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how to write the strong word
The word "strong" in the attached figure is the running script writing on the book post of the Song Dynasty, written by Wu Ju, a famous calligrapher of the Song Dynasty (the running script "Miscellaneous Poem Post")
How to write the strong word cursive writing
As shown in the figure (19 handwriting of famous artists, click to see the larger image). How many ways were there before to write
strong seal script (bronze inscription):
strong seal script:
strong official script:
strong regular script:
strong cursive script:
how to write running script quickly and well
Second, how to start with running script
? Starting with a simple running script font, it can be made possible and become a reality.
Writing is for people to read, not just to appreciate. For convenience, you need fluency. For the convenience of others, you need to be clear. Regular script and even official script are clear and not fluent, which obviously cannot be used as a common font; Cursive script is fluent and difficult to identify, which is convenient for oneself and hinders others; Seal script is not easy to write and read, and if it is used for communication, it will harm others and yourself. There have always been five fonts, only running script, which is clear and fluent, and it is practically practical. Mr. Lv Shuxiang said, "Our writing always smells like running script.".
Since ancient times, it has been said that you should start from practicing regular script, stand firm before walking. Today, even in calligraphy class, this is no longer the only way. Calligraphers mostly regard practicing regular script as a means and a process, but it has been proved that a well-written running script is not necessarily good. For example, Yue, regular script, especially Tang Kai, puts great emphasis on starting, closing and folding the pen. If you use this kind of action to write running script strokes, there will be many decorative strokes. We call the "nail head" that appears when the regular script starts writing as "unnecessary little moves". If you get into the habit of writing, it will definitely affect the writing speed and fluency; Therefore, if freedom and lyricism are considered, regular script can't be used as an ideal font for basic training. It should be said that learning regular script first is good, but it also has bad consequences for learning to write pen and ink.
As a practical writing, we think that it is enough to practice one kind of running script well. What does it matter if you don't have your own style (but writing personality undoubtedly exists and is inevitable)? After practice, you can omit some side strokes and write them in running script, or you can add some Lian Bi to write them in running script, which is enough to adapt to various daily uses. Even in simple calligraphy creation, it is thankless to write letters, official seals and seals with a pen. A pen is a pen, and a pen is used to write fluent and beautiful handwriting. It is certainly better to write some artistic flavors.
Running script is a practical font with a certain degree of freedom, which is just convenient for applying what you have learned. Starting from regular script, it will lead to writing regular script when practicing calligraphy and running script when writing daily. What you learn is useless, what you learn is useless, and learning and use are out of touch. For most people, except those who are interested in writing, it means spending more time and suffering more. Only by practicing running script can we apply what we have learned, which is an important basis for 3S crash.
1. which font should I practice writing from?
The traditional way to learn calligraphy is that we should start with Tang Kai, and practice going south, Bei Bei, han li and Qin Zhuan on the basis of writing regular script in reverse time. Another idea is that starting from the immature characteristics of young people's hand muscles, we can start with Qin Zhuan, which has little change, and start from cursive script to regular script. These two concepts have their own reasons. However, I think the hard pen calligraphy we learn is fundamentally different from the brush calligraphy mentioned above, so we can't follow its practice methods, let alone be confused by the traditional concept of learning brush first and then learning hard pen. Hard pen is widely used now. If you can't write Chinese calligraphy well, you can still write it well. There is no need to take a detour.
which font should I practice hard pen writing? In my opinion, starting from the characteristics of young people's hand muscle development and the characteristics of uniform strokes and less changes in hard-pen calligraphy, we should start with fonts that do not require fast or slow strokes and light or heavy changes. It is best to print in bold type. The beauty of this font is mainly manifested in its structure. We can master the structure of the font by trying to figure out and analyze the bold type. On this basis, we can choose our favorite font and practice hard according to our own personality and hobbies.
2. what should I practice when practicing Chinese characters?
first of all, practice your eyes, that is, read the posts carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "Ancient people didn't all learn to write by copying. They often hung ancient calligraphy works on the wall, watched them intently, and didn't write until they were sure." Ou Yangxun in the Tang Dynasty found the tablet written by Suo Jing in the Jin Dynasty, and couldn't bear to leave, so he just sat down and read the tablet for three days. The more posts you read, the higher your eyesight will be, and you will know how to write. There is an idiom called "the eye is superior but the hand is inferior". I think: the eye height is the premise of the hand height. If you can't find beauty and don't know what beauty is, let alone create beauty. Many students think that scribbling is the so-called running script, and the reason why they regard ugliness as beauty is that they "have low eyes and low hands".
Secondly, we should practice our brain or mind. On the basis of careful observation, we should keep the well-written model characters firmly in mind and engrave their glyphs deeply in our brains. Whenever the word is mentioned, we can immediately figure out the shape of the word on the copybook. Do it with confidence and words in your mind.
Third, practice your hands. Practice your eyes and ... > >
how to write Yang Zhiqiang's three-character running script is the best
as shown in the figure below.