himself, Yang Xiong can read, and finally he jumps off Tianlu Pavilion.
Mr. Wang had written an article on "Going to Come" so that the thatched cottage in the wild would not be covered with moss. What's the use of Confucianism for me? And Liu have all turned to dust. After listening to these words, I am not sad. We met before we died and had a good drink!
Appreciate:
The whole poem can be divided into four paragraphs, eight sentences in the first two paragraphs and six sentences in the last two paragraphs. From the beginning to the name, eight sentences are the first paragraph.
The first four sentences of the first paragraph compare Zheng Qian's humble position and poverty with the prominent position and luxurious life of gentlemen. The meaning of cockroaches is endless. Taiwan Province Province refers to the prominent position of the central government. Gentlemen are not all talented people, but they have made great achievements one after another, while Mr. Wenguang, who has only been famous for forty years, has been sitting on the sidelines without a blanket. Those noble families are tired of fine food and delicious meat, and Mr. Wenguang doesn't even have enough to eat. These four sentences, one positive and one negative, form a sharp contrast, highlighting the official indifference and lack of food. In the last four sentences, the poet complained for Mr. Wenguang with infinite regret. Morally, Mr. Wenguang is far from Huang Xi. On talent, Mr. Wen Guang resisted the Song Dynasty. However, morality is respected all over the world, but the cause is always bumpy; Mercy can last forever, but it can't solve the hunger and cold before death.
In the second paragraph, Mr. Wenguang turned to Ling Du Yeke, and the poet and Zheng Guangwen had forgotten the friendship between the two years. They are like fish in a dry spring, caring for each other and contacting frequently. Go to Zheng Lao and find out when you get the money. Qiu noticed that the first sentence was that Du Fu had left, and the second sentence was that Zheng Qian had come. They talk to each other, * * * embrace each other, drink heartily and chat to relieve their worries.
The sixth sentence in the third paragraph is the climax of this poem, and the first four sentences are sung in front of the bottle, which is really a stroke of genius. The last two sentences seem relieved, but they are really angry. Sima Xiangru is a talented person, but he once sold wine and washed dishes himself. The talented Yang Xiong is even more unfortunate. He was implicated in Liu Ba's conviction and was forced to commit suicide by jumping off a building. The poet seems to comfort his friends with the misfortune of a talented person. But readers can feel the power of the pen as long as they relate the hunger and cold of the gifted scholar to the first sentence on the stage.
In the last six sentences, there is helplessness in anger. Since the road is bumpy and talents are not met, it is useless to bring Confucianism. Kong Qiu and thieves can be equal. When the poet said this, he was not only commenting on Confucianism and alluding to current politics, but also masturbating in a vast world. At the end of the couplets, Kong Qiu was not a teacher, but chatted with Du Kang, who was broad-minded but angry.
Commenting on this poem, some scholars say it is tragic or heroic. In fact, it is both tragic and heroic, and it is mainly tragic. Ordinary poetry is either bold and free (rolling down without meaning) or sad and not wide (drifting to extremes). Du Fu's poems are bold without losing meaning, sad without hurting elegance. This poem is an example.
The first paragraph, sentence comparison, not only makes the sentence straight, but also creates the momentum of sentence arrangement and strokes. The last four sentences are turning, the feelings are getting stronger and stronger, and the songs are fierce. The second paragraph is followed by a slow tune. The first four sentences are seven-character poems, and the last four sentences suddenly become five-character poems, eliminating the sense of stagnation. Moreover, short sentences promote sound and gradual changes are magnificent, pushing poetry to a climax. In the third paragraph, four sentences were used to describe the scene of binge drinking, and the rhyme was replaced by the words "promote" and "sink" The so-called string is anxious to know the column to promote, generous and sad. But there are bold sentences in the poem, so there is no taste of decline. Poetry critics praised this poem, saying that after midnight, the immortal descended to earth and never died. The word "clear night" is earth-shattering (see Poems of Tang and Song Dynasties). However, they ignore the warning strategy of combining learning with learning. The beauty of this connection lies in locking the running trend with duality, connecting the previous paragraph with the latter paragraph, so that readers have an unconscious feeling when reading the next paragraph. This connection with the first paragraph is shameful. In fact, it is shameful that the country has no way and is rich as an enemy. Therefore, this poem is not a general lament, complaint and slander, but a work that praises the virtuous when it hurts, and the poet expresses strong repression in a subtle way.
