Liang's calligraphy is vivid in form and has both form and spirit. Among them, "shape" refers to the pointing lines of calligraphy and the resulting spatial structure, while the so-called "spirit" mainly refers to the charm of calligraphy, which is vividly expressed in his calligraphy. The stippling lines in his calligraphy have a strong sense of quantity, rhythm and three-dimensional sense.
When writing, his calligraphy stippling hides the protagonist deeply, and what he has done is bound to be collected, beginning and ending, which shows the power of using a pen. The center line pen takes the convergence center, which makes the stippling lines round and smooth, warm but not soft, and contains strength. The spatial structure of Liang's calligraphy is reasonable, and the stippling lines of calligraphy follow the principles of the font shape and stroke order of Chinese characters in China, and the font space is divided by cross combination.