Features of Du Zhongxin's Works

Du Zhongxin's calligraphy works have spread all over the country and overseas. He has written inscriptions for nearly 100 places of interest in China, including Beijing Tiantan Park, Xuanwu Art Park, Babaoshan Archway, China Modern Forest of Steles, Great Hall of the People (collection), Kaifeng Forest of Steles, Yeheshan Battle Monument, Hunan Peach Blossom Garden, Guilin Forest of Steles and Liuzhou Scenic Area. His works have also been selected into the first volume of Zhongnanhai Calligraphy Collection, China Modern Calligraphy Collection, China Contemporary Calligraphy Collection, celebrity calligraphy Dictionary of Ancient and Modern Times, China Contemporary Calligraphy Celebrity Collection and other influential books. He has participated in many national calligraphy exhibitions and exhibited 100 times at home and abroad, which has been highly appreciated by academic circles in Japan, Singapore, Thailand and other countries.

From 65438 to 0993, he accumulated decades of cold and heat and experience, and completed the book "Techniques of Famous Monuments in Past Dynasties". Du Zhongxin and Wei Fengshu were published in 1990. He was widely praised by calligraphy circles for his simple style and free and easy running script in the Northern Wei Dynasty.

Du Zhongxin not only has profound attainments in painting and calligraphy, but also has extensive reading and interests. He also devoted himself to the study of the Book of Changes, calligraphy and painting appraisal, photography, literature and other disciplines. He taught The Book of Changes and Calligraphy in the hometown hall of former Singaporean Prime Minister Lee Kuan Yew, and was highly praised and praised.

Du Zhongxin's calligraphy works, with their solemn, bold and simple style, bold and unrestrained artistic treatment and magnificent momentum, have won unanimous praise from calligraphy circles at home and abroad. Du Zhongxin is full of cultural accumulation for many years. He not only has profound calligraphy skills, but also draws nutrition from sister arts such as literature, music and art. His strong love for life is the content of calligraphy creation, which constitutes a dazzling perspective beauty. He believes that only noble character, refined sentiment and profound knowledge can make him an artist. In daily life, he always embraces everything with a generous and optimistic attitude, which is reflected in his calligraphy works, and always exudes a bold, elegant, elegant and magnificent atmosphere, thus showing the broad spirit of the Chinese nation.