At the end of this paragraph, the rhyme changed. Except for one sentence, every sentence rhymes, sings generously and shows a relaxed and proud manner, which makes readers immerse themselves in it and produce vibration.
The Eight Immortals Song in Du Fu's Drink
Song of the Eight Immortals in Drinking
Author: Du Fu
Original text:
Zhang Zhi rode a horse like a boat, dazzled, and fell asleep at the bottom of the well.
Ruyang has three fights in the sky, and the road is salivating at the corner of the car.
I wish I could not move the capital to Jiuquan. It takes thousands of dollars for Zuo Xiang to get rich.
Drinking is like a whale sucking a hundred rivers, and a cup of music is called avoiding the virtuous.
Zong Zhi's handsome and beautiful boy looked up at the sky with white eyes.
As bright as Yushu before the wind. Embroidered Buddha for a long time before Su Jinzhai,
When you are drunk, you often love to escape Zen. Li Bai has a hundred poems,
Chang 'an went to the inn to sleep, but the son of heaven called him not to get on the boat.
Call myself Brewmaster. Three cups of grass in Zhang Xu,
Before taking off his hat and revealing the top of the maharaja, he waved a piece of paper like a cloud.
Jiao sui's five fights are outstanding, and it is about four banquets.
Precautions:
1,: He, poet, alcoholic, wild and uninhibited.
2, like a boat: riding a horse after drunkenness, swaying like a boat.
3, dizziness: drunk and dizzy.
4. Ruyang: Ruyang Wang Liwei. Du Fu is his guest.
5, starting from the day: I went to see the son of heaven.
6, bending the car: wine car.
7. hey: saliva.
8. Left: Li. In the first year of Tianbao, he was left as prime minister.
9. Whale: Whale. The ancients believed that whales could draw water from hundreds of rivers, which described Li's binge drinking.
10, le sheng: wedding banquet. Ancient drinkers called sake a saint and turbid wine a saint.
1 1, Zongzhi: Cui Zongzhi. In the early years of Kaiyuan, Cui Yong, a senior minister, had a close friendship with Li Bai.
12, wine glass.
13, supercilious look: Jin Ruan can be blue-eyed and treat people who abide by etiquette with supercilious eyes, which refers to Cui Zongzhi's arrogant and vulgar performance.
14, Yushu: describe people as delicate and beautiful.
15, Su Jin: During the Kaiyuan period, he served as assistant minister of Shangshu in the Ministry of Household Affairs and son of the Prince.
16, long fasting: long fasting.
17, Escape from Zen: Don't follow Buddhist precepts.
18, don't get on the boat: Li Bai is unrestrained and addicted to alcohol, despising dignitaries. Fan's Tombstone of Li Baixin contains: Xuanzong was boating in Bailianchi and wanted to invite Li Bai as a preface. At that time, Li Bai was drunk in imperial academy, and Gao Lishi helped him aboard to see the emperor. This refers to Li's madness after drinking white wine, regardless of Wan Cheng's dignity.
19, Zhang Xu: a famous calligrapher, who is good at wild grass. Good wine.
20. Topping: "To Zhang Xu": According to the outcrop of Hu bed, it is called three or five sounds. Stars come to the wine wall like meteors. Write about Zhang Xu's uninhibited state when he was drunk.
2 1, like a cloud: Zhang Xu's calligraphy is varied, vivid and magnificent.
22. Jiao Sui: The story is unknown.
23, outstanding: unique.
24. Surprise four seats: surprise four people.
Appreciate:
Humor, boring. Zi Mei has a unique vision, picking out one or two from everyone's characteristics, just like a vivid portrait of Jun Xian. The drunkards and drunkards in Brewmaster are crazy about the wine saint, and they gather here. The poet's wonderful hand works occasionally, vividly. Each role has its own chapter and distinct focus, with similarities and differences, differences and similarities, mutual reflection, and unique style. What drunkenness can be caught, the makeup king is addicted to alcohol, Li Hai is amazing, Cui Zongzhi is charming, drunk and forgetful of Zen, too white to fight for wine, and Zhang Xu is so drunk that he talks about The Analects of Confucius, which surprises everyone. The poet used a pen to describe the eight saints in wine subtly and implicitly.
