(1) The center of gravity is stable.
Regular script requires every word to stand firm, stand firm and have a stable center of gravity. How to achieve this requirement? Then the strokes should be arranged around the center, and attention should be paid to the avoidance and insertion between strokes, so as to create an octagonal arch.
(2) density.
There are more or less stippling characters, so when arranging the structure, we should take into account the blank space outside stippling, that is, the so-called "counting white as black". For words with many strokes and dense strokes, stippling should be written carefully, evenly arranged and with roughly equal spaces, so as not to interfere with each other; For words with sparse strokes, it is necessary to write roughly, so that points and paintings can look at each other, in order to be full of spirit and condensed in form and spirit.
(3) Founder-oriented.
Founder is the basic form of regular script, horizontal and vertical, striving for justice, which is the minimum requirement for beginners to learn calligraphy. But we can't apply it mechanically. If the words are written flush, it is not a book if it looks like words. The correct way is to pursue change on the basis of fairness and seek fairness in change. As the saying goes, "Beginners seek righteousness, then know righteousness and pursue danger, then they can avoid danger and return to righteousness".
Next, I described the following types of structures:
I. Overall structure
(1) One of the words "fair" is long, which is the main pen, and the rest are stippling. The main pen is the key to determine the stability of the center of gravity of a word. The main pen is not well written, and the rest of the strokes are not attached. This kind of characters mainly use long horizontal and vertical paintings. Horizontal and vertical, symmetrical and stable structure.
(2) The words "leaning to the left" are mostly dangerous and uneven. The key to stability lies in the last stroke.
(3) write wider words with wider strokes; In addition, for words with few strokes but long strokes, they should also be written wider. The difference is that words with more strokes should be thin and hard, words with fewer strokes should be thick and fat, and the shape should be wide and tight.
(4) There are few short words. Don't write too big with few strokes and words that don't need to be addicted. Short strokes should be thick and fat, and the structure should be lean. Although the body is small, the momentum should be broad and stretched.
(5) The characters that are slender, Lian Heng or drawn vertically should be evenly distributed horizontally, and cannot be crooked vertically. They should be written in a slender, straight and delicate way. The two sides are drawn symmetrically, and the left side is the object. The right side is dominant, the left side is slightly shorter and the right side is slightly longer, or vice versa, or vertical. Draw long, narrow and thin characters vertically, and draw them vertically, so as to ensure the correctness of fonts and the stability of the center of gravity.
(6) Sparse the simplex, draw fewer strokes, show the continuity and echo of strokes, have a concise structure, and the strokes should not be too short, requiring the bones to be firm and fleshy and full of energy.
(7) The shoulders are flush, the shape is square, and the characters are symmetrical on both sides. The vertical painting on the left should be light, and the vertical painting on the right should be heavy. The strokes should be even and white, and the inside should match. Short figures open and close in a short box, seeking flexibility and naturalness in modesty. The high side should be vertical and straight, so as to keep the center of gravity stable.
(8) The words with rounded strokes around the circle should be balanced, symmetrical in all directions, horizontal and vertical, and symmetrical in two phases to ensure the stability of the center of gravity.
Second, the upper and lower structure
(1) The canopy and the upper wide canopy are even, and the canopy should be as low as possible. The upper width and the lower width should be symmetrical, the strength should be balanced, and the horizontal and vertical centers of gravity should be correct. The upper side is wide and the lower side is narrow and vertical. The strokes on the upper side should be light and the strokes on the lower side should be heavy, so as to be stable.
(2) The ground load and wide ground load are heavy in the lower horizontal direction, while the upper painting is light, and the lower painting should bear the upper surface. The lower cross is in a downward inclined shape, and the center of gravity is more stable. If the top is narrow and the bottom is wide, the top is heavy and the bottom is light to balance the top and bottom.
(3) For two sections and round sections, the upper and lower compartments are equal, or the upper width is narrow, or the upper width is wide, and the two sides are symmetrical and balanced, so that the upper and lower positions can be stable. Round, four strokes must stop evenly, and the two sides are symmetrical and stable up and down.
(4) in the middle, scattered in the middle, the prefix above should be vertically aligned with the vertical picture below and written in the middle. The left and right symmetry echoes, and the up and down can be stable, and the center of gravity is naturally correct. The typo moves to the left in the upper position and to the right in the lower position. The upper and lower positions are not on a vertical axis, but it is easy to lose stability if we grasp the scale. It should be patchwork and changeable, and turn stupidity into vividness.
(5) Three stops and three stops are upper, middle and lower structures, and the three parts occupy the same position. There are many horizontal strokes in the word "three stops", so the height and length of the font should be determined by the vertical trend, but the vertical strokes must be compressed in the three parts to make it stretch horizontally, otherwise the font will be deformed because it is too high and too long.
(6) Chinese characters with three stops, medium width and medium width, whether they are wide up and down, narrow in the middle, or narrow up and down and wide in the middle, should take the natural opening and closing trend and seek the change of their statutes. All three must be stable, symmetrical and balanced in order to be stable.
(7) Let the horizontal and broken horizontal make the horizontal, and the repeated words in the horizontal painting should be arranged evenly, with uneven length and different shapes. Let the lateral potential be mostly in the middle waist position, and the left and right symmetry should be stable. Broken horizontal, although the left and right horizontal are interrupted, it is in a state of broken pen and meaning. Can not be dispersed, otherwise it will affect the stability of the center of gravity.
