Interpretation of Lu Tong's "Writing Xie Meng to Persuade New Tea" —— Writing Classic Network Exhibition No.530

Classics need to be passed down and culture needs to be promoted. Calligraphy and poetry are important components of China's traditional culture and important carriers of history and traditional culture. Cultural self-confidence needs to start from scratch, and ancient poetry should be expressed in the form of calligraphy, hoping to provide some reference for lovers of poetry and calligraphy, especially teenagers, and further deepen their understanding and love for traditional culture. Calligraphy lovers and poetry lovers all over the country are specially invited to * * * carry out online exhibition activities of writing classics.

Write the classic online exhibition No.530, and write Lu Tong (Tang)' writing a pen to thank Meng for suggesting to send new tea'.

Original text:

I heard that the new year has entered the mountains, and the stinging insects have stirred up the spring breeze. The son of heaven must taste Yangxian tea, and the grass plants dare not open first.

Explanation:

It is said that every year during the Chinese New Year, tea farmers have to collect tea leaves in the mountains, and the stinging insects are alarmed and the spring breeze begins to blow. Because the son of heaven is waiting to taste Yangxian tea, the white grass dare not bloom before the tea tree.

The author introduces:

Tóng was born around 795 AD and died in 835 AD. Tang Dynasty poet, grandson of four outstanding Lu in early Tang Dynasty. Born in Li Si Village, Wushan Town, Jiyuan City, Henan Province, his ancestral home is Fan Yang (Zhuozhou, Hebei Province). In his early years, he lived in Shaoshishan tea fairy Spring, and then moved to Luoyang. Since the name Yuchuanzi, there are several dilapidated houses, full of books, and studying hard all day. Neighbors feed, study hard, read classics and history, work hard, and are unwilling to enter the official career. They are addressed as "tea fairy". Personality "lofty and eccentric, what you see is extraordinary and close", like Meng Jiao; Xiong Hao's anger is close to that of Han Yu. An important figure of Han Meng's poetry school. In 835 1 1 month, he died in the change of Mana.

Appreciation of works:

Tea, a gentleman's companion!

Participants in this issue:

Yi Hao (Shijiazhuang, Hebei, 1974) studied under Mr. Niu Xiao, a member of Shijiazhuang Calligraphers Association and Hebei Financial Calligraphers Association.

Zhang Changyi (Leshan, Sichuan, 1959), whose real name is Changyi, is the owner of retired military officer Zhai Yi and the vice president of Tiankai Calligraphy Art Research Association in Leshan, Sichuan.

Yao (Shaoyang, Hunan, 1965), master of Huazhong University of Science and Technology, economist, calligraphy and ancient poetry lover.

Liu Guohua (Yueyang, Hunan, 1945) is a researcher at Yueyang Academy of Educational Sciences, a member of Yueyang Calligraphers Association and a member of China Old People's Calligraphy and Painting Association.

Chen Changshui (Zhengzhou, Henan, 1945) is a second-class artist of Henan Radio and Television Station and a member of China Literature and Art Society.

Lou Jianhua (Liaocheng, Shandong, 1975), a primary school educator, likes writing and is diligent in calligraphy. Member of Writers Association of Chiping District, Liaocheng City, Shandong Province. His works are scattered on many platforms or publications. Won the 3rd Changjiang Literature Award, 202 1 Poet Trophy and Li Poet Medal. Dedicated to poetry life, life poetry.