Midnight Song: Haruka
Li Bai's midnight song: Haruka
Lovely reed flowers in the west, picking mulberry leaves by the water.
She stretched out her white hand among the green branches, and the golden sunshine dyed her rosy robe red.
My silkworm is hungry. I can't stay. Don't stay with your five-horse carriage. I pray.
Make an appreciative comment
Li Bai 701February 28, 762, the word Taibai,no. Qinglian lay. China, a poet in the Tang Dynasty, was known as a poetic immortal and a great romantic poet. Han nationality, originally from Ji Cheng, Longxi County, now south of Jingning County, Pingliang City, Gansu Province, was born in Changlong County, Mianzhou County, jiangyou city City, Sichuan Province, now Qinglian Township, jiangyou city City, Sichuan Province, and was born in Broken Leaves in the Western Regions, now tokmak, Kyrgyzstan. Died in dangtu county, Anhui. His father, Li Ke, and his wives, Xu and Liu, have two sons, Boqin and Pingyang. There are more than 0/000 poems in the world, with masterpieces such as Difficult Road to Shu, it is hard to go, Climbing Mount Tianmu in a Dream, Jiang and Li Taibai Ji. He died in 762 AD at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.
The title of Du Fu's drama is Wang Zai's Painting Landscape Songs.
The name of the play is Wang Zai's painting "A Song of Mountains and Rivers"
Author: Du Fu
Original text:
10 Draw a water, and draw a stone on the 5th.
Wang Zai is willing to leave the original work only when he can do things without being forced by the other party.
This is a magnificent picture of the Kunlun Square Pot, which hangs on the wall of Jun Gaotang.
Baling Dongting, east of Japan, is connected with the Milky Way by Chishui.
There is a cloud flying with the dragon.
People and fish on the boat enter the lotus, and the mountains and trees make the Asian breeze.
You Gong is far from ancient Moby, and Wan Li should discuss it nearby.
How to cut Wusong River with quick scissors from Bingzhou?
Precautions:
1, Wang Zai: Tang Dynasty painter, Sichuanese, good at painting landscapes, trees and stones.
2, ability: very good at things.
3. Kunlun: the legendary western sacred mountain. Square pot: the mythical fairy mountain in the East China Sea. This refers to the mountains in the general sense, not the mountains in the actual sense.
4. Baling: County name. During the Tang Tianbao and Zhide years, Yuezhou was changed to Baling County, located in Yueyang City, Hunan Province, east of Dongting Lake. East Japan: The waters east of Japan.
5.Chian: place name. This is not a real reference, but a general reference to the shores of rivers and lakes. Red: One is the south.
6. Park Yu: Shore.
7. Asia: pressure, sagging.
8. Distant potential: refers to the flat, far-reaching and lofty composition background in painting.
9. Theory: Do one thing and do a thousand things.
10, bing: place name. Hedong Road in the Tang Dynasty, which is today Taiyuan, Shanxi Province, is famous for its locally made scissors, including the so-called Bingzhou scissors.
Translation:
Draw a river in ten days and a stone in five days. He didn't want to be forced by time to draw, so he drew hastily. After a long period of brewing, he deliberately left the original in the world. On the white wall of Gaotang, there is a picture of Kunlun Square Pot, with spectacular peaks and hills. The river in the picture starts from the west of Dongting Lake and flows to the sea in the east of Japan, just like a silver ribbon. The scene is spectacular, and the water on the shore is very huge. Looking around, Tianshui seems to be connected with the Milky Way, integrated and interlinked. The clouds on the screen are erratic and flying. In the turbulent torrent, the fisherman struggled to steer the boat to the shore, and the trees on the mountain were tilted by the strong wind. As far as composition and layout are concerned, Wang Zi's paintings are the best in the world. He can draw thousands of landscapes on a one-foot square painting, just like cutting Wusong River in half with ice scissors!
Appreciate:
When Du Fu settled in Chengdu, he met Wang Zai, a famous landscape painter in Sichuan, and was invited to write this poem about the first year of Shangyuan (760). Wang's original work has not been handed down from generation to generation. However, Du Fu is familiar with Wang Zai's character and works, and through his ingenious pen, it seems to reproduce this magnificent landscape painting for future generations, poetic and picturesque, all of which are pleasing to the eye.
