Calligrapher Hua Shikui (1863 ~ 194 1), whose real name is Qi Chen, was originally named Chen Bi. Han nationality, one of the "Eight Masters" in Tianjin. Originally from Wuxi, Jiangsu, he moved to Tianjin. His calligraphy is bold and unconstrained, with boundless strength and profound skill. The calligraphy "Tianjin Quanyechang" is a five-character giant tablet with a width of 1 meter, which is vigorous and majestic, and can be described as its masterpiece. Calligraphy works are small to capital letters, and large to large books above the diameter, and the structure is very dignified. Xu Xiasheng was stronger and taller in his later years. Ranked first among the four great calligraphers in modern Tianjin.
He (1799— 1873) was a calligrapher in Qing dynasty. A native of Daozhou (now Daoxian), Hunan Province. Zizhen,No. Dongzhou,No. Night. In the 16th year of Daoguang (1836), he was a scholar, and was an official editor. Gong is especially good at storytelling and textual research, adjacent to the inscription. Calligraphy has its own style, especially cursive script. In his later years, he wrote Lanzhu poems with seal script and official script, with a few strokes, and the scholars were full of books. I occasionally make a landscape, disdaining to imitate modeling, freely letting loose my hair, and walking in a deserted and desolate environment to get the essence of Shi Tao in his later years. Painting must be a long topic, with many beautiful sentences, but it is not light to do and gives up on itself, so few people spread it. There is a comment refuting the collection of poems and essays. He is the author of Tao Jing Shuo, Shuo Wen Chao, Dong Chao, Dong Tang Wen Chao and so on.
He has made great achievements in calligraphy. Every style of calligraphy was forged by the ancients, forming its own family. The cursive writing is particularly good. He kaishu takes the width of strict words, but not sparse. At the same time, it also incorporates the inscriptions of Northern Dynasties, Ou Yangxun and Ouyang Tong.
Shu Tong is the inheritor and pioneer of calligraphy in China. He loved calligraphy since he was a child, and studied calligraphy at the age of 5. At the age of 14, he won the reputation of "prodigy" and "Dongxiang genius". I have systematically visited ancient monuments and learned from Yan Zhenqing, Liu Gongquan and other famous artists. However, I have learned from them, respected the law and sought new changes, paid attention to its essence, made bold attempts, gradually formed my own calligraphy style, and established a famous "calligraphy style", which is highly respected at home and abroad. The so-called "calligraphy style" is to start from the "two kings", take the beauty and beauty as the foundation, take the strengths of each family, make it round and muddy, use the power of Tibetan front, combine cleverness with clumsiness, borrow the past for the present, create a unique style, and establish a "seven and a half" glyph. This "seven-and-a-half points" can be said to be the essence of Shu-style characters. There is one point for Kai, Xing, Cao, Zhuan and Li, and one point for Yan and Liu, which make up half, which is called "seven-and-a-half points".