Original text:
There are crows in Bai Shu and osmanthus in Coody Leng in the atrium. I don't know who Qiu Si will meet tonight.
Explanation:
The mid-autumn moon shines in the yard, and the ground seems as white as a layer of frost and snow. The crow in the tree stopped making noise and fell asleep. Late at night, the cold autumn dew quietly wet the osmanthus in the court. The bright moon is in the sky tonight, and people are enjoying the moon. I wonder whose home is the vast Qiu Si?
The "fifteen nights" in the title, combined with three or four sentences, should refer to the Mid-Autumn Festival night. The title of the poem, some versions are "Looking at the Moon on Fifteen Nights", and the whole Tang Poetry shall prevail here. Du Langzhong, whose name is unknown.
This is one of the most famous poems about Mid-Autumn Festival in Tang Dynasty. "Bai Shu crows in the atrium", the moonlight shines in the courtyard, and the ground seems to be covered with frost and snow. Under the shade of Komori tree, the noise of crows and magpies gradually stopped, and they finally adapted to the dazzling disturbance of the bright moon and entered the sleeping village one after another.
The poet only uses the word "ground white" to write the moonlight in the atrium, but it gives people the feeling of being empty like water, quiet, pure and cold, which reminds people of Li Bai's famous sentence, "My bed foot is so bright, how can there be frost?" Immersed in the beautiful artistic conception. "Arboreal crows" should mainly listen to the moon for fifteen nights, not look at it.
The author introduces:
Wang Jian (765-830), born in Yingchuan (now Xuchang City, Henan Province), was a minister and poet in the Tang Dynasty. Born in poverty. During the calendar year, he was admitted to Jinshi and once joined the army. Middle-aged official, successively served as Xiancheng, Taifu Diancheng, Secretary Lang and Taichang Diancheng, and later moved to Sima, Shaanxi Province, known as "Wang Sima" in history. Tang Wenzong died in Daiwa at the age of sixty-six.
Wang Jian is good at Yuefu poetry, just like Zhang Ji. He is known as "Zhang Wang Yuefu". Poetry has a wide range of themes, sympathizes with the sufferings of the people, has a strong flavor of life and profound thoughts. He is good at selecting people, events and environments with typical significance for artistic generalization, paying attention to images reflecting reality and exposing social contradictions.
Using metaphor, line drawing, contrast and other techniques, the theme is often highlighted with a heavy pen at the end. The genre is mostly seven-character songs with short length. The language is simple and popular, full of folk songs and proverbs.
His works include Tian Jiaxing, Shuifu Ballad, Lin Yuxing, Shooting Tiger, Gu Congjun, Looking at the Moon at Fifteen Nights, Crossing the Liao River, Tian Jiadai and Wang Fuzhi. He is good at Gong Ci, which provides important information for the study of the court in Tang Dynasty. Today, there are Wang Jian's poems, Wang Jian's poems, Wang Sima's collection and 1 Volume Palace Ci.