Tian Yingzhang's hard pen and soft pen have deep skill, while Tian Yingzhang's hard pen regular script is more exquisite and beautiful, with some extraordinary momentum and charm. Tian Yingzhang's copybook is written in European style, with neat and beautiful structure, which is very suitable for beginners.
You can practice Tian Yingzhang's hard-pen regular script from the following five points:
1 o'clock, the pen is transported from the upper left to the lower right, and there is a pen transport process. Note that "points" are also long and cannot be rounded into points.
(2) Put the pen horizontally and divide it equally from left to right. The key is to be "horizontal and vertical", not high at one end and low at the other, nor wavy. The length should be controlled according to the font of the square characters, not too short or too long.
(3) vertical pen, vertical pen from top to bottom. The key is "vertical to be straight", and it can't be skewed left and right, let alone written as a vertical hook. The length should be controlled according to the font of the square characters, not too short or too long.
(4) Left, from the upper right to the lower left, no dots or horizontal left.
⑤ Folding: When writing a folding pen, the folding angle should be square, not round.
Tian Yingzhang, a postgraduate in calligraphy, is a cadre of the Ministry of Personnel. Previous posts: the State Council appointed writer, director of China Painting and Calligraphy Talent Training Center of Ministry of Personnel, executive director of Painting and Calligraphy Talent Qualification Examination Committee, president of China Modern Hard Pen Calligraphy Research Association, first president of China Hard Pen Calligraphy Association, member of China Calligraphers Association, president of Ou Yangxun Calligraphy Art Research Association, secretary-general of Wang Xizhi's Forest of Steles Preparatory Committee, honorary president of China Painting and Calligraphy Research Institute, professor of Japanese Art Bookstore, consultant of Japan Calligraphy Art Association, and vice chairman of Japan International Calligraphy and Painting Artists Union. He is currently the vice president of China Talent magazine of the Ministry of Personnel, the director of China Painting and Calligraphy Talent Training Center of the Ministry of Personnel, and a lifelong calligrapher of China International Painting and Calligraphy Art Research Institute.