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Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.
Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "
Structural combination.
Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.
Phoenix, Andrew; It can't be pronounced "fēnɡ". "
Distinguish the phoenix; Can't write "wind"
Synonyms are free and unrestrained.
Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.
2. The four-character idioms in regular script are thick and plump, rich and graceful, both rigid and flexible, wrapped in iron, vigorous, vigorous, majestic, thunderous, Rowen Tiger Shock, vigorous, vigorous, smooth, full of bones and muscles, full of fun, strewn at random, and the beauty of the mean. The dragon and phoenix dance, with beautiful style, moves like a snake with a pen, which is smart, bold, steep, tall and straight, penetrating the back of the paper, penetrating the wood, combining rigidity with softness, showing the atmosphere, concise brushwork, skillful brushwork, flowing, hearty, pleasing to the eye, elegant and beautiful. Natural, elegant, smart, chic, simple, peaceful, peaceful, smooth, graceful, generous, natural stretch, natural, smart, smooth, lifelike, smooth in class, round and round, smooth in turns, learning from others, profound in skill, solemn and majestic, smooth in charm, vigorous and simple, changeable in charm, and changeable in thought.
3. The four words of Yan-style brush calligraphy are dragon snake at the bottom of the pen, ink with fine pen, dragon snake pen, swallow tail with silkworm head, hiding the head to protect the tail, sinking happily, being calm, carefree, learning to doodle, ups and downs, Ding Zhenyong grass, flying dragon dancing phoenix, full of strength, phoenix floating, phoenix dancing dragonfly, phoenix dancing back. Strong bones and muscles, thirst for spring, anger for spring, thirst for deer for spring, stress on paper, learning medical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen Tiger Zhen, Rowen Tiger Zhen, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook.
Describe the vigorous and beautiful calligraphy. Graffiti: letter pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti at the bottom of the pen, Mo Miao, writing dragon and snake, silkworm head and phoenix tail, hiding the head and protecting the tail, happy and heavy, leisurely and happy, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragon dancing phoenix, infinite strength, phoenix floating, phoenix dancing dragonfly, phoenix flying back, ancient fat and barren, phoenix dancing. Thirsty deer rushes to the spring, full of paper, snow trees in Linchi, six valleys of Yanjin, dragon and phoenix dance, dragon and snake dancing, dragon bending, Yue Long tiger lying, Rowen tiger shock, Rowen tiger shock, dragon and leopard changing, dragon and phoenix dance, dragon and phoenix dance, dragon and phoenix dance. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian. 1, the dragon and snake race through the iron inkstone and never stop waving their hands; 2, Gu Mo lightly grinds a few incense, and the new bath shines; 3. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates.
The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt".
He writes quickly and forcefully. 4. A few times, a flying dragon appeared on the paper. The dragons he painted are lifelike, magnificent and varied.
Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 5,: "Books are scattered, and if you want to read, you should spread your arms first."
(Cai Yong's On the Pen) You must "write a book before the pen." (Wang Xizhi's "Mrs. Wei's brushwork") When writing, "the description of love means * * *; Yang Shu's melancholy is based on the heart of heaven and earth "(Sun Shupu)" The spirit of the book must reach the Tao, which is the same as the mixed element theory ... it is based on nature. "
6. In the Qing Dynasty, Liu Xizai was even more critical: "A writer writes his will" and "Calligraphy, like learning, like talent, like ambition, is like a person". 7. On the pen.
4. Four-character brush regular script works (word set) 1, all rivers run into the sea.
2, cinnamon orchid instrument
Step 3 be harmonious and auspicious
4. If the gas is blue,
5. If the water is good.
Yang is a professional calligrapher of Ningxia Painting and Calligraphy Institute, a member of Xiling Printing Society, a member of Ningxia Artists Association and a judge of the National College Students Art Festival. He was once rated as a national art education expert by the Ministry of Education and an outstanding teacher in 2000.
5. Collection and appreciation of four-character idioms and regular script.
The following is a regular script for collecting and appreciating four-character idioms.
6. Pupils' calligraphy idioms are three points, three points and three points. Rù mù sān fēn [interpretation] This means that calligraphy is vigorous and powerful.
After metaphor, it is well-informed; The discussion was profound. [Language] Zhang Tang Huai Guanshu broke: "Jin Emperor sacrificed to the northern suburbs; I wish you a better version; Workers cut it; The pencil is inserted into the wood. "
[Pronunciation] 3; It can't be pronounced "shān". [shape discrimination] into; Can't write "people"
Li Tou's iron-painted silver hook on the paper back [antonym] A little [usage] is used as a compliment. Praise others or make profound comments.
Generally used as predicate, attribute, adverbial and complement. [structure] is more formal.
Some essays by Lu Xun vividly exposed the ugly faces of Kuomintang reactionaries. English translation [idiom story] written by force.