1. Four-character idioms starting with Yu
Four-character idioms starting with Yu:
Yu Chu Ouyan: Yu Shinan, Chu Suiliang, Ouyang Xun, Yan Zhenqing , four ancient calligraphers. Generally refers to various schools of regular script.
Four-character idioms with Yu:
To destroy Guo and take Yu: It is a metaphor that when attacking country A, first stabilize country B, and then destroy country B after country A is destroyed.
Er deceives me Yu: Er: you; Yu, deceive: deceive. It means deceiving each other.
Er: you; Yu: guess. It means I lied to you; you lied to me; we lied to each other.
Gao Zhen Bu Yu: Gao Zhen: raise the pillow; Yu: make assumptions. Sleep with a raised pillow, worry-free. Metaphor of being safe and sound, no need to worry. Details?
Sit back and relax: sleep with a raised pillow, worry-free. Metaphor of being safe and sound, no need to worry. Details?
Looking back: Gu: Looking back; Looking back: Looking back and taking care of; Yu: Guessing, conjecture. Refers to worries coming from behind or at home. Details?
Unexpected gap: Unexpected: Unexpected; gap: crack. Refers to an unexpected misunderstanding
Just in case something unexpected happens: something unexpected happens. Be prepared in advance to prevent unexpected things from happening
The rule of Tang and Yu: Tang and Yu: Tang Yao and Yu Shun were the legendary ancient sage emperors and wise kings. The old refers to an ideal era in ancient times when politics was clear and the people were happy.
To catch something unexpected: To catch something unexpected.
The dangers of Ginseng and Shang: Ginseng and Shang: names of stars. Shen is in the west, Shang is in the east, one goes out and the other disappears, never to meet each other. Yu: Worry. It is a metaphor for the worry of people being separated and unable to see each other. There is also a metaphor.
Buyu’s reputation: Yu: unexpected; Yu: praise. No unexpected praise.
Yu, Chu and Ouyan: Yu Shinan, Chu Suiliang, Ouyang Xun and Yan Zhenqing are four calligraphers in ancient times. Generally refers to various schools of regular script
Qin Zhi Yu Yu: During the Spring and Autumn Period, Baili Xi, an official of the Yu State, did nothing. After the death of Yu, he entered the Qin Dynasty and assisted Duke Mu in establishing his hegemony. It means that a person's talent can only be realized in the appropriate environment.
The problem of holding a prong: the same as "the change of holding a prong".
The sun is thinning Yu Yuan: The sun is still thinning the west mountain. Yuyuan is the place where the sun enters in myths and legends. "Huainanzi Tianwen Xun": "To defend the sun and Yu Yuan, it is called dusk." Zhuang Kuiji Xiao:.
Dusk of Guo Dynasty towards Yu: In the Spring and Autumn Period, the Jin State pretended to be in the Yu State and went to attack the Guo State. After conquering the Guo State, it destroyed the Yu State on the way back. It is a metaphor for the rapid destruction and change.
That is, Lu Wuyu: The original intention is to go into the mountains to hunt deer. Without the help of Yu Guan who is familiar with the terrain and the nature of deer, it is a waste of effort. The latter metaphor is used to act hastily if the conditions are not mature, and it will be inevitable. 2. What are the idioms derived from Chu Suiliang?
Add fuel to the fire huǒ shàng jiāo yóu
[Explanation] Pour oil on the fire. Metaphors make people more angry; or help the situation develop. Also means "adding fuel to the fire".
》The first chapter: "Wang Ren heard this and added fuel to the fire; he rushed over with a board to beat."
[Distinguish the shape] pour; cannot write "burn".
[Synonym] Add fuel to the flames, add more power to a tiger
[Usage] Used to intentionally expand the situation. Generally used as predicate and object.
[Structure] Formal. 3. A collection of four-character calligraphy idioms
The pen moves like a dragon and snake, Yan Jin Liu Gu, iron painting and silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describes the calligraphy that is very beautiful and skillful Yan Jinliu GU yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes calligraphy that is strong, soft and beautiful and penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes calligraphy that is strong and powerful, with the tip of the pen almost showing through to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases. 4. A collection of four-character idioms in calligraphy
The dragon and snake at the bottom of the pen still mean the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just get it. "
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write Names of People from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and happy life."
Fengjin Duolifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and the commentators said that it was rich in muscles and strong, and it was able to travel in the clouds and rain. Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy. The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: "Fu Yun Fu" by Lu Ji of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fatness in ancient times, and Zijing is called barrenness today. Both ancient and modern times are different, but fatness and thinness are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is "Bee's Waist", the second word must not sound the same as the fifth word...The fourth is "Crane's Knees", the fourth is "Crane's Knees". The five characters must not have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
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