(8) For those who are simple and complicated, the font should be wide, the pen should be thin, the strokes should be strong, clear and not crowded, and the cloth surface should be even. The word is big, its spirit is condensed, its shape is inseparable, and the opening and closing of each part naturally has its place. Those who pay equal attention to radicals must adjust the length and width of strokes, avoid dense and sparse, and be harmonious, compact and not crowded.
Third, the left and right structure
(1) If it is equally divided, the left and right narrow bodies and thin bodies occupy the same area, and the combination is compact and not fragmented, becoming a whole; The heads of the two sides should be flat on the top and horizontal on the bottom, and the left and right horizontal potentials should be flat, so as to seek nature in the rules and strive for balance and symmetry between the left and right. Three averages, that is, the left, middle and right structure. The vertical posture of the three is narrow, covering an equal area, upright in the middle, seamless, compact and not crowded.
(2) The characters whose left is left and whose right is left should be left. The picture on the left is slightly wider than the complex shape, occupying more, the stick figure on the right is thicker, and the complex picture on the left is thinner, so as to balance the left and right.
(3) For the words with the left occupation and the right radical on the left, draw a few words with narrow shapes as objects and make them on the right; The complexity and width of the right painting should be the main thing, accounting for more points, the left painting is thick and the right painting is fine, so as to balance the two sides.
(4) The middle occupation and the side occupation are dominant, the middle width should occupy its position, and the left and right sweat set off the opposite meaning. Chinese painting is light, while painting is heavy. People who occupy a narrow position between the left and right sides should be simple on both sides and obese on both sides, striving for a balance between light and heavy.
(5) Let the vertical and broken left and right vertical paintings stand side by side, with the left as the guest and the right as the main object, and let the right vertical extend to take advantage of the situation, and the spirit of the word suddenly emerges. If the vertical painting is interrupted, it should be vertical, which tends to break the pen. If it is dispersed, the center of gravity will be unstable.
(6) Take the density as the radical, use a thick and fat pen, and the other side should be complex and dense. The pen should be light and thin, the thick one can make it dense, and the thin one can make it numerous and sparse. We should adjust the density to make it stop evenly, be both opposite and unified, and make it balanced.
(7) Left short and right short, left short and right light, should be flush with the right width, just like holding a baby; The right is short and sparse, and it should be equal to the left width, like bringing a little son. The length is patchy, the weight is harmonious, and it is natural and stable.
(8) The stroke distribution of avoiding and reversing strokes should be uniform, so the stroke opening and closing should be avoided and sparse; People who go in the opposite direction pursue compact structure, and the strokes on the left should be avoided, and the strokes on the right can be interspersed. Walking against the trend, it is advisable to avoid secrets and be sparse outside, harmonious and natural.
Fourth, the peripheral structure.
(1) All-inclusive All-inclusive is square, symmetrical and dignified. The paperback is small in shape and thick in strokes, which makes it open and close up and down and does not appear ethereal and natural; The packers are developed, and the paintings are light and straight, so that they are not crowded inside, the center of gravity is stable, and the inside and outside are commensurate.
(2) The rectangular box and the mailbox of the upper packaging door should be in their vertical position, with the upper and lower sides flush, the four sides square and symmetrical, rectangular, the left side is slightly narrow, thin and short, the right side is wide, fat and thick, the opposite sides should be tall and straight, and the opposite sides should be wide and wide, with the envelope characters slightly on the inside, and the size and width of the outer frame should be commensurate with the inside.
(3) The short square and the lower package are small in shape and condensed. The pen should be plump, open shoulders and close the bottom, stable and natural, and strive to balance left and right. The inner side of the lower package frame should be tilted downward to stabilize its center of gravity.
(4) Fold left and fold left. The length from the left vertical to the back should be determined according to the length of the folding stroke. The inside should be left, short on the top and long on the bottom, and stable. If the car is wrapped in the lower left, the internal shape will converge and stabilize, and the flat painting will be thick and long, not too short. If it is short, it will be difficult to carry things, and if it is too light, the center of gravity will be unstable.
(5) The center of gravity of the characters in the left upper pocket and the right left upper left pocket is slightly to the right, the inner pocket is outward, and the left hand draws the gesture. The width of the outer frame should be determined according to the complexity and size of the strokes in the inner bag, so that the inside and outside are commensurate.
(6) The words of the upper right package and the upper left package should be slightly moved to the left, and the package should be simply tilted, so as not to leave the inside empty; Use a straight bag inside, so it won't be crowded. The cloth surface is even, the inside and outside are commensurate, the shape is solemn, and the oblique shape is dangerous and stable. Take the trend from the bottom right, the diagonal painting should be long but not wide, and the width is loose.
(7) Wrap the left lower part of the horizontal wrist and vertical wrist, take a horizontal posture, draw an oblique posture on the upper left, and take the strokes wrapped on the lower part as the main pen, and take the posture to the right, which should be long and powerful. This is a key pen. The upper right corner is left-sided, vertical, the left auxiliary painting converges, the right main pen indulges, and the center moves left to make it right. The font should be slightly narrow, not too wide, and wide is loose in form and spirit.
(8) In the words "broken horizontal" and "broken vertical", the left and right cross sections should be written as a straight line; The upper and lower vertical folds should be vertically aligned, and the pen folds should echo back and forth, with even arrangement and even cloth surface. The outer frame of the internal complex should be enlarged, and the border of the internal monomer should be narrowed to achieve internal and external symmetry.