This kind of balance between words is often seen in official script and regular script. For example, if you write a word on the left, you won't feel crooked when you read it with the words next to it.
At present, many publishing houses like to split ancient inscriptions into single words and rearrange them, resulting in many incredible copybooks, such as the eight honors and eight disgraces of the three-character classic, which destroyed the overall structure of the original and failed to appreciate the beauty of calligraphy. In addition, many historical sites have been severely weathered, and most of the handwriting has been blurred. In order to publish, it is often necessary to repair the words. It is not surprising that the retouched characters often go out of shape and look crooked. Therefore, we must find the best version to appreciate the book post, and it is best to find the original post to reprint the printed works. Usually the older the work, the harder it is to see the original appearance. In addition, there are many inscriptions known as works, which are actually temporary editions, and have long been mistaken for rare editions. The Preface to Lanting written by Rainbow Xizhi now seems to be temporary editions after the Tang Dynasty. This situation has existed since ancient times, so it's best to find out whether what you see is genuine or not.