Moreover, let's take a closer look at the Confucius Temple Monument. Not good at contrast of stippling thickness, no external decoration and rendering, no dry change of stippling. It has done its utmost for every glyph. If Ou Yangxun changed the attitude of writing when he shaped the inscription of Jiuchenggong Liquan, and standardized it in a vertical direction with a large number of words, Yu Shinan's regular script is full of words.
The study of Confucius Temple Monument may not be an effective research work for us to study Tang Kai and regular script, but it plays a good leading role in promoting the realm of regular script and establishing a peaceful state of mind and emotion in the process of regular script creation, which has important value.
We often say that the word is lifeless when evaluating a good calligraphy work. What do we mean? In other words, in the process of writing this word, people's mood is very peaceful, the weather is very correct, the style is far away, and there is no encouraging image. Every stroke can be evaluated by pearls and jade. In other words, the writer's pen and ink is in a very natural and smooth process, not impetuous to cultivate and cultivate, in order to evaluate the style and taste of a work.
In Yu Shinan's Confucius Temple Monument, it is more rounded, corrected and rounded. Ou Yangxun's regular script is open and square, while Yu Shinan's Confucius Temple tablet is round. If Ou Yangxun's Jiuchenggong Liquan inscription reflects its style more through some kind of strength contrast of stippling, then the characteristics of the Confucius Temple monument are smooth lines and smooth lines. The combination of stippling is so natural, because of the shape of words, it is especially good at dealing with the space inside words.
The writing of Confucius Temple Monument requires us not to use pen too much. The more subtle and restrained the movements expressed by the pen technique, the better the process of using the pen. Don't deliberately drive the pen away, let it move so naturally, so inadvertently, so that you think it is. When you feel it, you should approach it with your heart. There seems to be no inevitable reflection between stippling, but its charm is so smooth that it is quite different from other posts at ordinary times. Its tension is like the word itself, and even the feeling of opening and closing is a kind of destruction. The roundness of the lines is exactly the same as that of Xiao Zhuan. It is extremely gorgeous and belongs to calm, justice and peace.