Statue of Badashanren in Zhao Jiancheng
His "one flower, one bird" lies not in quantity and size, but in the position and momentum in the layout. And whether it is used in a timely, surprising and ingenious way. This is his "win-win" method. If the layout of the painting is flawed, sometimes books and clouds are used to fill its meaning. Badashan people can write poems and have exquisite calligraphy, so even though his paintings are not many, with his poems, the artistic conception is enough, and his paintings make people feel small and numerous, which is the artistic ingenuity.
Badashan people can moisten Ming Jie by dry rubbing. Therefore, the paintings are all "unrestrained". Badashan people are different from others, and they are all "moist". Badashan people are different from others. Such as fish and birds, once made the expression of "staring at people with white eyes" to express cynicism. His flower-and-bird painting style can be divided into three periods. Before the age of 50, he was a monk, especially in his early days. He spent a lot of money on "Carrying on the Family", "A Mountain", "A Donkey" and "A Man's House", painting fruits and vegetables, flowers and pine plums, mostly books. The picture is more exquisite and powerful. From the age of 50 to 65, the painting style gradually changed, and I like to paint fish, birds, grass insects and animals. The image is exaggerated, and the mouths and eyes of birds and animals are mostly square, with oval faces, large and small, and are on the verge of extinction. A bird lives with one foot and hangs with the other. After the age of 65, it will be late, and the art will become more and more mature. The brushwork became Park Mao Xiongwei, and the shape was extremely exaggerated. Fish and birds' eyes turn around a little, and their eyes lean against the rim of their eyes, looking like "supercilious"
Badashanren
Some birds he painted seem to be stubborn. Even if there is not much pen and ink, they show the feathers of birds, which makes people feel untouchable and fly at the touch. Some birds shrink their necks with their fists and feet, which are both bullying and afraid of hard work, and are also concise in composition and pen and ink. These images are undoubtedly the portrayal of the painter himself, that is, "the song of grief and indignation, worrying about the country and the people, expressing one's feelings with pen and ink." He wrote in a poem about Huang Shanshui: "Guo Jiayun is small, but Dong Laoma has many trees. People can understand if they want to see pictures. Yifeng is still with Song. Show his national consciousness.
Badashanren's paintings had little influence at that time. Only Niu Shihui and Wan Wan spread the dharma, but they had a far-reaching influence on later paintings. His artistic achievements are mainly unconventional and created by himself. His freehand brushwork is different from Xu Wei's bold and unconstrained, and Badashan people's rigor can be released. The Eight Eccentrics in Yangzhou in the middle of Qing Dynasty, the Shanghai School in the late Qing Dynasty and modern masters Qi Baishi, Zhang Daqian, Pan Tianshou and Li Kuchan were all influenced by it.
Artistic individuality
Badashanren's poems are full of mystery and irony because of their eccentric and quiet style, which has always been puzzling.
Generally speaking, all the poems and paintings in the paintings and calligraphy works of the Eighth National Congress of the Communist Party of China before the age of 57 are characterized and inclined to express their followers' thoughts and moral integrity with paintings and calligraphy, and they are often mixed with Zen and historical allusions, so the poems are obscure and astringent. For example, "The Stone inscription on the Lake" in "Biography": You should break your waist, but you should break your tail: you can't scare ghosts and gods without an axe. Another example is "Plum Blossom" in "Plum Blossom Atlas" in 1952: For thirty years, Chu Shi's family has been swaying in the wind of wine flags. There is no saying that the bridge is broken, and the color is like apricot flowers today. This poem is almost self-describing.
Zhu Da's works
The poet's character and integrity.
However, after returning to the secular world at the age of 57, the style characteristics of his poems are "winning without arrogance and losing with grace", boldly surpassing predecessors and self. During this period, many insightful poems emerged in the Eighth National Congress. For example, in the inscription and postscript of calligraphy and landscape painting book, there are two paragraphs, namely "painting with both methods", and it is unprecedented to clearly put forward that "painting with both methods of calligraphy".
It can be considered that the outstanding artistic achievements in the last eight years are closely related to the changes in the style and characteristics of poetry in the later period. Just like the Eighth National Congress asked a question in the calligraphy and landscape painting book: "Is the article inhuman painting and calligraphy?" The outstanding characteristics of poetry in the last eight years are based on the mutual unity of artistic view and outlook on life, which is also the essence of poetry in the last eight years.
Literacy number
Zhu Da has many roles, names and aliases. His original name is Zhu Youti, also known as Zhu Da, and his names are Badashanren, Xuege, Geshan, Geshandongji, Renwu, Liang Yue and Dao Lang. He became a Taoist and lived in Qingyunpu Scenic Resort Scenic Area. After entering the Qing Dynasty, he remained anonymous. He cut his hair and became a monk. He took the Dhamma name and handed it down. At the age of 55, he used the word blade in Geng Jia, Kangxi (1680). It began to snow at 4 1 year old, and it was used at 55 years old. The first time I saw No.1 Mountain was at the age of 46, and until I was 59, he still had the equal sign of donkey, donkey house and human house. Donkey money was first seen at the age of 56 and at the latest at the age of 58. Man's house and donkey's house are used at the same time. Before the age of 60, the characters used were Yi Fa, Diandian, Han Chun, Yi Xueheng, Liefu and Hongxuan. Zhu Da is a monk's name, and "dang" is a vulgar word for "donkey". As for the name "Benevolence in Badashan", he chose it after he abandoned the monk and turned to the common customs. From the age of 59 until his death at the age of 80, all the previous words were abandoned. When he signs a painting, he often writes "Eighth National Congress" and "Mountain Man" vertically. The first two words are similar to the words "cry" and "laugh", and the last two words are similar to the word "know", indicating crying and laughing. He was loyal to the Ming Dynasty all his life, pretending to be a adherent of the Ming Dynasty and refusing to cooperate with the Qing Dynasty. He has a poem "Laughter and Cry in Boredom", which expresses the feelings of the country's fall and distress.
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