Is the handwriting of Zhang Liangxun, chairman of Anhui Calligraphy Association valuable?

Zhang Liangxun (1941-), a native of Suzhou, Anhui Province, majoring in Chinese painting, graduated from the Fine Arts Department of Anhui Art Institute. The first member of China Calligraphers Association, the fourth and fifth directors of China Calligraphers Association, one of the founders of Anhui Calligraphers Association, the executive director of Anhui Calligraphers Association, the vice chairman of Anhui Calligraphers Association, and the librarian of Anhui Literature and History Museum.

Zhang Liangxun's calligraphy is intended to inherit the tradition and is full of ancient meanings. Learning books begins with two kings, taking its elegance and ethereal spirit; And traced back to Qin Zhuan, Han Li, Beibei, Zhong Taifu and Zhang Boying to study its simplicity, elegance and elegance; Liu, down to Europe, established strict statutes and broad integrity; Friends and neighbors are arrogant, uninhibited and shocking; He also carefully speculated on Su Huangmi's feelings for Cai Shangyi and Zhao's poems and paintings. Later, Wen Zhiming, Zhu Zhishan and Dong Xiangguang pursued it tirelessly. Tracing back to the source, thinking hard. Earn the nectar of the former sages and appreciate the ink culture. He integrated all the dharma books he had learned and pieced them together into a tablet, which became more and more beautiful and self-reliant. 1979, his cursive works won the third prize in the National Staff Calligraphy Competition held in Shanghai. 1980 running script banner was selected as the "First National Calligraphy Exhibition" in Shenyang; In the same year, another calligraphy banner was selected for the "China Ming and Qing Dynasties and Modern Calligraphy Exhibition to" held to commemorate the 10th anniversary of the conclusion of the Sino-Japanese friendship treaty. This exhibition shows 20 works of Ming Dynasty, 20 works of Qing Dynasty and 60 works of modern art. His works were rated as "elegant in Wen Zhiming in Ming Dynasty" by Japanese book critic Hiroichi Motomoto. 1982, his Cao Zhang works were selected as the first national calligraphy exhibition for young and middle-aged people in Nanchang. Later, the book also participated in the second national book fair, the second and third national middle-aged exhibitions, the Sino-Japanese calligraphy exchange exhibition, the international calligraphy exhibition and many other large-scale book fairs. 198 1 year, China calligraphers association was established, and he became the first member. 198 1, Anhui Calligraphers Association was established. As one of the founders, he was elected as the executive director. 1988 was elected as the vice chairman of the provincial book association; 200 1 After Lai Shaoqi and Li Bairen, he was elected as the chairman of the third Anhui Calligraphers Association. He is also the librarian of Anhui Literature and History Museum and the dean of Anhui Jianghuai Poetry and Calligraphy Research Institute. Many of his works are collected by Chinese and foreign museums and cultural institutions, published by many publishing houses all over the country, and carved into many scenic spots and forest of steles. He has also served as a judge of the National Calligraphy Exhibition for many times. [ 1]