I came from Liu Ti before! Liuzi features: 1, Fang Bi, round pen. Fang Bi refers to a square with edges and corners at the beginning, end and turning point. The brushwork is mainly folding. Round pens refer to those round and plump strokes. Liu Zi's pen is often used in Fiona Fang. For example, draw the pen horizontally, with sharp edges and corners. The pen is round and subtle. The same is true of vertical dew. If you draw, start with a round pen and press your feet outward. Attention should be paid to the difference between the vertical painting and left-handed painting of Liu Ti characters and regular script. Liu Ti is often turned to the front and folded twice, so the starting point is one more angle than regular script. 2. There is a difference in the length of the horizontal painting of willow characters. Short paintings are thick and bulging, while long horizontal paintings are thin and covered. The horizontal and vertical directions are not as light and straight as Yan Ti's Qin Li Monument, and there is a clear formula. There is not much difference in the horizontal and vertical weight of willow characters, and some short horizontal paintings are often heavier than vertical paintings. 3. Compared with the word "Liu", it is generally light and heavy, which is the same as the word "Yan". The structural characteristics of Liuzi are: 1, two vertical planes. In other words, the left and right sides of a word are tied together, the left side bends to the right and the right side bends to the left, forming an opposite trend. This kind of writing is also from Yan, but Liu's vertical painting is thinner than Yan. Although the writing is the same, the structure is different. 2. Retraction is opposite and uneven. Within a word, some strokes are relatively convergent, and some strokes are very stretched. For example, the length of horizontal painting in the words "Yan", "Qi" and "Zhe" is very different. If a word is composed of several parts, then Liu Zi pays great attention to the comparison of the width and length of these parts, so that some parts of the word are left blank and the space is sparse; In some places, there are few places, which are particularly compact. At this point, Liu characters are different from Yan characters. The word Yan strives for uniformity and three sides are flush, while the word Liu pursues uneven changes, such as "street", "who", "wisdom" and "braid", which are typical examples. 3. Related to the above point of view, Liu Zi is compact because of her extroverted brushwork, which is another big difference from Yan Zi.
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