Fortunately: the changes in pen and ink are wonderful, and the concrete shapes of stippling and knotting are often not seen, but the ethereal and detached ink images seem to be inadvertently controlled by the perspective, and they have endless connotations, which make them It is unpredictable and endlessly interesting.
Lin Sanzhi (1898-1989), also known as Lin, also known as Yilin, also known as Sanzhi, also known as Sanchi, Zuoer, Jiangshanglaoren, etc. His ancestral home is Wujiang Town, He County, Anhui Province. He was born in Jiangpu County, Jiangsu Province and lives in Nanjing. Good at calligraphy, poetry and landscape. During his lifetime, he served as a representative of the First People's Congress of Anhui Province, deputy director of the Farmland Committee of Jiangpu County (then Anhui), deputy county magistrate of Jiangpu County, a full-time painter of the Jiangsu Provincial Traditional Chinese Painting Academy, a first-level artist of the Jiangsu Provincial Traditional Chinese Painting Academy, and a provincial calligrapher. Honorary President of the Association. He is the author of "Poems on the River", "Selected Calligraphy of Lin San", "Selected Collection of Poems, Calligraphy and Paintings of Lin San", etc.
His calligraphy is famous for its contemporary style, especially his cursive script. He is good at using long-edged brush to write calligraphy. His writing is smooth and vigorous, and his music contains straight lines. He also incorporated painting methods into calligraphy, and the muddy ink images showed the changes of burnt, dry and moist, and were full of vitality. The structure is ups and downs, with upright and upright movements interacting with each other. Qi moves like clouds and flowing water, reaching a state of transformation in the seemingly inadvertent black and white flow. He also specializes in landscape painting, and is particularly good at painting figures, bamboos and rocks, etc. The emotional charm of his brushwork is incomparable with his calligraphy. His paintings such as "Huangshan Pictures", "Travel to Emei", "Journey to Zhongnan", etc., use vigorous brushwork, deep dyeing, and a unique eye for white cloth. Full of vitality. Also good at poetry. His poems, called Tangxue, are fresh and plain. They may sing about mountains and rivers, sing songs with friends, or talk about books and arts. They are both solemn and humorous, emphasizing patriotism and righteousness. He advocated the art path of entering first and exiting later, learning from the past and adapting to the past. He focused on the combination of poetry, calligraphy and painting, which was smooth and interesting. His books, paintings and poems have had a great influence at home and abroad. The calligrapher Zhao Puchu praised "San Weng is known as the three greatest contemporary calligraphers", and Japan's Aoyama Sugiyu praised it as "the legacy of the sacred grass is here."