He studied in sichuan fine arts institute and studied under Mr. Zhang Shoutao, a famous painter, art educator and art critic. Mr. Luo, a famous painter and professor of Tsinghua Academy of Fine Arts; Mr. Wu Lizhu, a famous painter; Mr. Ye Xingqian, a French painter in China, had friendly exchanges with many famous Chinese and foreign artists and asked for advice with an open mind.
Work experience:
Liu Yongliang used to be Art editor of Shi Sheng Shenzhou magazine in Macau, artistic director of Macau Art Museum, artistic director of Asian Art Fair and Asian Children's Art Exhibition, American editorial director and artistic director of China Border Trade magazine of China Border Trade Federation, and assistant to the president of China Five Thousand Year Animation Culture Project Promotion Association. At present, he is the first contracted painter in the exhibition hall of 2 1 century, and has been hired as artistic director, member of China Painters Committee, member of China Painters Association and special photojournalist of Writers Daily. His designs and paintings have won many awards in domestic and international competitions, and his works have been collected by many international organizations such as the United Nations, the Red Cross, the Korean Museum and the Korean Artists Association. Many online media, newspapers, magazines and TV programs reported this, and published books and periodicals, such as the works of Liu Yongliang, a contemporary young ink painter in China, and the works of Liu Yongliang.
The characteristics of painting:
Mr Liu Yongliang is not only gentle, honest, frank, studious and versatile. Whether it is book binding design; He has different views on literature, photography and calligraphy. From his works, we can not only see the influence of western modernist masters Picasso, Miro, Van Gogh and Kandinsky, but also feel his constant love for China's traditional ink painting and calligraphy art, even folk art and even ancient civilization.
Mr. Liu Yongliang's works are a collection of paintings and calligraphy in one furnace, which has both mysterious oriental artistic charm and gorgeous colors, and is very modern. The elegance of artistic taste is highly sought after by art collectors. In recent years, the market price of his paintings has been rising, and he is the backbone of China's original art representatives.
The Explorers of Eastern and Western Cultures —— Young Painter Liu Yongliang
Compared with his peers, Liu Yongliang is undoubtedly a very diligent young painter. He is constantly studying and exploring his own painting art and making many different attempts. Whenever he meets a bottleneck and can't draw any more, he stops and walks around. China Art Museum, Beijing 798, Sulfide Factory and Songzhuang are all left for him to explore and learn. In addition, he kept asking for advice from old artists with an open mind. Teachers like and want to help this very studious and exploratory young man. On one occasion, I asked Yuan, a member of the Standing Committee of Chinese People's Political Consultative Conference, a famous plastic artist in China and director of Jintai Art Museum, for a thick booklet with his own works bound. Director Yuan looked at it and asked him, "Are you married?" Liu Yongliang replied shyly, "No way." Teacher Yuan joked with him, "Then these paintings are your girlfriends!" Yuan, the curator, is a straightforward person. He wanted to help the young man, pointed out the problems in his works on the spot, and suggested that he sketch more in the future. Liu Yongliang was very moved. He vowed to work harder in the future, hoping to show his new work to Teacher Yuan next time. This is what he thinks and does. ...
After reading his previous works, Liu Yunlong, a famous calligrapher, suggested that if you want to thoroughly understand the problems of ink painting and apply it to your own works, you might as well practice calligraphy more, and you'd better work hard in this respect. Teacher Luo once said to him: to broaden your horizons, the advantages of some paintings can continue to be carried forward. I hope he can draw some really touching works. He kept these suggestions in mind and studied tirelessly. ...
