Current position:
Member of Yu Youren Book Association,
Member of Shandong Calligraphy and Seal Cutting Association,
Academician and Vice President of Huayan Painting and Calligraphy Institute.
Existing representative works: seven long volumes (20 meters) of Nanhuajing in lower case. Long scroll "Diamond Sutra" in lower case (8m). Tao Te Ching (8m) and Diamond Sutra (16m). Lowercase Long Volume of Tao Te Ching (24m)
20/kloc-August/February, the calligraphy exhibition of "Qingyi Yang Fei's calligraphy works for three people" was held in Xi 'an Anliang Baolou. His regular script Heart Sutra was collected by Liang Baolou's quality room and won the first prize of the national painting and calligraphy exhibition.
On 20/3/month, KLOC-0/month, "Returning to Tradition-Wang Xuerong's Personal Calligraphy Exhibition" appeared again in Liangbao Building.
2065438+Participated in the "Joint Exhibition of 20 Famous Calligraphy and Painting Artists in Shaanxi Province" in early April 2003.
On April 20 13, he participated in "Looking from house to house-exhibition of new works of twelve elite young and middle-aged calligraphy and painting artists in Shaanxi".
May 20 13, Wang Xuerong's lower case work "Diamond Sutra" won the "Heart of Ya 'an".
National Network Calligraphy Large-scale Public Welfare Activities "Masterpiece Award".
On June 20th/kloc-3rd, two seal script works won the first prize of "Seoul Cup" and "Great Man" calligraphy exhibition in Xi 'an, China.
On July 20 13, he participated in the exhibition "Ink and Wash Chang 'an" in Xi Academy of Fine Arts.
20 13, 1 1 participated in the exhibition of "hundred schools of calligraphy and painting" in Shaanxi province.
20 13 12, participated in the exhibition of Shaanxi Painting and Calligraphy Hall of Fame.
20 13 February, 13 was invited to participate in Xi' an "Heart of a Big City" social welfare painting and calligraphy competition.
On April 20 14, he was invited to participate in the inscription in regular script of Nalanxingde Memorial Hall in Beijing.
August 20 14, invited to participate in Xi's "First Victory Day in War of Resistance against Japanese Aggression" painting and calligraphy exhibition.
20 14 10 Liang Bao, Xue Rong, Wang Lian exhibited paintings and calligraphy.
Teacher Wang Xuerong studied books since childhood and has a good reputation both inside and outside the village. When I was a child, I visited local famous teachers and learned from them. He studies books and various subjects, especially small letters. His regular script started in Europe, and he studied under Liu Ti, then under Wei Bei for two years, and became famous in Wei and Jin Dynasties. Especially in recent years, Wang Ge has learned a lot from the original posts of the ancients, and the two kings are the ancestors. Under the careful guidance of Wei Qihou, a great Shandong calligrapher. On the basis of studying Sun's Book Score, I deeply studied the history of China's calligraphy and the history of China's calligraphy thought, looked up to the sages and looked down on myself, and began to find my own initial balance between natural aesthetic concept, personal style concept and modern aesthetic concept.
Teacher Wang Xuerong is a kind person. Treat people sincerely, without hypocrisy or affectation. Has a good reputation in the industry. As for the art of calligraphy, he can not only maintain a strong thirst for knowledge for a long time, but also conduct uninterrupted academic research. In my opinion, this modest and diligent learning attitude will not only help him get close to the truth of calligraphy, but also make him go further on the artistic road in the future! Calligraphy is really a spiritual journey. Step by step, practice thousands of times. Burial pen, Linchi wash inkstone. This is the fate of writers.
Teacher Wang Xuerong modestly calls himself a writer. Learning calligraphy writing now is nothing more than thinking that calligraphy is a kind of humanized nature, and it is a physical attempt to seek "harmony between man and nature" internally. As long as you have insight, you don't need to be empty. All this, I can't refuse. So, I borrowed paper to talk to him, and I talked about books in a panic, all of which responded gracefully to my brother. Throughout the history of book theory, there are hundreds of explanations and thousands of metaphors. In addition, calligraphy artists are called poems without words, and there is no dance; No pictures, no music. Therefore, the personal cultivation of pen and ink is very demanding. It is precisely because of this that calligraphers can construct different forms of word totems with strict statutes under the guidance of philosophical connotation by virtue of the expansion and contraction of stippling and the torsion of axis, and finally combine them into beautiful and moving calligraphy works.
As an original artistic expression of Han nationality, China's calligraphy naturally hides traces of traditional culture and racial thinking in style and content. These different forms of characters, through the combination of Chinese characters and ink color, not only reveal some potential order, but also contain recognized aesthetic principles in the book world. Therefore, as a practitioner of calligraphy art, we must deeply understand these principles and abide by them on the basis of mastering them. Perhaps only through such systematic study can calligraphers truly enter calligraphy itself on the basis of understanding tradition, and adjust their research paths according to the experience of sages, thus enhancing the depth and strength of personal calligraphy texts.