Appreciate the calligraphy works of flag calligraphy 1
Appreciation of calligraphy works of flag official script Figure 2
Appreciation of calligraphy works of flag official script Figure 3
Fig. 4 Appreciation of calligraphy works of flag official script
Appreciation of calligraphy works of flag official script Figure 5
20 ways to write official script well
1, horizontally long and vertically short
Where there is a horizontal knot in the middle or at the bottom, it is necessary to highlight the horizontal painting, which should be long and short, and the long horizontal should be full and solid, but not bloated, so as to turn static words into dynamic art.
2, because the font is flexible and changeable.
The size, quantity and length of each Chinese character stroke are different. When writing, we should determine the height, width, size and shape of words according to their characteristics and natural forms.
3. The upper cover should be wide and full of charm.
A glyph like Baotou, which is wide at the top and narrow at the bottom, requires an inverted triangle, but its center of gravity is impartial. The reality above contrasts with the emptiness below.
4, the mainstay of horizontal short vertical long
The vertical picture in the middle of the knot should be straight and written slightly longer, so as to highlight the main position of the vertical picture in the knot and avoid short oblique. Write steadily and powerfully, like a strong pillar.
5, left small right adventure
Because of the structural changes, some glyphs tend to write the left part small, while the right part large and elongated. At first glance, it is inclined, but in fact, it does not lose its center of gravity and is balanced and unified. This is the charm of calligraphy art..
6. Big left and small right
Some Chinese characters are big on the left, small on the right, convergent on the left, contracted on the right and stretched on the left. The two parts, one big and one small, one high and one low, echo each other, just like the CIS.
7. Left and right avoidance complement each other.
Some Chinese characters are easy to appear loose and uncoordinated because of the complex structure and strokes. Therefore, some strokes should be extended to the left or right, so that they are neither crowded nor separated, so as to maintain the overall stability.
8. The big one is more beautiful than the small one.
In some Chinese characters, the upper part should be wide and stretched, and the lower part should not be big. The specific knot characters should be treated according to their respective structures, and the artistic charm of China's Chinese calligraphy can only be displayed if the upper part is wide and the lower part is narrow, and the upper part is solid and the lower part is empty.
9. It is more stable to be small and broad.
Some words, the lower part should be wide and stretched, and the upper part should be tight and short, like a triangle. The specific strokes should be handled according to their respective structures, and the bottom should be wide and narrow, solid and imaginary, solid and dignified, just like the base of a building.
10, the right radical should be centered.
The right part of the word is small, so the right part should be close to the big part on the left, and live in the middle. Remember to go up or down, so that the whole word can have a sense of balance.
1 1, Yifeng don't be thin.
For words with few strokes and sparse structure, we should be rich and sparse. It is advisable to write thick and full strokes, full fonts, strong and generous, correct shelves and natural strength.
12, it should be thin but not fat.
Words with many strokes and wide structure should be thin and dense, requiring thin but not thin strokes, and the strokes should be slightly thin and tight. Pay attention to the symmetry of the frame structure when lifting the pen, and don't let the words feel cramped or loose.
13, the strokes should be clearly interspersed without adhesion.
For words with many cross strokes, pay attention to the spacing from top to bottom or from left to right, and the density, length and width of cross strokes. The intersection must not be crowded, the strokes should be clear and interspersed moderately.
14, partial compromise, appropriate cooperation
The size of the left and right radicals depends on the size of the main part. If the main part is larger, the radical is slightly smaller. We should take care of each other, welcome each other appropriately, cooperate closely, narrow the width, make the small bigger, and coordinate and harmonize.
15, avoid similarities and seek differences
When there are two or more parallel or overlapping glyphs composed of the same part, the writing of the same part should be different, so as to enrich and enliven the harmony and vividness of the whole knot with small changes in each part. Avoid morphological similarities, such as operators.
16, the painting distance is equal, and black is white.
For words with correct fonts and many strokes, the stroke spacing should be symmetrical and the strokes should be neat. Don't be too dense, too biased or too sticky in space. In order to avoid dullness and show lively dynamics, we must change flexibly according to different situations, plan well before writing, arrange properly, and make strokes as equal as possible.
17, seeking the right and balance in the middle
For characters with skewed glyphs and strokes, it is necessary to draw skewed characters, work hard on stippling forms, center lines and support points, grasp the center of gravity, and seek truth in the middle, resulting in a kind of? An unbalanced balance? The visual effect of Chinese characters makes the form of Chinese characters flexible and changeable, giving people a lively and solemn feeling.
18, internal and external are moderate and complement each other.
The text around the structure should be uniform and full inside, not too big or too small, not too high or too low inside, and not forced around the center. Pay attention to internal and external collocation and don't feel empty or bloated.
19, clearly interspersed with concessions to the back
The left and right parts of Chinese characters are opposite or opposite, and they should be interspersed with concessions and their proper positions, and then interspersed into a whole at the back, so as to achieve it? Do not interfere with each other, do not disperse? .
20, the horizontal line should be straight.
The flat and wide characters should be natural, skillfully horizontal, slightly flat and wide structure, smart and full. It is necessary to prevent the strokes from being drawn too long left and right, and the up and down pressure is too flat.