The first four sentences don't talk about painting, and strongly praise Wang Zi's serious and meticulous creative attitude. He didn't want to be pressed by time, so he hurried to do it. 10 No.5 just drew a stone and a water. Only after a long period of brewing, with a well-thought-out plan and interest, can we calmly write a painting and leave our original works in the world. This is really everyone's demeanor, and the pen and ink are naturally superb. Then the poet went on to describe the picture of Kunlun Square Pot hanging on the white wall in the Tang Dynasty. Kunlun, the legendary mountain in the west. Square pot, fairy mountain in the East China Sea. This refers to the mountains in the general sense, not the mountains in the actual sense. The westernmost Kunlun Mountain is opposite to the easternmost square pot, with towering peaks. From west to east, they are ups and downs, continuous, complicated and spectacular. The picture space is very broad, the composition is magnificent and the charm is vivid, giving people a magnificent feeling. The word "Zhuang zai" expresses the poet's aesthetic experience and heartfelt admiration when he looks at the painting. This painting is obviously not a wild sketch of a mountain, but a typical summary of the art of mountains and rivers in the motherland, which has the characteristics of rich imagination and ingenious composition of China's landscape paintings.
In the middle of the five sentences, Du Fu changed the rhyme to the rhyme of Donghe Zhong, and described the extraordinary water potential on the screen with a high-spirited and sonorous style, alternating with majestic mountains, and his pen and ink were hearty. There are three place names in the Japanese East Sentence of Baling Dongting Lake, which are all at once. In the reappearance, the river flows from the west of Dongting Lake to the east of Japan, with a long history and great momentum. The place name in the poem is not the real reference, but the general reference, which is an artistic exaggeration and typical generalization. The water on the red bank is similar to the Milky Way and white clouds on the Yellow River (Wang Zhihuan's "The Embankment"). The water on the river bank is vast and far away, connecting the sky, and the water and sky are the same color, as if connected with the Milky Way. The majestic water potential described here echoes the majestic mountain potential described above, and the mountains and rivers are integrated and complement each other. There is a saying that clouds follow dragons, which means "Zhuangzi". Wandering freely: there are immortals in the ancient snake mountain, who travel around the world by flying dragons. There are also stories about clouds and dragons in ancient books. This refers to the clouds on the picture, which are flying around. The poet turns virtual into reality, and uses clouds to set off the fierceness of the wind, so that the unpredictable wind can be vividly reflected. The brushwork is natural and lively. In the raging torrent, the fisherman was driving his boat to the shore for his life, and the trees on the mountain were weighed down by the storm that set off the huge waves in Hong Tao. Mountain wood is full of flood wind, flood diversion, pressure and sag; In a word, the power of the strong wind is fully displayed. The poet deliberately rendered the wind fierce, the waves high and the water urgent, making the whole picture full of charm.
How did such a great artistic charm come from? The poet further commented that Wang Zai's painting skills were unparalleled: You traveled far away in Gumobi and talked about Wan Li at close range. Far potential refers to the flat, far-reaching and lofty composition background in painting. The poet spoke highly of Wang Zai's unparalleled skills in commercial site selection, composition layout and perspective proportion, and put Wan Li's landscape paintings on a scale map. Wan Li can be regarded as a poet's summary of the performance characteristics of China's landscape paintings with extremely refined poetic language, which is full of aesthetic significance. The poet was deeply attracted by the artistic charm of this landscape painting: how to get scissors quickly in Bingzhou and cut half the river in Wusong. The poet praised the vivid painting and exclaimed: I don't know where I got sharp scissors and cut the Wusong River! The last two sentences are allusions, which are related in meaning. According to legend, Ren Jin, fascinated by Gu Kaizhi's paintings, couldn't help admiring: If only he hadn't brought scissors with him, he would have cut half of Songjiang to practice his tricks. Du Fu compares himself with Suo Jing here, compares Wang Zai's paintings with Gu Kaizhi's, and praises the great artistic appeal of Kunlun Square Pot painting, which is implicit and concise.
This ballad poem is lively and freely written. Poetry and painting are integrated, and I don't know what poetry is and what painting is, which can be described as seamless. Xun said in "Shan Jutu": Reading Lao Du's Poem of Entering the Gorge brings a lot of thoughts, which is a landscape map of the massacre in the middle of Shu. Only in this way can I paint my own poems. It can be seen that Du Fu's poems on paintings have always been praised and have great influence.