Liu Yongliang likes painting since he was a child. From the age of seven or eight, he was able to describe what he saw as a ladle, and the painting was still very similar. He said that the happiest thing when I was a child was to draw what I saw and paste it all over the room, and then take down what I thought was not well painted and paste it over and over again. It was not until he graduated from junior high school that he came into contact with formal basic art training. After graduating from college, he continued to accumulate study while working. Even when he was busy at work, he didn't give up studying and couldn't draw. Later, he took a job in Beijing. The work is not so hard, and he has more opportunities to get in touch with painters. He paints more diligently. While thinking for himself, he humbly asked the great painters he could come into contact with. At first, he felt embarrassed. Once, the famous painter Wu Lizhu said to him earnestly, "You study painting, so don't lose your major no matter how busy you are. Since I am a student, I must keep learning and improving! " Liu Yongliang didn't say anything at that time, but he kept Mr. Wu's words firmly in mind. Later, for work reasons, I went to Macau. During those years in Macao, he shut himself up at home every night, painting and meditating.
A few years later, when Liu Yongliang returned to Beijing to see his teacher Wu Lizhu, Mr. Wu Lizhu told the old story again. Liu Yongliang showed Mr. Wu Lizhu his New Year pictures, and Mr. Wu Lizhu was very happy. He first affirmed his progress, then helped him point out the problems one by one and gave him a lot of advice. In this way, he became more confident, insisting on studying and painting every day. He said he would recover all the wasted time and make it up. ...
Liu Yongliang's paintings are very interesting. Others are drawing nutrition from western oil paintings, but he does the opposite. He said that his favorite is China Xuan paper, calligraphy, seal cutting and ink painting. This is our most unique thing, and this is the most precious wealth left by our ancestors. We should try our best to let them go out and carry forward. In fact, from Liu Yongliang's works, we can easily see that he is trying to combine these things with the gorgeous colors of western painting. He is constantly groping, and it seems that his thinking is gradually clear. A little sketching, Liu Yongliang's works not only have the gorgeous colors and modern sense of form of western painting, but also have the unique taste of China's calligraphy and ink painting and the mysterious color of oriental culture.
There is no doubt that Liu Yongliang is a very diligent and talented young artist. He has been wandering between eastern and western cultures. From his works, we can not only see the influence of Picasso, Miro, Van Gogh and Kandinsky, but also feel his constant love for China traditional ink painting and calligraphy art, even folk art and even ancient civilization. The painter's emotion is undoubtedly very rich and exuberant. With the brush in his hand, he constantly expresses the passion generated in his heart in his own unique form. But his works don't seem to belong to any genre that we are already familiar with, which makes us feel so strange and familiar. Perhaps this is the reproduction of the artist's artistic personality. Everything is so unique and unique in visual appeal.
As early as two and a half centuries ago, Diderot, a French materialist philosopher, aesthete and writer, said, "Everything has me and you, and I have you and you ... Any animal is more or less a human being, any mineral is more or less a plant, and any plant is more or less an animal ... What is a human being? People are the sum of certain tendencies. " "Everything is animistic" and "Everything is sentient". It seems that Liu Yongliang not only accepted this idea, but also made some explorations in this respect. In the painter's pen, all animals, flowers and figures are moving and full of signs of life. They are harmoniously combined by the painter in his own unique way, which we can deeply understand from many of his works.
Liu Yongliang has a square seal, and the seal "occasionally gets carried away", which shows that the painter's choice between form and spirit is very clear: paying attention to expressing spiritual feelings, which coincides with the concept of "freehand brushwork and vivid expression" pursued by China painters. Liu Yongliang has been using China traditional Xuan paper and brush to create. Most of the materials he uses are traditional Chinese painting pigments used by China traditional ink painters, and occasionally there are Binny and gouache pigments. Liu Yongliang's works conform to tradition and modernity, and blend the East and the West. It is national and worldwide; It is both traditional and modern; It is realistic and freehand; It is concrete and symbolic; It is rational and even more insightful. They convey such a healthy and harmonious relationship between all things on earth. His paintings are an integrated symphony, the unity of light and color, line and surface, and the beauty of natural harmony that matches the spirit of this era.
Anyone who is familiar with Liu Yongliang knows that he admires Chang Yu, Lin Fengmian, Wu Guanzhong, Zhao Wuji and Zhu Dequn, the older generation of innovative artists who have stayed in France and can truly integrate Chinese and Western artistic creations and create their own unique sense of modern form. Liu Yongliang is deeply influenced by them and continues to make unremitting efforts along the direction they have guided.