Zhang Ruoxu, a poet in the early Tang Dynasty, only had two works left in his lifetime, but he established his irreplaceable position in the poetry world of the Tang Dynasty with his song "Moonlight Night on the Spring River". What I bring to you below is the appreciation of Chunjianghua Moonlight calligraphy. I hope you like it.
Appreciation of calligraphy on a moonlit night with flowers on the Spring River:
Appreciation of calligraphy on a moonlit night with flowers on the spring river 1
Appreciation of calligraphy on a moonlit night with flowers on the spring river 1 Appreciation of calligraphy 2
Appreciation of calligraphy on a moonlit night with flowers on the spring river 3
Appreciation of calligraphy on a moonlit night with flowers on the spring river 4
Appreciation of calligraphy on a moonlit night with flowers on the Spring River 5
Appreciation of calligraphy on a moonlit night with flowers on the Spring River:
The whole poem unfolds in sequence from scenery, emotion and reason. The first part describes the story of Chunjiang. Beautiful view. The second part writes about the emotions caused by facing Jiang Yue. The third part writes about the separation and sorrow of a wanderer who misses his wife in the world.
The poet started to ask the question and sketched out a magnificent picture of the moonlit night on the spring river: the river tide connects to the sea, and the tide of the moon rises. The "海" here is a virtual finger. The Jiang Chao is vast, as if connected with the sea, and is magnificent. At this time, a bright moon rises with the tide, and the scene is spectacular. The word "生" gives lively life to the bright moon and the tide. The moonlight shines thousands of miles away, and there is no spring river that is not illuminated by the bright moon. The river winds around the spring fields full of flowers and plants, and the moonlight shines on the flower trees, like a layer of white snow. At the same time, the title of "Spring River Flowers and Moonlight Night" was skillfully fulfilled. The poet's observation of the moonlight is extremely subtle. The moonlight has washed away the colorful colors of all things in the world, and dyed the world into a dreamy silver color. Therefore, the frost was flying in the sky unknowingly, and the white sand on the pavilion could not be seen. It was only the bright and bright moonlight that existed. The delicate brushstrokes create a mythical and wonderful realm, making the moonlit night on the Spring River look particularly beautiful and tranquil. These eight sentences, from big to small, from far to near, the pen and ink gradually condense on a lonely moon.
The clear and clear heaven, earth and universe seem to make people enter a pure world, which naturally arouses the poet's reverie and meditation: Who first sees the moon by the river? When does the moon on the river shine on people for the first time? The poet's thoughts A leap, but closely connected with life, exploring the philosophy of life and the mysteries of the universe. [7] But here is something new. The thought does not fall into the stereotypes of the predecessors, but comes up with new ideas: "Life is endless from generation to generation, and the moon in the river looks the same year after year." The life of an individual is short-lived, but the existence of human beings is long-lasting. Therefore, the endless lives of generations can survive like the bright moon that looks similar every year. Although the poet is sentimental about the short life, it is not decadence and despair, but due to the pursuit and love of life.
I don’t know who the river moon is waiting for, but I see the Yangtze River sending flowing water. This is closely related to the similar desire in the previous sentence. Life goes on from generation to generation, and the moon and the river are like this year after year. A lonely moon lingers in the sky, as if waiting for someone, but it can never do so. Under the moonlight, there is only the rapids of the river, rushing away. As the river flows, the poem creates waves, pushing the poetry to a deeper realm. There is hatred in the river and the moon, while the flowing water is ruthless. The poet naturally changes his brushstrokes from the natural scenery in the first half of the poem to the images of life, which leads to the separation and sorrow of the lovesickness of men and women in the second half of the poem.
?Baiyun?The four sentences are always written in the moonlit night, the feelings of longing for the wife and the wanderer in two places. ?Baiyun? and ?Qingfengpu? convey objects and emotions. The white clouds are erratic, symbolizing Bian Zhouzi's whereabouts. "Qingfengpu" is a place name, but "Qingfengpu" is often used in poems to express farewell to scenery and places. ?Whose home? Where? The two sentences are intertwined and make sense. Because more than one family and one place has separation and sorrow, the poet raised such a question. It is a kind of lovesickness that brings out the sorrow of separation between two places. One after another, the poetic feeling Ripples, twists and turns.
The following eight sentences from "Pity" follow the "Where" sentence, writing about the missing woman's longing for the departed person. However, the poet does not directly express the sorrow and tears of the missing woman, but uses the "moon" to highlight her nostalgia, and the tears of sorrow come out. The poem personifies "the moon", and the word "wandering" is extremely expressive: first, the floating clouds are swimming, so the light and shadow are uncertain; second, the moonlight is lingering upstairs with compassion for the missing woman, and cannot bear to go. It wants to keep company with the missing woman and relieve her worries, so it spreads its soft radiance on the dressing table, the jade curtain, and the clothes-making anvil. Unexpectedly, the thought of a woman makes her fall in love with her, and she misses her even more.
She wanted to get rid of this annoying moonlight, but the moonlight could not go away, and the breeze came back, sincerely attached to her. Here, the two infatuated movements of rolling and brushing vividly express the sorrow and confusion in the heart of the missing woman. *** Looking at the moonlight but unable to know each other, I can only rely on the bright moon to express my longing for each other. ?The swan geese fly long and the light does not fly?? It also implies that fish and geese cannot convey messages.
The last eight sentences are about the wanderer, and the poet uses falling flowers, flowing water, and the waning moon to express his longing for home. ?Bian Zhouzi? Even in his dreams, he misses returning home. The flowers fall in the deep pool, the spring scenery is getting old, and people are still far away from each other. The rivers flow with spring. What flows away is not only the natural spring, but also the youth, happiness and longing of the wanderer. The moon falling over the river and the pond further brings out his miserable loneliness. The heavy sea fog obscures the falling moon; Jieshi and Xiaoxiang are far apart in the sky, and the road is so far away. The word "deep" intensifies his loneliness; "infinite road" also infinitely deepens his homesickness. He thought: On this beautiful night of flowers and moon on the spring river, I wonder how many people can take advantage of the moon to return to their hometown. His detachment, accompanied by the light of the waning moon, filled the woods by the river.