1, Yan
Yan Mingshan was written by Mi Fei in the Northern Song Dynasty. It is now in the Palace Museum in Beijing.
"Yan Mingshan" is divided into three paragraphs: the first paragraph is thirty-nine running script words written by Mi Fei on the paper of Nantang Chengxin Hall; The second paragraph is the "mountain research map" drawn;
The third paragraph is the inscription of Mi Youren, son of Mi Fei in Jin Dynasty, Wang Tingjun, nephew of Mi Fei, and Chen Hao, a painter in Qing Dynasty. "Yan" is ups and downs, free to write words, free from the shackles of predecessors' statutes, and express its natural interest.
Yan is a masterpiece of Mi Fei's calligraphy and a rare treasure in Mi Fei's big-character works.
2. "Shu Su Tie"
Shu Su Tie was written by Mi Fei, a calligrapher of the Northern Song Dynasty, in the third year of Yu Yuanyou (1088), and is now in the National Palace Museum in Taipei.
"Shu Su Tie" consists of eight poems written by the author in Shu Su, which are about the travel notes and farewell works at that time. His artistic style is based on harmonious change, naive and natural, with delicate brushwork, changeable structure and calm and happy brushwork.
Shu Sutie was praised by later generations as "the first beautiful post in China" and one of the "top ten famous posts handed down from generation to generation in China". It is called "the eighth running script in the world".
3. Hong Xian's Poems
Poems of Hong Xian is the calligraphy style of two seven-character poems written by Mi Fei himself. Paper ink quantity, ***37 lines, 2 or 3 words per line.
In Mi Fei's works handed down from ancient times, there are few calligraphy with big characters, and the big characters are not directed by Mi Fei. Mi Fei tried to call his book "Chinese calligraphy", which is obvious in his big characters. This post, in order of priority, is clearly dry and wet, seamless and naturally interesting.